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The
focus of Richard Long's new exhibition at 24 Dering Street is a
group of text works arising from walks in Ecuador, Ireland, Wales,
England and Scotland. Eight are framed and two are printed directly
on the gallery walls, continuing a practice used in the 1960s and
70s. He has said of these works:
They are descriptions of the world which are outside the parameters
of painting and sculpture. Text is the simplest and most elegant
way to present a particular idea, which could be a walk or a sculpture,
or both.
A fundamental theme of these text works is the relationship between
the artist, the Earth and the Sun. Discussing them, Richard Long
remarked:
Each day is a solar event. Time is measured in days, and walking
time can be the measure of a country. WATER WALK also measures distance
by rivers. A LINE OF 33 STONES,
A WALK OF 33 DAYS measures the days by stones. A CIRCLE OF MIDDAYS,
a 12 day clockwise walk of 360 miles, being at a new point around
an imaginary circle at each midday, is a text work which becomes
an emblematic distillation of time itself.
SPEED OF THE SOUND OF LONELINESS is a metaphor and meditation upon
speed and scale. The title is taken from a song written by John
Prine and sung by the country singer Nanci Griffith.
FROM UNCERTAINTY TO CERTAINTY is a narrative of a dispersed sculpture
which uses language, stones, chance, walking and Dartmoor.
WALKING TO A SOLAR ECLIPSE is about time and place. It makes use
of a cosmic event as a unique moment which determines the destination
of a walk. By contrast, in the only photo work in the show, SINCHOLAGUA
SUMMIT SHADOW STONES, the shadow of the volcano in Ecuador could
pass across the artist's stone circle after sunrise many times a
year.
Richard
Long has made two other new works for the exhibition: a sculpture
of chalk pebbles, CHALK PEBBLES ELLIPSE and a wall work, RIVER AVON
MUD ELLIPSE. The mud from the River Avon is formed by the flow of
tides, which themselves are caused by the gravitational forces and
movement of the moon over geological time.
Forthcoming exhibitions
The Royal West of England Academy in Bristol will show a selected
retrospective of Long's work in May this year. An installation by
him will be part of the inaugural hang at the Tate Modern, Bankside.
Richard Long will have two public sculptures in New York this Spring,
when three text works and a River Avon mud drawing will be displayed
in the New York subway trains.
Visit Richard Long's website at www.richardlong.org
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