Artists

Agnes Martin

1912	Born March 22 in Maklin, Saskatchewan, Canada. Spends youth in Vancouver, British Columbia.
1931	Moves to the United States.
1934-37	Studies at Western Washington College of Education, Bellingham, Washington.
1941-42	Attends Teachers College, Columbia University, New York. Receives B.S., 1942.
1946-48	Enrolls at the University of New Mexico, Albuquerque where she also teaches art from 1947-48.
1950	Becomes a United States citizen.
1952	Receives M.A. from Teachers College, Columbia University, New York.
1954-57	Lives in Taos, New Mexico.
1957	Moves to New York; lives on Coenties Slip in Lower Manhattan.
1958	First solo exhibition at Betty Parsons Gallery, New York.
1967-68	Moves to New Mexico; abandons painting for seven years.
1971	Publishes suite of prints, On a Clear Day, with Parasol Press.
1974	Returns to painting after seven years hiatus.
1975	First exhibition at, and beginning of association with, The Pace Gallery, New York.
1976	Produces film entitled Gabriel.
1989	Inducted as a member of the American Academy and Institute of Arts and Letters, New York.
1991	Retrospective exhibition organized by the Stedelijk Museum, Amsterdam; travels throughout Europe. Receives the Alexej von Jawlensky Prize from the city of Wiesbaden, Germany.
1992	Receives Oskar Kokoschka Prize from Austrian government.
1992-94	Major retrospective organized by the Whitney Museum of American Art, New York; travels throughout the United States and to Madrid.
1995	Participates in the "1995 Biennial Exhibition" at the Whitney Museum of American Art, New York.
1997	Receives Golden Lion for Contribution to Contemporary Art at the Venice Biennale.
1998	Receives the Distinguished Artist Award for Lifetime Achievement from the College Art Association. National Medal of Arts, an award presented by the President and the National Endowment for the Arts. Recipient of the 25th Annual Governor's Award for Excellence and Achievement in the Arts, given by Governor Gary Johnson, Santa Fe, New Mexico.

Solo Exhibitions

1958	Agnes Martin, Betty Parsons Gallery, New York, December 2 - 20.
1959-60	Paintings: Agnes Martin, Betty Parsons Gallery, New York, December 29, 1959 - January 16, 1960.
1961	Agnes Martin Paintings, Robert Elkon Gallery, New York, September 25 - October 14.
1962	Agnes Martin, Robert Elkon Gallery, New York, November 27 - December 15.
1963	Agnes Martin, Robert Elkon Gallery, New York, November 12 - 30.
1965	Agnes Martin, Robert Elkon Gallery, New York, April 10 - 30.
1965-66	Agnes Martin, Nicholas Wilder Gallery, Los Angeles, December 4, 1965 - January 8, 1966.
1966	Agnes Martin Drawings 1961-1966, Robert Elkon Gallery, New York, May 2 - 28. Paintings: Agnes Martin, Robert Elkon Gallery, New York, October 22 - November 12.
1967	October - Agnes Martin, Nicholas Wilder Gallery, Los Angeles, October.
1970	Agnes Martin: Paintings 1963-1968, Nicholas Wilder Gallery, Los Angeles, January. Agnes Martin: Drawings 1961-1966, Robert Elkon Gallery, New York, May 2 - 20.
1971	Agnes Martin, Visual Arts Gallery, School of Arts, New York, April 20 - May 25.
1972	Agnes Martin: Eight Paintings 1961-1967, Robert Elkon Gallery, New York, March 4 - 29.
1973	Agnes Martin, retrospective exhibition, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, January 22 - March 1. Travels to the Pasadena Art Museum, Pasadena, California, April 3 - May 27. (catalogue) Agnes Martin: On a Clear Day, Galerie Yvon Lambert, Paris, April 28 - May. On a Clear Day, The Museum of Modern Art, New York, May 14 - August 28.
1973-74	Agnes Martin, Kunstraum München, Munich, November 20 - December 22, 1973. Travels to Kunsthalle Tübingen, January 12 - February 24, 1974; Kaiser Wilhelm Museum, Krefeld, March 17 - April 21, 1974. (catalogue)
1974	On a Clear Day, Screenprints and Drawings by Agnes Martin, Scottish National Gallery of Modern Art, Edinburgh, February 23 - March 17. Agnes Martin: Drawings 1960 to 1967, Robert Elkon Gallery, New York, March 9 - April 3. On a Clear Day, Fine Arts Museum, Santa Fe, September 8 - December 8.
1975	Agnes Martin: New Paintings, The Pace Gallery, New York, March 1 - April 1.
1976	Agnes Martin: Recent Paintings, The Pace Gallery, New York, May 1 - 29. Agnes Martin: Paintings 1961-67, Robert Elkon Gallery, New York, May 1 - June 2.
1977	Agnes Martin: Paintings and Drawings 1957-1975, Arts Council of Great Britain, London. Travels to Hayward Gallery, London, March 2 - April 24; Stedelijk Museum, Amsterdam, May 13 - June 19. (catalogue) Agnes Martin: Recent Paintings, The Pace Gallery, New York, March 25 - April 22. Agnes Martin: Six New Paintings, The Mayor Gallery, London, April 4 - May 13. Galerie Rudolf Zwirner, Cologne. Agnes Martin: Drawings of the Sixties, Robert Elkon Gallery, New York, October 7 - November 8. Agnes Martin: Recent Drawings, Harcus/Krakow Gallery, Boston, November 4 - 29.
1979	Agnes Martin: Recent Watercolors, Margo Leavin Gallery, Los Angeles, April 7 - May 5. The Islands, Museum of Fine Arts, Santa Fe, July 1 - 29. Agnes Martin, The Pace Gallery, New York, September 21 - October 13.
1980	Agnes Martin New Paintings, Watercolors, Richard Gray Gallery, Chicago, September 27 - October 31. Agnes Martin Paintings 1980, The Pace Gallery, New York, November 14 - December 13.
1980-81	Agnes Martin, exhibition of a series of twelve paintings completed in 1979, organized by the Pace Gallery, New York. Travels to Wichita State University, Wichita, Kansas, March 18 - April 6, 1980; Denver Art Museum, Denver, Colorado, May 24 - June 29, 1980; La Jolla Museum of Contemporary Art, La Jolla, California, August 15 - September 28, 1980; Seattle Art Museum, Seattle, Washington, November 13 - December 31; Portland Art Museum, Portland, Oregon, January - February 1981; Akron Art Institute, Akron, Ohio, March 14 - May 10, 1981; Glenbow Museum, Calgary, Alberta, Canada, August - October 11, 1981; and Mendel Art Gallery, Saskatoon, Saskatchewan, Canada, November 13 - December 20, 1981.
1981	Agnes Martin Paintings 1981, The Pace Gallery, New York, September 25 - October 31.
1982	Agnes Martin, exhibition organized by Glenbow-Alberta Institute, Calgary, Alberta, and the Mendel Art Gallery, Saskatoon, Saskatchewan. Presented at Centre Saidye Bronfman, Montreal, February 23 - March 14.
1982-83	Agnes Martin: New Paintings, The Pace Gallery, New York, December 3, 1982 - January 8, 1983.
1984	Agnes Martin: Recent Paintings, The Pace Gallery, New York, January 20 - February 11. Agnes Martin: Recent Paintings, The Mayor Gallery, London, February 1 - March 16.
1985	Agnes Martin: Paintings 1985, The Pace Gallery, New York, January 18 - February 16. Agnes Martin: Recent Paintings, Margo Leavin Gallery, Los Angeles, October 18 - November 16.
1986	Agnes Martin: Recent Paintings, Waddington Galleries, London, February 5 - March 1. (catalogue) Agnes Martin: Neue Bilder-Zeichnungen, Annemarie Verna Galerie, Zurich, April 23 - May 24. Agnes Martin: Works on Paper, Garry Anderson Gallery, Sydney, Australia, June 17 - July 12. Agnes Martin, The Pace Gallery, New York, September 19 - October 25.
1987	Agnes Martin: Peintures 1975-1986, Galerie Yvon Lambert, Paris, April 25 - May 20.
1988	Agnes Martin, Barbara Krakow Gallery, Boston, March 5 - 30.
1989	Agnes Martin: New Paintings, The Pace Gallery, New York, January 20 - February 18. Agnes Martin, Akira Ikeda Gallery, Tokyo, April 4 - 22. (catalogue) Agnes Martin: Recent Paintings, The Cleveland Museum of Art, July 5 - September 10.
1990	Waddington Galleries Ltd., London.
1990-91	Agnes Martin: New Paintings, The Pace Gallery, 142 Greene Street, New York, December 7, 1990 - January 12, 1991.
1991	Agnes Martin Paintings: 1959-1969, Mary Boone Gallery, New York, February 2 - 23. 30 prints by Agnes Martin, Chianti Foundation, Marfa, Texas, Winter 1991. Agnes Martin: Gemälde und Zeichnugen 1974-1990, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany, April 8 - June 10.
1991-92	Agnes Martin: Paintings and Drawings 1974-1990, Stedelijk Museum, Amsterdam, Netherlands, March 22 - May 12, 1991. Traveled to Museum Wiesbaden, Germany, May 26 - July 21, 1991; Westfälisches Landesmuseum, Münster, Germany, August 4 - October 6, 1991; Musée d'Art Moderne de la Ville de Paris, France, October 24, 1991 - January 6, 1992. (catalogue) Agnes Martin: New Paintings, The Pace Gallery, New York, December 6, 1991 - January 4, 1992.
1992	Agnes Martin: Werke 1961-1989, Kunstmuseum Winterthur, Winterthur, Switzerland, January 19 - March 15. (catalogue) Agnes Martin, Hochschule für angewandte Kunst, Vienna, February 6 - March 7. Agnes Martin, Galerie Yvon Lambert, Paris, May 16 - June 20.
1992-94	Agnes Martin, retrospective exhibition, Whitney Museum of American Art, New York, November 6, 1992 - January 31, 1993. Travels to Milwaukee Art Center, Milwaukee, Wisconsin, February 12 - April 4, 1993; Center for the Fine Arts, Miami, Florida, May 22 - August 1, 1993; Houston Contemporary Arts Museum, Houston, Texas, September 10 - October 31, 1993; Museo Centro de Arte Reina Sofía, Madrid, Spain, November 23, 1993 - February 21, 1994. (catalogue)
1993	Wildenstein Gallery, Tokyo, May 17 - June 30. (catalogue) Agnes Martin: Paintings and Drawings 1977-1991, Serpentine Gallery, London, September 8 - October 24. (catalogue)
1994	Agnes Martin: Paintings from 1991 & 1992, Galerie Michael Werner, Cologne, January 22 - March 5. Santa Fe Museum of Fine Arts, March 26 - May 15. Agnes Martin: Recent Paintings, Stockholm Konsthall, Magasin 3, Stockholm, May 26 - September 8.
1995	Agnes Martin Recent Paintings, PaceWildenstein, New York, February 17 - March 18. Agnes Martin, Mackenzie Art Gallery, Regina, Saskatchewan, Canada, April 15 - June 18; traveled to University Art Museum and Pacific Film Archive, Berkeley, California, July 12 - September 24.
1996	Agnes Martin: New Paintings, PaceWildenstein, Los Angeles, January 10 - February 3. Agnes Martin Painting & Drawing, Galerie Daniel Blau, Munich, Early Spring. Agnes Martin: New Drawings and Watercolors, PaceWildenstein, New York, March 28 - April 27. Agnes Martin, Annemarie Verna Galerie, Zurich, May 21 - July 20.
1997	Agnes Martin: Recent Paintings, PaceWildenstein, New York, January 16 - February 15. Agnes Martin Gallery, Harwood Museum, Taos, New Mexico, opens October 31, 1997. (Permanent installation)
1998	Agnes Martin: New Paintings, PaceWildenstein, New York, March 27 - April 25. Agnes Martin: Works on Paper, Museum of Fine Arts, Museum of New Mexico, Santa Fe, May 15 - August 17. (catalogue) Agnes Martin, Galeria 56, Budapest, June 2 - July 4. Agnes Martin: New Paintings, PaceWildenstein, Los Angeles, October 8 - 31.
1999	Agnes Martin: New Paintings, 1999 Edinburgh International Festival, Inverleith House, Royal Botanic Garden, Edinburgh, Scotland, August 14 - October, 1999.
2000	Agnes Martin, PaceWildenstein, New York, April 27 - June 10, 2000. Lovely Life: The Recent Work of Agnes Martin, Whitney Museum of American Art, New York, October 1 - October 29, 2000.

Two-Person Exhibitions

1989-90	Agnes Martin and Donald Judd, Museum of Fine Arts, Boston, October 25, 1989 - February 25, 1990.
1992	Agnes Martin/Richard Tuttle, Galerie Yvon Lambert, Paris, May 16 - June 17, 1992.
1998	Hiroshi Sugimoto Recent Seascapes & Agnes Martin Works on Paper, Fraenkel Gallery, San Francisco, March 5 - April 25, 1998. Agnes Martin/Richard Tuttle, Modern Art Museum of Fort Worth, Texas, April 26 - August 2, 1998. Travels to SITE Santa Fe, New Mexico, August 15 - October 20, 1998.

Selected Public Collections

The Ackland Art Museum, University of North Carolina, Chapel Hill, North Carolina

Albright-Knox Art Gallery, Buffalo, New York

The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut

Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio

American Academy and Institute of Arts and Letters, New York, New York

Art Gallery of Ontario, Toronto, Canada

Australian National Gallery, Canberra, Australia

The Chase Manhattan Collection, New York, New York

The Chinati Foundation/La Fundación Chinati, Marfa, Texas

The Cleveland Museum of Art, Cleveland, Ohio

Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts

Des Moines Art Center, Des Moines, Iowa

Dia Center for the Arts, New York, New York

Fogg Art Museum, Harvard University, Cambridge, Massachusetts

Fundació La Caixa, Barcelona, Spain

The Grey Art Gallery and Study Center, New York University Art Collection, New York, New York

Harwood Foundation, Taos, New Mexico

High Museum of Art, Atlanta, Georgia

Hirishima City Museum of Contemporary Art, Hiroshima, Japan

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Ho-Am Art Museum, Seoul, Korea

Hugh Lane Municipal Gallery of Modern Art, Dublin, Ireland

Isreal Museum, Jerusalem, Israel

Los Angeles County Museum of Art, Los Angeles, California

Los Angeles Museum of Contemporary Art, Los Angeles, California

Magasin 3 Kunsthall, Stockholm, Sweden

The Menil Collection, Houston, Texas

The Metropolitan Museum of Art, New York, New York

Milwaukee Art Museum, Milwaukee, Wisconsin

Musée national d'art moderne, Centre Georges Pompidou, Paris, France

Museum of Art, Rhode Island School of Design, Providence, Rhode Island

Museum of Contemporary Art, Los Angeles, California

Museum of Contemporary Art, San Diego, La Jolla, California

Museum of Fine Arts, Santa Fe, New Mexico

The Museum of Modern Art, New York, New York

National Gallery of Art, Washington, DC

The Nelson-Atkins Museum of Art, Kansas City, Missouri

Neuberger Museum, State University of New York at Purchase, Purchase, New York

Neue Galerie-Sammlung Ludwig, Aachen, Germany

Norton Simon Museum, Pasadena, California

Österreichische Ludwigstiftung, Vienna, Austria

The Refco Collection, Chicago, Illinois

Rivendell Collection, Richard and Marieluise Black Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York

San Francisco Museum of Modern Art, San Francisco, California

Solomon R. Guggenheim Museum, New York, New York

Stedelijk Museum, Amsterdam, Netherlands

Stiftung Ludwig, Palais Lichtenstein, Vienna, Austria

Tate Gallery, London, Great Britain

Wadsworth Atheneum, Hartford, Connecticut

Walker Art Center, Minneapolis, Minnesota

Whitney Museum of American Art, New York, New York

Worcester Art Museum, Worcester, Massachusetts

Yale University Art Gallery, New Haven, Connecticut

Selected Group Exhibitions

1961-62	1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Carnegie Institute, Pittsburgh, Pennsylvania, October 27, 1961 - January 7, 1962. (catalogue)
1962	Geometric Abstraction in America, Whitney Museum of American Art, New York, March 20 - May 13. (catalogue) Six Americans, Tooth Gallery, London
1963	Formalists, Gallery of Modern Art, Washington D.C. Black, Grey and White, Wadsworth Atheneum, Hartford, Connecticut
1965-67	American Drawings, Solomon R. Guggenheim Museum, New York Art Across America, Mead Corporation
1966	Whitney Museum Collection, Whitney Museum of American Art, New York Systematic Painting, Solomon R. Guggenheim Museum, New York
1967	The Responsive Eye, The Museum of Modern Art, New York A Romantic Minimalism, Institute of Contemporary Art, Philadelphia, Pennsylvania Form, Color, Image, Detroit Institute of Art, Michigan Annual, Whitney Museum of American Art, New York Thirtieth Biennial, Corcoran Gallery of Art, Washington, D.C.
1968	Betty Parsons Collection, Finch Museum, New York The Pure and Clear, Philadelphia Museum, Pennsylvania
1969	Art of the Real U.S.A., Kunsthaus Zürich
1970	A Decade of Accomplishment, Illinois Bell Telephone Co., Chicago American Drawings, Galerie Yvon Lambert, Paris
1971	White on White, Museum of Contemporary Art, Chicago
1972	Grids, Institute of Contemporary Art, University of Pennsylvania, Philadelphia Paintings by American Women, Randolph-Macon College, North Carolina documenta 5, Kassel, Germany
1973-74	Quinze Americains, Galerie Denise René and Galerie Daniel Templon, Paris, December 1973 - January 1974
1974	Nine Artists/Coenties Slip, Whitney Downtown, New York
1975	Fundamental Painting, Stedelijk Museum, Amsterdam
1976	Critical Perspectives in American Art, University of Massachusetts, Amherst Aspects of Post-War Painting in America, Solomon R. Guggenheim Museum, New York Venice Biennale, Venice, Italy Drawing Now, The Museum of Modern Art, New York. Travels to the College of Art, Edinburgh, Scotland; Kunsthaus Zürich, Switzerland; Staatliche Kunsthalle Baden-Baden, West Germany; Sonja Henie-Niels Onstad Museum, Oslo, Norway
1977	Biennial, Whitney Museum of American Art, New York Group Show, The Pace Gallery, New York, June 13 - July 31
1978	Four Contemporary Painters, Cleveland Museum of Art, Ohio American Painting of the 1970's, Albright-Knox Gallery, Buffalo, New York
1979	The Reductive Object: A Survey of the Minimalist Aesthetic in the 1960's, Institute of Contemporary Art, Boston Seventy Third American Exhibition, Art Institute of Chicago
1980	Twenty Americans, San Francisco Museum of Modern Art, California Venice Biennale, American Pavilion, Venice, Italy ROSC International Art Exhibition, Dublin, Ireland Ten American Artists From The Pace Gallery, Wildenstein, London, June 18 - July 18
1981	The 37th Biennial Exhibition of Contemporary Painting, The Corcoran Gallery of Art, Washington D.C.
1983	American Postwar Purism, Marilyn Pearl Gallery, New York
1984	The Tremaine Collection, Wadsworth, Atheneum, Hartford, February 26 - April 29
1985	Visiting Artists, Kemper Gallery, Kansas City Art Institute Contrasts of Form, The Museum of Modern Art, New York (catalogue) 37th Annual Purchase Exhibition, American Academy and Institute of Arts and Letters, New York
1986	The Heroic Sublime, Charles Cowles Gallery, New York Work from the Pace Gallery, The Moody Gallery of Art, University of Alabama, Birmingham 50th Annual National Midyear Show, Butler Institute of American Art America: Art and the West, Art Gallery of Western Australia, Perth, Australia. Travels to the Art Gallery of New South Wales, Sydney, Australia Individuals; A Selected History of Contemporary Art, The Museum of Contemporary Art, Los Angeles The Idea of North, 49th Parallel, New York
1986-87	Elders of the Tribe, Bernice Steinbaum Gallery, New York (catalogue)
1988	Annemarie Verna Galerie, Zurich
1988-89	Carnegie International, Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania, November 5, 1988 - January 22, 1989 (catalogue)
1989	Making Their Mark; Women Artists Move into the Mainstream, 1970-85, Cincinnati Art Museum, February 24 - April 2. Travels to New Orleans Museum of Art, May 6 - June 18; Denver Art Museum, July 22 - September 10; Pennsylvania Academy of the Fine Arts, October 21 - December 31 (catalogue) American Academy and Institute of Arts and Letters, New York, May 18, June 11 Bilderstreit; Widerspruch, Einheit und Fragment in der Kunst seit 1960, Museum Ludwig, Cologne, April 8 - June 28, 1989
1989-90	Abstraction-Geometry-Painting: Selected Geometric Abstract Painting in America since 1945, Albright-Knox Art Gallery, Buffalo, September 17 - November 5, 1989. Travels to Center for the Fine Arts, Miami, December 15, 1989 - February 25, 1990; Milwaukee Art Museum, Milwaukee, April 1 - June 1, 1990; Yale University Art Gallery, New Haven, July 1 - August 30, 1990 (catalogue) American Masters, Fabian Carlsson Gallery, London, December 15, 1989 - February 6, 1990 Constructing a History, The Museum of Contemporary Art, Los Angeles, November 19, 1989 - March 4, 1990
1990	The Image of Abstract Painting in the 80s, Rose Art Museum, Brandeis University, Waltham, Massachusetts, March 18 - April 29 Quotations: Annemarie Verna Gallery 1969-1989 (Part I), Annemarie Verna Galerie, Zurich, March - April GegenwartEwigkeit, Martin-Gropius-Bau, Berlin The Future of the Object! A Selection of American Art; Minimalism and After, Galerie Ronny Van de Welde, Antwerp, May 22 - July 28 Kulturen-Verwandtschaften in Geist und Form, Galerie Nachte St. Stephan, Vienna, March 31 - May 26 Minimalist Prints, Susan Sheehan Gallery, New York, May 1 - June 29 American Masters of the 60's, Tony Shafrazi Gallery, New York, May 9 - June 23 Portrait of an American Gallery, Galerie Isy Brachot, Brussels, April 19 - June 23 Art in Europe and America: The 1960s and 1970s, Wexner Center for the Visual Arts, Ohio State University, Columbus, May 19 - August 5 Sculpture and Painting, The Pace Gallery, New York, July 16 - August 24 Pharmakon '90, Nippon Convention Center, Makuhari Messe International Exhibition Hall, July 28 - August 20 Kunstlerinnen des 20. Jahrhunderts, Museum Wiesbaden, September 1 - November 25 (catalogue) Five Artists from Coenties Slip: 1956-1965, Richard Green Gallery, Santa Monica, September 20 - October 27 Project Room, John Weber Gallery, New York, October 6 - 27 Minimal Art, The National Museum of Art, Osaka, October 6 - November 25 (catalogue)
1990-91	Four Centuries of Women's Art Travels to The Bunkamura Museum of Art, Shibuya, August 15 - September 16, 1990; The Museum of Modern Art, Kamakura, September 29 - October 28, 1990; Sapporo Tokyu, Sapporo, November 1 - November 13, 1990; Tenjin Iwataya, Fukuoka, January 15 - January 28, 1991; Daimaru Museum Umeda, Osaka, February 20 - March 11, 1991; Nagano Tokyu, Nagano, March 15 - March 27, 1991; Hiroshima Museum of Art, April 4 - May 6, 1991; Matsuzakaya Museum, Nagoya, May 23 - June 9, 1991 (catalogue) Kunstlerinnen des 20. Jahrunderts, Museum Wiesbaden, Wiesbaden, Germany, September 1 - November 25, 1990 (catalogue) Language in Art, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, October 20, 1990 - January 6, 1991 Hesse, Lawler, Martin, Meyer, Pfaff, Smith, Winsor, Holly Solomon Gallery, New York, December 20, 1990 - January 19, 1991 (catalogue)
1990-93	Contemporary American Artists, Residence of Ambassador and Mrs. John D. Negroponte, Mexico City (catalogue)
1991	Masterpieces from the Permanent Collection, The Museum of Contemporary Art, Los Angeles, January 19 - February 17 Geometries of Color: American Post-Painterly Abstraction, Stux Modern, New York, January 30 - March 9 (catalogue) Post-War Geometric Concepts, Marylin Pearl, New York, March 6 - April 6 Not On Canvas, Asher-Faure, Los Angeles, February 16 - March 23 Compulsion, Jamison Thomas Gallery, New York, March 28 - April 27 Minimalism and Post-Minimalism: Drawing Distinctions and Selections from the Elaine and Werner Dannheisser Collection: Painting and Sculpture from the '80s and '90s, The Parrish Art Museum, Southampton, New York, September 22 - November 17
1992	Arte Americana 1930-1970, Lingotto, Turin, Italy, January 8 - March 31 (catalogue) Rubin Spangle Gallery, January 11 - February 8 Yvonne Lambert Collectionne, Musée des Beaux-Arts, Paris, January 18 - April 20 William S. Paley Collection, The Museum of Modern Art, New York, February 2 - May 7 (catalogue) Behind Bars, Thread Waxing Space, New York, March 17 - April 25 Passions & Cultures: Selected Works from the Rivendell Collection, 1967-1991, Richard and Marieluise Black Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on- Hudson, New York, April 4 - December (catalogue) Summer group exhibition, The Pace Gallery, New York, June 5 - September 11 Repetición/Transformación, Museo Nacional Centro de Arte Reina Sofía, Madrid, October 6 - December 6 (catalogue)
1992-93	The Geometric Tradition in American Art: 1930-1990, Whitney Museum of American Art, New York, December 9, 1992 - February 14, 1993
1993	Coenties Slip, The Pace Gallery, 142 Greene Street, New York, January 16 - February 13 (catalogue) American Art in the Twentieth Century: Painting and Sculpture 1913-1993, Martin-Gropius-Bau, Berlin, May 8 - July 25, and Royal Academy of Arts, London, September 16 - December 12 (catalogue) Singular Dimensions in Painting, Guggenheim Museum SoHo, New York, May 27 - August 22 Early Minimal Art Masterworks, John Weber Gallery, New York, September 11 - October 9 On Paper: Vija Celmins, Judy Fishkin, Agnes Martin, Ellen Phelan, AsherFaure, Los Angeles, November 6 - December 21
1993-94	Der zerbrochene Spiegel; Positionen zur Malerei (The Broken Mirror; Approaches to Painting). Museumsquartier Messepalast und Kunsthalle Vienna, May 26 - July 25, 1993; Deichtohallen, Hamburg, October 14, 1993 - January 2, 1994 (catalogue)
1994	Retrospektiv I: Agnes Martin, Robert Mangold Werke 1962-1994, Annemarie Verna Galerie, Zurich, February 16 - March 11 30 YEARS--Art in the Present Tense: The Aldrich's Curatorial History 1964-1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 - September 17 The Tradition of the New: Postwar Masterpieces From the Guggenheim Collection, Solomon R. Guggenheim Museum, New York, May 20 - September 11 Dream of the Absolute, Galerie Beyeler, Basel, June - September On a Clear Day, Staatliche Kunsthalle Baden-Baden, Germany, July 7 - September 11 White Works, PaceWildenstein, New York, July 8 - September 9
1995	From the Collection: Photography, Sculpture, and Painting, Whitney Museum of American Art, New York, February - March 15 1995 Biennial Exhibition, Whitney Museum of American Art, New York, March - June 25 Artist's Choice: Elizabeth Murray, The Museum of Modern Art, New York, June 19 - August 22 Drawing the Line, Whitechapel Art Gallery, London, July 6 - September 10
1995-96	52nd Carnegie International, Carnegie Institute, Pittsburgh, November 5, 1995 - February 18, 1996; curated by Richard Armstrong Diary of a Human Hand, Galerie Du Centre Des Arts Saidye Bronfman, Montréal, Québec, December 7, 1995 - January 19, 1996. Traveled to the Center for Curatorial Studies at Bard College, Annandale-on-Hudson, New York, March 16 - 31, 1996
1996	Inside the Visible: An Elliptical Traverse of 20th Century Art, Institute of Contemporary Art, Boston, January 31 - May 12 Abstraction in the 20th Century: Total Risk, Freedom, Discipline, Solomon R. Guggenheim Museum, New York, February 9 - May 12 The Innocence of Trees: Agnes Martin and Emily Carr, Morris and Helen Belkin Art Gallery, The University of British Columbia, Vancouver, Canada, March 14 - May 27 In Quest of the Absolute, Peter Blum, New York, April 6 - June 8 Agnes Martin, Alice Trumbell Mason and Ann Ryan: Paintings and collages from the 50s, Joan Washburn Gallery, New York, May 29 - July 12 Negotiating Rapture: The Power of Art to Transform Lives, Museum of Contemporary Art, Chicago, June 21 - October 20 Coenties Slip Artists: Now and Then, Elise Goodheart Fine Arts, Sag Harbor, New York, June 22 - July 14
1996-97	Art at the End of the 20th Century, Alexandros Soutzos Museum, Athens, June 10 - August 18, 1996. Travels to Museu d'Art Contemporani, Barcelona, December 8, 1996 - April 6, 1997 titled Multiple Identity: Selections from the Whitney Museum of American Art; and Kunstmuseum, Bonn, June 1 - September 1, 1997 Some Recent Acquisitions, The Museum of Modern Art, New York, November 15, 1996 - January 2, 1997
1997	Works on Paper, Peter Blum, New York, January 15 - March 31 Barbara Krakow Gallery, Boston, January 25 - March 5 Original Visions: Shifting the Paradigm, Women's Art 1970-1996, Charles S. and Isabella V. McMullen Museum of Art, Boston College, Boston, January 26 - May 18 Color on Paper, Galerie Nacht St. Stephan: Rosemarie Schwarzwalder, Vienna, January In Celebration: Works of Art from the Collections of Princeton Alumni and Friends of the Art Museum, Princeton University, The Art Museum, Princeton University, Princeton, New Jersey, February 22 - June 8 Going the Distnace: A Generational Survey of Women Artists, Lawrence Gallery, Rosemont College, Rosemont, PA, April 24 - May 26 More Than One: Twentieth-Century Print Portfolios, The Museum of Modern Art, New York, May 16 - September 2 The Hirshhorn Collects: Recent Acquisitions 1992-1996, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., June 4 - September 7 La Biennale di Venezia: Future, Present, Past, XLVII International Arts Exhibition, Venice, June 15 - November 9, curated by Germano Celant Affinities with the East, Robert Miller, New York, June 24 - August 1, curated by John Sacchi Summer 1997, PaceWildenstein, New York, June 30 - August 22 Inaugural Exhibition Ace Gallery Mexico, Ace Gallery, Mexico, September 9 - November 15 Project Painting, Basilico Fine Arts, New York, September 11 - October 11, 1997 Thresholds - Limits of Perception, Eigth Floor Gallery, New York, October 14 - 25, 1997 Contemporary Art in Transition - From the Collection of the Ho-Am Art Museum, Ho-Am Art Gallery, Seoul, Korea, October 17 - December 28, 1997
1997-98	Modern Art and the Religious Imagination, National Gallery of Victoria, Melbourne, April 23 - , 1998 Crossing the Threshold, Steinbaum Krauss, New York, December 6, 1997 - January 3, 1998
1997-99	"Drawing Is Another Kind of Language": Recent American Drawings from a New York Private Collection, Arthur M. Sackler Museum, Harvard University, Cambridge, December 12, 1997 - February 22, 1998. Travels to Graphische Sammlung Albertina, Vienna, March 18 - May 17, 1998; Kunstmuseum, Winterthur, September 4 - November 15, 1998; Kunstmuseum, Ahlen, November 28, 1998 - January 24, 1999; Akademie der Kunste, Berlin, February 19 - May 2, 1999; and The Parrish Art Museum, Southampton, September - November 1999
1998	Then and Now: Art Since 1945 at Yale, Yale University Art Gallery, New Haven, February 10 - July 31, 1998 Material Perfection: Minimal Art & Its Aftermath Selected from the Kerry Stokes Collection, Lawrence Wilson Art Gallery, University of Western Australia, Perth, Australia, February 13 - April 12, 1998 Summer Group Show, PaceWildenstein, New York, July 6 - August 21, 1998 Art in New Mexico, Part I: Agnes Martin, Bruce Nauman, Susan Rothenberg, Richard Tuttle, James Kelly Contemporary, Santa Fe, New Mexico, July 31 - October 2, 1998
1999	Art at Work: Forty Years of the Chase Manhattan Collection, The Museum of Fine Arts, Houston and Contemporary Arts Museum, March 3 - May 2, 1999 Drawn From the Artists' Collections, The Drawing Center, New York, April 24 - June 12, 1999. Traveled to UCLA at the Hammer Museum of Art, Los Angeles, July 13 - September 26, 1999 Drawings from the 1960s, Curt Marcus Gallery, New York, April 30 - May 29, 1999 Searchlight: Consciousness at the Millenium, CCAC Institute, Oakland/San Francisco, California, September 25 - December 11, 1999
1999-2000	The American Century: Art & Culture 1950-2000, Whitney Museum of American Art, New York, September 26, 1999 - February 13, 2000 Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., October 7, 1999 - January 17, 2000. Travels to Haus der Kunst, Munich, February 11 - April 30, 2000 Masters of Contemporary Art from the Chase Manhattan Collection, Queens Museum of Art, Flushing Meadows, New York, May 21 - September 15, 2000 Work on Paper Richmond Burton, Brice Marden and Agnes Martin, Dartmouth College, Hanover, New Hampshire, September 26 - October 22, 2000

Bibliography :

Books

1968	Battcock, Gregory. Minimal Art, New York: EP Dutton & Co., pp. 42, 45, 74.
1971	Calas, Nicholas and Calas, Elena. Icons and Images, New York: EP Dutton & Co., pp. 216-17. Lippard, Lucy R. "Diversity in Unity: Recent Geometricizing Styles in America" in Leymarie, Jean, ed. Art Since Mid-Century, vol. 1, Greenwich, CT: New York Graphics Society, pp. 231-233.
1972	Hunter, Sam. American Art of the 20th Century, New York: Harry N. Abrams, Inc., pp. 350-351.
1990	Newman, Marketa. Biographical dictionary of Saskatchewan Artists: Women Artists, Saskatoon, Saskatchewan: Fifth House Publishers, pp. 151-155. Taylor, Sue, ed. The Refco Collection. Chicago: Refco Group, Ltd., pp. 116-117. Agnes Martin: Hiljaisuus Taloni Lattialla. Finland: Vapaa Taidekoulu. Art Gallery of Ontario: Selected Works. Toronto: Art Gallery of Ontario.
1991	Bloem, Marja, ed. Agnes Martin: Paintings and Drawings 1974-1990. Amsterdam: Stedelijk Museum. (exhibition catalogue)
1992	Schwarz, Dieter, ed. Writings/Schriften. Winterthur: Kunstmuseum Winterthur/Edition Cantz. Haskell, Barbara. Agnes Martin. New York: Whitney Museum of American Art. (exhibition catalogue)
1995	Basha, Regine. Diary of a Human Hand, Montréal: Gallery of the Saidye Bronfman Centre for the Arts.
1997	Archer, Michael. Art Since 1960. Thames and Hudson, London.
1998	Material Perfection: Minimal Art & Its Aftermath Selected from the Kerry Stokes Collection, Lawrence, Perth: Wilson Art Gallery, University of Western Australia. (exhibition catalogue) Auping, Michael. Agnes Martin/Richard Tuttle, Modern Art Museum of Forth Worth, Texas. (exhibition catalogue) Brandauer, Aline C., Harmony Hammond and Ann Wilson, Agnes Martin: Works on Paper, Museum of Fine Arts, Museum of New Mexico, Santa Fe. (exhibition catalogue)
1999	Philips, Lisa. The American Century: Art & Culture 1950-2000, New York: Whitney Museum of American Art. (exhibition catalogue) Benezra, Neal, Olga M. Viso. Regarding Beauty: A view of the Late Twentieth Century, essay by Arthur C. Danto. Washington, D.C., Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. Torres, Ana Maria and Denis Pelli. Thresholds: Limits of Perception, New York: New York Arts Magazine.
2000	Meyer, James, ed. Minimalism. London: Phaidon Press Ltd., .

Periodicals

1957	"Institute of Contemporary Art, Philadelphia; Exhibition," Art International, April 1957, p. 57.
1958	Burckhardt, Edith. "Exhibition at Section 11," ARTnews, December, 1958, p. 17. Ashton, Dore. "Premiere Exhibition for Agnes Martin," The New York Times, December 6, 1958, p. 26.
1959	Ventura, Anita. "Exhibition at Section 11," Arts Magazine, January 1959, p. 59. Ashton, Dore. "Art Drawn from Nature," The New York Times, December 29, 1959, p. 23.
1960	Campbell, Lawrence. "Exhibition at Section 11," ARTnews, January 1960, p. 16. "Exhibition at Section 11," Arts Magazine, January 1960, pp. 50-51.
1961	Edgar, Natalie. "Exhibition at Betty Parsons," ARTnews, October 1961, pp. 11-12. Coates, Robert M. "Variations on Themes," The New Yorker, October 14, 1961, pp. 202-02, 07.
1962	Jacobs, Rachel. "L'idéologie de la peinture americaine," Aujourd'hui, June 1962, p. 18.
1963	Beck, James H. "Exhibition at Robert Elkon," Arts Magazine, February 1963, p. 48. Melville, Robert. "Three Sorts of Blot," Architectural Review, March 1963, p. 215. Lonngren, Lillian. "Exhibition at Robert Elkon," ARTnews, December 1963, p. 52.
1964	Judd, Donald. "Exhibition at Robert Elkon," Arts Magazine, January 1964, pp. 33-4. Rose, Barbara. "New York Letter," Art International, January 1964, p. 53.
1965	Hess, Thomas B. "You Can Hang It in the Hall," ARTnews, April 1965, p. 52. Johnston, Jill. "Exhibition at Robert Elkon," ARTnews, April 1965, p. 10. Berkson, W. "Exhibition at Robert Elkon," Arts Magazine, June 1965, p. 66. Lippard, Lucy. "New York Letter," Art International, September 1965, p. 60. Frankenstein, Alfred. "Religious Mood in Abstract Art," San Francisco Chronicle, November 19, 1965, p. 52.
1966	"Agnes Martin," Quadrum 20, 1966, pp. 148-9. Alloway, Lawrence. "Background to the Systemic," ARTnews, October 1966, p. 30-3. Wilson, Ann. "Linear Webs," Art and Artists, October 1966, pp. 46-9. Ashton, Dore. "Systemic Painting at Guggenheim," Arts and Architecture, November 1966, p. 7. Mellow, James R. "New York Letter," Art International, November 1966, pp. 42-5. Kozloff, Max. "Art," The Nation, November 14, 1966, pp. 524-5. Benedikt, Michael. "New York Letter," Art International, December 1966, p. 65. Perreault, John. "Exhibition at Robert Elkon," ARTnews, December 1966, p. 14.
1967	Michelson, Annette. "Agnes Martin," Artforum, January 1967, pp. 46-7. Lippard, Lucy. "The Silent Art," Art in America, January/February 1967, p. 61. Dienst, R.G. "Austellungen im New York - Ten (Dwan Galerie)," Kunstwerk, February 1967, pp. 27-8, 36. Perreault, John. "Union Made: Report on a Phenomenon," Arts Magazine, March 1967, p. 28. "Homage to the Square," Art in America, July/August 1967, p. 55. Livingston, Jane. "Exhibition at Nicholas Wilder Gallery," Artforum, December 1967, p. 62.
1968	Burton, Scott. "A Different Stripe," ARTnews, February 1968, pp. 55, 36ff. Mendelbaum, Elaine. "Insoluble Units, Unity and Difficulty," art journal, Spring 1968, pp. 259-60. Seldis, Henry J. "A Broad but Rare Contemporay View," The Los Angeles Times, November 17, 1968, p. 56.
1969	Canaday, John. "Art; Drawings Touched with Mystery," The New York Times, May 10, 1969, p. 27. Mellow, James R. "New York Letter," Art International, Summer 1969, p. 51. Ratcliff, Carter. "Exhibition at Robert Elkon," ARTnews, Summer 1969, p. 18.
1970	Muller, Gregoire. "After the Ultimate," Arts Magazine, March 1970, p. 31. Young, Joseph E. "Exhibition at Nicolas Wilder," Art International, March 1970, p. 54. Plagens, Peter. "Exhibition at Nicolas Wilder," Artforum, April 1970. Hobhouse, Janet. "Exhibition at Robert Elkon," Arts Magazine, May 1970, p. 63. Henry, Gerrit. "Exhibition at Robert Elkon," ARTnews, Summer 1970, p. 64. Terbell, M. "Exhibition at Nicolas Wilder," Arts Magazine, September 1970, p. 85. Chandler, John Noel. "Drawing Reconsidered," Artscanada, October 1970, p. 40.
1971	Nochlin, Linda. "Why Have There Been No Great Women Artists,", ARTnews, January 1971, p. 37. Linville, Kasha. "Agnes Martin; An Appreciation," Artforum, June 1971, pp. 72-3. Ratcliff, Carter. "Exhibition at the School of Visual Arts," ARTnews, September 1971, p. 16.
1972	Borden , Lizzie. "Group Drawing Show at Bykert," Artforum, February 1972, p. 88. Canaday, John. "Art; Ryman's White on White Oeuvre," The New York Times, March 4, 1972, p. 23. Bishop, James. "Exhibition at Robert Elkon," ARTnews, April 1972, p. 55. Elderfield. John. "Grids", Artforum, May 1972, pp. 52-9. Kramer, Hilton. "Documenta V; The Bayreuth of the Neo-Dadaists,", The New York Times, July 9, 1972, Section 2, p. 15. Twaites, John Anthony. "Kassel - In the Air?" Art and Artists, September 1972, p. 29. Ratcliff, Carter. "Adversary Spaces," Artforum, October 1972, pp. 40-4. "Cosmologies," Artforum, October 1972, pp. 47-50. van der Marck, Jan. "Venice and Kassel: The Old and the New Solicitors," Art in America, November/December 1972, p. 133.
1973	Alloway, Lawrence. "Formlessness Breaking Down Form: The Paintings of Agnes Martin," Studio, February 1973, pp. 61-63. Wilson, Ann. "Untroubled Mind (Oral and Wriiten Statements by Agnes Martin given to and recounted by Ann Wilson)" Studio, February 1973, vol. 186, pp. 103-4. Borden, Lizzie. "Early Work," Artforum, April 1973, pp. 39-44. "Agnes Martin," Artforum, April 1973, pp. 32-37. "Reflection", Artforum, April 1973, p. 38. Ratcliff, Carter. "Agnes Martin and the Artificial Infinite," ARTnews, May 1973, pp. 26-27. Schjeldahl, Peter. "Institute of Contemporary Art, Philadelphia; Exhibition," Art in America, May 1973, p. 110. Celant, Germano. "Agnes Martin," Flash Art, June 1973, pp. 3-5. Rose, Barbara. "Pioneer Spirit," Vogue, June 1973, pp. 114-5, 157. "Untroubled Mind..." Flash Art, June 1973, pp. 6-8. Hillerman, Anne. "A Visit with Agnes Martin," The New Mexican, July 26, 1973. Rosenbloom, P.A. "Group Show at 16 Place Vendome, Paris," Studio, September 1973, pp. 64-67. "Museum of Modern Art, New York; Exhibition," ARTnews, October 1973, p. 92. "Nicolas Wilder Gallery, Los Angeles; Exhibition," ARTnews, October 1973, p. 72. Crimp, Douglas. "Agnes Martin: Numero, misura, rapporto," Data, Winter 1973, Vol. III, no. 10, p. 83. "Nicolas Wilder Gallery, Los Angeles; Exhibition," Studio, December 1973, p. 224. "Quatorze artistes americains," Nouvel Observateur, December 10, 1973. Michel, Jacques. "Les 'abstracteurs' americains," Le Monde, December 14, 1973. Galy-Carles, Henry. "Regard Sur Une Certaine Peinture Americaine," Nouvelles Litteraires, December 31, 1973.
1974	Gibson, Michael. "Paris," Herald Tribune, January 5, 1974. "Expositions: Quinze Americains," L'express, January 7, 1974. "La nouvelles tendance de la peinture americaine," L'Humanite, January 15, 1974. Morris, L. "Strata Paintings, Drawings and Prints at the Royal College of Art Galleries, London," Studio, February 1974, vol. 187, p. 92. Barron, S. "Giving Art History the Slip," Art in America, March 1974, pp. 80-4. "Kunstraum, München; Kunsthalle, Tubingen Austellungen," Pantheon, April 1974, vol. 32, p. 180. Coke, Van Deren. "Moderns in the Mountains (Modern Painting in Taos: the 40's and 50's)," ARTnews, May 1974, p. 51. "Robert Elkon Gallery, New York; Exhibition," Arts, May 1974, p. 60. "Fine Arts Museum, Santa Fe; Exhibition - Perfections of Line," ARTnews, November 1974, p. 42. Wilson, Ann. "Agnes Martin; The Essential Form: The Committed Life," Art International, December 1974, pp. 50-2.
1975	Russell, John. "Review," The New York Times, March 8, 1975. "Review," Aufbau, March 14, 1975. Gula, K. "Pace Gallery, New York; Exhibition," Art in America, May 1975, pp. 85-6. Zimmer, William. "Pace Gallery, New York; Exhibition," Arts, May 1975, vol. 49, p. 18. "Pace Gallery, New York; Exhibition," Art International, May 1975, vol. 19, p. 57. Smith, Roberta. "Pace Gallery, New York; Exhibition," Artforum, Summer 1975, pp. 72-3.
1976	Kramer, Hilton. "An Art That's Almost Prayer," The New York Times, May 1976. "Review," The Village Voice, May 17, 1976. Hess, Thomas B. "Fresh Air Fiends," New York Magazine, May 31, 1976. Gruen, John. "Everything, everything is about feeling...feeling and recognition," ARTnews, September 1976, pp. 91-94. Wiessmann, Julian. "Pace Gallery and Robert Elkon Gallery; Exhibitions," ARTnews, September 1976, p. 119. Brach, Paul. "Pace Gallery and Robert Elkon Gallery; Exhibitions," Artforum, October 1976, p. 61.
1977	Feaver, William. "Review," Observer, March 6, 1977. Shepherd, Michael. "Review," Telegraph, March 6, 1977. Packer, William. "Review," The Financial Times, March 8, 1977. McEwen, John. "Review," Spectator, March 12, 1977. Kingsley, April. "Review," The Village Voice, September 28, 1977. Cavaliere, Barbara. "Group Exhibition," Arts Magazine, October 1977. Raynor, Vivien. "Review," The New York Times, October 7, 1977. Glueck, Grace. "The 20th Century Artists Most Admired By Other Artists," ARTnews, November 1977, p. 78-103.
1978	Asberry, John. "Review; Agnes Martin," New York Magazine, April 17, 1978. Bannon, Anthony. "A Slice of American Paintings From the 1970s," Baltimore Evening News, November 20, 1978. Kramer, Hilton. "A Brave Attempt to Encapsulate a Decade," The New York Times, December 17, 1978, p. D39 & 55.
1979	Rosenthal, Adrienne. "Whispers from Nature," Artweek, April 28, 1979, vol. 10, no. 17, p. 5. Peterson, William. "Agnes Martin: The Island," Artspace, Summer 1979, pp. 36-41. Perreault, John. "Martin-ized; the Zen of Drawing Blanks," The Soho Weekly News, October 11, 1979, p. 42.
1980	Burckhard, Marischa. "Begegnung mit Agnes Martin," DU, January 1980. Spalding, Frances. "Ten American Artists," Arts Review, July 4, 1980. Artner, Alan G. "Legendary Agnes Martin Strikes a First for Chicago," Chicago Tribute, October 5, 1980, pp. 26-8. Levin, Kim. "Agnes Martin's Gridlock," The Village Voice, December 10, 1980.
1981	Herr, Marcianne. "Agnes Martin: Paintings," Dialogue, The Ohio Arts Journal, March/April, 1981.
1982	Kuspit, Donald B. "Agnes Martin at Pace," Art in America, January 1982, p. 139. "Agnes Martin: Peinture et Perfection," La Presse, Montreal, March 6, 1982. Lawrence, Sabbath. "Martin," The Gazette, Montreal, March 13, 1982, p. D11. Viau, Rene. "Agnes Martin: Leffet Avalance," Le Devoir, March 13, 1982.
1983	Henry, Gerrit. "Agnes Martin," ARTnews, March 1983, p. 159. "Who's Who," Art in America, October 1983, p. 132.
1984	"Review," The New York Times, January 27, 1984. "Review," Art in America, Summer 1984.
1985	"Light," Artforum, January 1985, pp. 42-7. Birmelin, Blair T. "Agnes Martin at Pace," Art in America, May 1985, p. 177.
1986	Brenson, Michael. "Is Neo-Expressionism an Idea Whose Time Has Passed?" The New York Times, January 5, 1986, Section 2, p. 1 & 12. McDonald, John. "The Star of Stripes," The National Times, Sydney, June 13, 1986. Maloon, Terence. "Presence and Absence of Self," Sydney Morning Herald, June 21, 1986. Kirk, Mildred. "Different Means to Similar Ends--Rosalie Gascoigne and Agnes Martin," Arts and Australia, Winter 1986.
1987	Grimes, Nancy. "Agnes Martin: Pace," ARTnews, January 1987, p. 140. McEvilley, Thomas. "Grey Geese Descending: The Art of Agnes Martin," Artforum, Summer 1987. Zimmer, William. "Review of Agnes Martin/Louise Nevelson: Pace," The New York Times, September 26, 1987.
1988	Smith, Roberta. "39 Artists in Carnegie International in Pittsburgh." The New York Times, November 7, 1988. Miller, Donald. "The Carnegie International: best in years," Pittsburgh Post-Gazette, November 8, 1988.
1989	Plagens, Peter. "Under Western Eyes," Art in America, January 1989. Brenson, Michael. "Beuys and Warhol still set the tone--even after death," The New York Times, January 15, 1989. Taylor, Paul. "Carnegie International," Flash Art, January/February 1989. Schjeldahl, Peter. "Agnes Martin," 7 Days Magazine, February 8, 1989. Kimmelman, Michael. "Agnes Martin," The New York Times, February 10, 1989. Stevens, Mark. "Thin Gray Line," Vanity Fair, March 1989. Cotter, Holland. "Agnes Martin at Pace," Art in America, April 1989. Kuspit, Donald. "Agnes Martin," Artforum, April 1989. Decker, Andrew. "Saatchi Sells," Art and Auction, May 1989. Sischy, Ingrid. "A Biennial of Our Own; What you won't see at the Whitney," 7 Days Magazine, May 3, 1989. Westfall, Stephen. "Agnes Martin", Flash Art, May/June 1989. Stecker, Raimund. "Bilderstreit; Art since 1960," The Journal of Art, June/July 1989. "Abstracts at CMA," Jewish News, July 21, 1989. Cullinan, Helen. "Reticent artist expresses herself clearly on canvas," The Plain Dealer, July 30, 1989, p. 8H. "Abstract artist's works on display," Hudson Hub-Times, August 2, 1989. Martin, Agnes. "Beauty is the Mystery of Life," El Palacio, Fall/Winter 1989, pp. 6-23. Neisser, Judith. "Chicago Clout," Art & Auction, November 1989. Stapen, Nancy. "MFA curators exhibit their differences, similarities," The Boston Herald, November 10, 1989. Giuliano, Charles. "Contemporary art revisits MFA," The Patriot Ledger, November 8, 1989. Taylor, Robert. "Judd and Martin yield more than meets the eye," The Boston Sunday Globe, November 26, 1989. "Agnes Martin: The Current of the River of Life Moves Us," Artspace, November/December 1989. "Samaras, Martin, Judd at MFA," Flash Art News, November/ December 1989. Smith, Roberta. "Learning to See by Minimalism's Slow Fire," The New York Times, December 10, 1989.
1990	Ennis, Michael. "Artistic Revival in Deep Ellum," Architectural Digest, May 1990. Zwez, Annelise. "One-Man-Shows sind selten," Schaffhauser Nachrichten, June 16, 1990. Witt, David L. "The Toas Moderns: Agnes Martin," Toas Magazine, July 1990. Smith, Roberta. "The Annotated Calendar," The New York Times, September 9, 1990, p. H51. Richter, Horst. "Art Cologne '90," Weltkunst, November 21, 1990, pp. 3545-3555. Gleadall, Colin. "First on the Casualty List: Contemporary Art," The Journal of Art, December 1990, p. 66. Tully, Judd. "Passed!" The Journal of Art, December 1990, pp. 1-2.
1991	"Goings On About Town: Art," The New Yorker, January 21, 1991. "Agnes Martin, Schilder- De schilder had ook schrijver kunnen zijn, of filosoof." Vitrine (Amsterdam), No. 2, 1991, pp. 23-28. "Museum News," Kunst & Museumjournaal, Vol. 2, No. 5, 1991, pp. 59-60. Jones, Barbara. "The Uncluttered Eye," New York Woman, February 1991. Bloem, Marja. "Agnes Martin: schilderijen en tekeningen 1974-1990," Stedelijk Museum Bulletin, March 1991, pp. 14-19. Faust, Gretchen. "Reviews: Agnes Martin," Arts Magazine, March 1991, p. 101. Rubenstein, Meyer Raphael. "Reviews: Agnes Martin-Pace," ARTnews, March 1991, pp. 134 & 136. Pieters, Din. "Haar schoenpunten wijzen naar binnen," NRL Handelsblad (Amsterdam), March 29, 1991. "Agnes Martin in het Stedelijk Museum," Uitkrant (Amsterdam), April 1991. Welling, Dolf. "Schoonheid brengt een boodschap," Trouw (Amsterdam), April 2, 1991. Lamoree, Jhim. "Grootse stilte," HP/DE Tidj (Amsterdam), April 5, 1991. van Eekelen, Yvonne. "Stilte en Storm," Elsevier (Amsterdam), April 6, 1991, pp. 90-91. Tegenbosch, Pietje. "Het rastor als venster op een andere wereld," de Volleskrant (Amsterdam), April 12, 1991. "Agnes Martin," Art Position, April 18, 1991. Klaster, Jan Bart. "Abstracte variaties op menselijke maat," Kunst, April 22, 1991, p. 6. Westfall, Stephen. "Agnes Martin at Pace Downtown," Art in America, May 1991, pp. 169-170. Crüwell, Konstanze. "Im Dialog mit dem Namensgeber," Frankfurter Allgemeine Zeitung, May 23, 1991. "Kunst des Innehaltens, des Sichversenkens," Wiesbadener Kurier, May 23, 1991. "Ausstellungen im Museum," Wiesbadener Wochenblatt, May 23, 1991. "Die Preisträgerin - vom Namensgeber umrahmt," Wiesbadener Kurier, May 25-26, 1991. "Freude über das geglückte "Doppel"," Wiesbadener Tagblatt, May 25- 26, 1991. Hierholzer, Michael. "Serien von Linien, Landschaften, Köpfen," Frankfurter Allgemeine Zeitung Sonntagszeitung, May 26, 1991. "Traditionelle Häuser an veränderte Aufgaben anpassen," Wiesbadener Kurier, May 27, 1991. Renner, Claudia. "Schönheit gesucht," Rhein-Zeitung, May 29-30, 1991. Melten, Birgitta. "Meditative Versenkung als Gemeinsamkeit," Wiesbadener Tagblatt, May 31, 1991. *"Flash Art* News: The Netherlands/Amsterdam - Agnes Martin at the Stedelijk,"** Flash Art, May/June 1991, p. 158. "Agnes Martin", Kunstmarkt, June 1991. Stephan-Chlustin, Anne. "Die Weite und die Stille subtiler Nuancen in WeiB, " Wiesbadener Kurier, June 1-2, 1991. Kaneda, Shirley. "Painting and Its Others: In the Realm of the Feminine," Arts Magazine, Summer 1991, pp. 58-64. Taylor, Paul. "Love Story," Connoisseur, August 1991, pp. 46-51, 94-97. Princenthal, Nancy. "Agnes Martin L'Oeil Intérieur," Art Press, October 1991, pp. 28-33.
1992	Cotter, Holland. "Art in Review: Agnes Martin," The New York Times, January 3, 1992. "Aktuell," Kleine Zeitung, January 9, 1992, p. 59. W. Th. "Bedeutende Ehrung im Namen des Malers Oskar Kokoschka," Salzburger Nachrichten, January 9, 1992. "'Walden' und die Linie Agnes Martin erhält den Kokoschka-Preis," Der Standard, January 9, 1992. DeLap, Tony. "An Artists' Forum on Ad Reinhardt," Artspace, January- April 1992, pp. 52-55. "Museen," Die Presse Schaufenster, January 30, 1992. "Die Lehren der Leere," Kleine Zeitung, February 7, 1992, p. 14. Moser, Ulli. "Der Weg zum Glück," Kurier, February 9, 1992, p. 12. Sotriffer, Kristian. "Die Suche nach Schönheit," Die Press, February 16, 1992. Rose, Barbara. "French Dealers as Donors," Art & Auction, March 1992, pp. 50-52. Rose, Barbara. "The Abstract Art Renaissance," Art & Auction, April 1992, pp. 36-40. Peterson, William. "New Mexico: Growing Internationalism," ARTnews, April 1992, p. 124. Kimmelman, Michael. "The Whitney Continues Its Search For Itself," The New York Times, April 19, 1992, Section 2, pp. 1, 33. "Ze News," Galeries Magazine, April/May 1992, p. 15. Sacharow, Anya, "Spectrum," Art News, May 1992, p. 27. The Art Newspaper, no. 18, May 1992, p. 7. Gutterman, Scott. "Hans Namuth," Atelier, July 1992, pp. 52-58. "Museum Preview 1992-93," Art in America, Annual 1992 (August), p. 24. Mays, John Bentley. " Martin Demystified," Canadian Art, Fall 1992, pp. 44-49. Liebmann, Lisa. "Pure Abstraction," Harper's Bazaar, October 1992, pp. 166-168, 218. Bernier, Rosamond. "Drawing the Line," Vogue, November 1992, pp. 304-307, 360. Eauclaire, Sally. "Who Cares," Art & Antiques, November 1992, p. 95. Schjeldahl, Peter. "Agnes Martin Attention!" Interview, November 1992, p. 58. Kimmelman, Michael. "Nature's Mystical Poetry, Written in Paint," The New York Times, November 15, 1992, p. 35. "Goings On About Town: Art," The New Yorker, November 23, 1992. Larson, Kay. "Solitary Refinement," New York, November 23, 1992. Schjeldahl, Peter. "Martin Eyes," The Village Voice, November 24, 1992, p. 100. Esterly, Freda. "Agnes Martin Retrospective at the Whitney Museum," Staten Island Advance, December 24, 1992. Levin, Kim. "Voice Choices: Art," The Village Voice, December 29, 1992, p. 74.
1992-93	Kertess. Klaus. "A Sense of Wonder," Elle Decor, December 1992/ January 1993, pp. 20-24.
1993	Bernard, Jonathan. "The Minimalist Aesthetic in the Plastic Arts and in Music," Perspectives of New Music, vol. 31, no. 1, Winter 1993, pp. 86-133. Cotter, Holland. "Where City History Was Made, A 50's Group Made Art History," The New York Times, January 5, 1993, pp. C11, C16. Cotter, Holland. "Geometry and the Painterly Tradition," The New York Times, January 8, 1993, p. C22. Eisler, Benita. "Like Lines," The New Yorker, January 25, 1993, pp. 70-83. Heartney, Eleanor. "Geometry of the Spirit," ARTnews, February 1993, p. 105. Smith, Roberta. "Art in Review: Coenties Slip," The New York Times, February 12, 1993, p. C30. "Ze News," Galeries Magazine, February/March 1993, p. 13. Kuspit, Donald. "Reviews: Agnes Martin," Artforum, March 1993. McFarlin, Patrick. "THE Interview: Laura Carpenter," THE Magazine, March 1993, pp. 9-11. Cotter, Holland. "Agnes Martin: All the Way to Heaven," Art in America, April 1993, pp. 88-97, 149. Slatz, Jerry. "Let Us Now Praise Artist's Artists," Art & Auction, April 1993, pp. 74-79, 115. Kohen, Helen L. "Exhibition is Martin's Masterpiece," The Miami Herald, May 23, 1993, p. 11. "Goings On About Town," The New Yorker, June 28, 1993, p. 17. Czöppan, Gabi. "Aufsteiger des Jahres," Focus, no. 27, July 5, 1993, pp. 63-67. Bogardi, Georges. "Permanent Installations of Contemporary Art: Art Gallery of Ontario," Canadian Art, Summer 1993, pp. 68-71. "1992 In Review: The Museums," Art in America, Annual Guide 93/94, August 1993, p. 31. Sandler, Irving. "Agnes Martin Interview," Art Monthly, September 1993, pp. 3-11. Tennant, Donna. "In Search of Perfection: The Art and Life of Agnes Martin," Museum and Arts Magazine, September 1993, pp. 28-31. Smith, Roberta. "More to It Than Meets the Eye: A Show of Minimalist Paintings," The New York Times, September 3, 1993, p. C14. Drolet, Owen. "NY Reviews: Singular Dimensions in Painting," Flash Art, October 1993, pp. 78-79. Heartney, Eleanor. "Report from Germany: Berlin Summer," Art in America, October 1993, pp. 43-49. Hughes, Robert. "The View from Piccadilly," Time, October 4, 1993, pp. 78-79. Muller, Robert-Jan. "Collections: Marlies & Jo Eyck," Galeries Magazine, October/November 1993. Wilson, MaLin. "Agnes Martin," THE Magazine, December 1993, p. 47.
1994	"Mass MoCa Lives Anew," Art in America, February 1994, p. 120. "Les Grandes Dames," RheinArt, no. 85, February 2, 1994. Cotter, Holland. "Masterpieces of the Postwar Era," The New York Times, August 12, 1994, p. C3. Vogel, Carol. "Inside Art," The New York Times, September 23, 1994.
1995	"Front Page: Whitney Biennial Preview," Art in America, January 1995. "Whitney Museum of Art." New Yorker Magazine, February 20th-27th, 1995, p. 37. McFadden, Sarah. "Report from Cologne: Changing of the Guard," Art in America, February 1995, pp. 58-60. Cameron, Dan. "Critical Edge: Kertess's List," Art and Auction, February 1995, pp. 58-60. Newhall, Edith. "Talent Purely Martin," New York Magazine, February 20, 1995, p. 90. Cotter, Holland. "Art in Review: Agnes Martin," The New York Times, March 3, 1995. Kimmelman, Michael. "A Quirky Whitney Biennial," The New York Times, March 24, 1995, p. C1, C32. Slonim, Jeffrey. "In With the Out Crowd," Artforum, March 1995, pp. 12-14. Gardner, Paul. "Agnes Martin's New Work: Small and Light," The Art Newspaper, March 1995, p. 35. Stevens, Mark. "A Polite Biennial," New York Magazine, April 3, 1995, pp. 56-57. Rosenquist, James. "Return to Sender, Remembering Ray Johnson, R.S.V.P.," Artforum, April 1995, p. 75, 113. Napack, Jonathan. "Talk of the trade: SoHo's New Presence," Art & Auction, ,ay 1995, pp. 60-64. Johnson, Ken. "Report from New York, Big Top Whitney," Art in America, June 1995, pp. 39-55. Larson, Kay. "1995 Whitney Biennial," Atelier, July 1995, pp. 8-17. Witt, David l. "The Taos Moderns: Agnes Martin," Taos Magazine, July 1990, pp. 8-9. Knight, Christopher. "A Blue-Chip Gallery Sees Blue Skies in L.A.," Los Angeles Times, August 13, 1995, pp. 53, 56. Gimelson, Deborah. "A Carnegie Blast," The New York Observer, August 28-September 4, 1995, p. 23. Landi, Ann. "Lannan Hangs It Up," ARTnews, September 1995, p. 44. Auer, James. "Art museum exhibit embraces pluralism," Milwaukee Journal Sentinel, September 10, 1995, pp. 1, 12. Kaufman, Jason Edward. "'Furniture' and architecture invade the art," The Art Newspaper, November 1995, p. 12. Schwartzman, Allan. "All-Star Casts," Artforum, November 1995, pp. 23-24. Kramer, Hilton. "Abolish the Carnegie, That Warhol Hellhole," The New York Observer, November 20, 1995, pp. 1, 25. Polsky, Richard. "Ahead of the curve: Buy? Sell? Hold?," Art & Auction, December 1995, pp. 60-64.
1996	Stapen, Nancy. "ICA exhibit raises profile of women artists," The Boston Globe, February 6, 1996, pp. 51, 56. Stevens, Mark. "Energy Made Visible," New York, February 19, 1996, pp. 62-63. Giuliano, Charles. "View Finder," The Improper Bostonian, February 28 - March 12, 1996, p. 28. Hill, Shawn. "Moved Aside by Men," Bay Windows, February 29, 1996, pp. 26, 30. Hughes, Robert. "Golden Oldies," Time, March 4, 1996, pp. 60-62. Hill, Shawn. "Art by Women 'Visible' at ICA," The Weekly Tab, March 19-25, 1996. Tomkins, Calvin. "Total Abstraction," The New Yorker, March 25, 1996, pp. 92-95. Perrott, Jeffrey. "Writing on the Wall," Stuff Magazine, April 1996, pp. 293, 295. Cotter, Holland. "Agnes Martin, 'New Drawings and Watercolors,'" New York Times, April 19, 1996, p. C21. Cohen, Joyce. "Inside the Visible," The New Art Examiner, May 1996, pp. 50-51. Miller, Francine Koslow. "Inside the Visible," Artforum, May 1996. Simon, Joan. "Perfection is in the Mind: An Interview with Agnes Martin," Art in America, May 1996, pp. 82-89, 124.
1997	Szabo, Julia. "Of Zen and Now," New York Newsday, Jnauary 12, 1997, pp. C21, C30. Cotter, Holland. "Like Her Paintings, Quiet, Unchanging, Revered," The New York Times, January 19, 1997, Arts & Leisure Section, cover, p. 45. Cotter, Holland, "Legendary Painter's Painter," International Herald Tribune, January 25-26, 1997, p. 7. Bell, J. Bowyer, "Agnes Martin at PaceWildenstein," Review Art, February 1, 1997. Bickers, Patricia. "Last Exit to Venice," Art Monthly, July-August 1997, pp. 1-5. Horton, Sarah. "A Taos Triumph: Taoseños Ready the Harwood for Agnes Martin," Local Flavor, August/September 1997, pp. 44-45. "New Agnes Martin Gallery to Highlight Reopening of Harwood Museum," Tempo, September 11, 1997. "New Agnes Martin Gallery," ARTnews, October 1997, p. 55. MacNeil, William. "Museum Reborn," The Sunday Journal, October 26, 1997, pp. 1,6. Alden, Bill. "85-Year-Old Artist's Suit Over Works Is Reinstated," New York Law Journal, October 30, 1997, pp. 1, 7. "Appellate Division, First Department, Property Law, Artist's Suit Over Works Is Reinstated," New York Law Journal, October 31, 1997, pp. 25, 29. Romancito, Rick. "'Fabulous' The Harwood Museum Opens to Thunderous Applause," The Taos News/Tempo, November 6, 1997, C14-16. Hayes, David. "Lines in the Desert," Saturday Night, December 1997, pp. 79-80, 82-84.
1998	Knight, Christopher. "Worth a Pilgrimage," Los Angeles Times, April 12, 1998, pp. 61-62. Murdoch, Robert M. "Agnes Martin: New Paintings," Review, April 15, 1998, pp. 27-28. Naves, Mario. "An Ongoing Viability," The New Criterion, May 1998, pp. 40-42. Cotter, Holland. "Profiles: Agnes Martin," art journal, Fall 1998, pp. 77-80. Mitchell, Charles Dee. "A Metaphysics of Simplicity," Art in America, November 1998, pp. 122-123. Goff, Robert. "Agnes Martin's Chapel," Out, December 1998, p. 42.
1999	Collins, Tom. "Agnes Martin Reflects on Art & Life," Geronimo (Taos), January 1999, pp. 11, 13-15. "High Five: Agnes Martin and John McLaughlin," The List (Edinburgh), July 22, 1999, p. 24. "Observer Critics choose the Best Shows of Edinburgh 1999: Art, Classical, Books," The Observer Review/Arts Edinburgh, August 1, 1999, p. 7. Beaumont, Susanna. "Agnes Martin and John McLaughlin," The List (Edinburgh), August 2, 1999, p. 64. "Arts Edinburgh: Best of the Fest," The Guardian (London), August 4, 1999, p. 14. Jeffrey, Moira. "Agnes Martin: New Paintings," Sunday Herald/ Festival Reviews (Edinburgh), August 15, 1999, p. 13. Clark, Robert. "Getting Horizontal," The Guardian/The Guide, (London), August 21, 1999, p. 34. "Fine Line Between Them," Scotland On Sunday (Edinburgh), August 22, 1999, p. 30. Cumming, Laura. "No Ideas, No Details. He Must Be A Genius," The Observer Review (Edinburgh), August 22, 1999, p. 7. Henry, Clare. "United in the Quest for Perfection," The Herald (Edinburgh), August 27, 1999, p. 22. Darwent, Charles. "Abstract Paintings that Talk To Themselves," Independent on Sunday, August 1999. Sutherland, Giles. "Around The Galleries: Agnes Martin and John McLaughlin," Times (Edinburgh), September 8, 1999, p. 37. Prose, Francine. "The Sound of Silence," ARTnews, December 1999, p. 142.
2000	Mason, Brook. "Fair Report: the ADAA Art Show, New York," The Art Newspaper (London), no. 102, April 2000. Johnson. Ken. "Agnes Martin/Pace Wildenstein," The New York Times, May 19, 2000, p. E34. Vogel, Carol. "Phillips Tries Again and Now Succeeds," The New York Times, May 19, 2000, p. B4. (Martin record at auction). Naves, Mario. "Agnes Martin's 10 Striped Canvases: Nuanced or Just Not Boring?" The New York Observer, May 22, 2000, p. 14. Gardner, James. "'Love" Is All Around," New York Post, May 29, 2000, p. 25. Scott, Andrea K. "At the Galleries: The Thin Pale Line." [http://www.edificerex.com] May 2000. Shaw, Leslie Ava. "Agnes Martin: PaceWildenstein Gallery," The New York Art World, June/July/August, 2000, p. 17. van Rhyn, Jacqueline. "A Decade of Collecting: Recent Acquisitions by the Harvard University Art Museums," Harvard University Art Bulletin 7, no. 2 (2000): 93. Breuvart, Valérie. "Voilà." Review of group exhibition at Musée D'Art Moderne De La Ville, Paris. Artforum, November 2000, p. 162.
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