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Francesco Clemente


 

1952

Born in Naples

1970 Studied architecture at the University of Rome

1973 Travelled to India

1977-9 Lived in Madras

1981 Moved to New York City

  Currently lives and works in Rome, Madras and New York
 


One Man Exhibitions


 
 
1971 Galleria Valle Giulia, Rome

1974 Galleria Area, Florence

1975 Gian Enzo Sperone, Rome

Gian Enzo Sperone, Turin

Massimo Minini, Brescia

Franco Toselli, Milan

1976 Gian Enzo Sperone, Rome

Lucrezia de Domizio, Pescara

1977 Paola Betti, Milan

1978 Centre d'art Contemporain, Geneva

Art & Project, Amsterdam (cat)

Galerie Paul Maenz, Cologne

1979 Art & Project, Amsterdam

Lisson Gallery, London

Galleria d'Arte Contemporanea Emilio Mazzoli, Modena (cat: text by Achille Bonito Oliva)

Giuliana de Crescenzo, Rome

Gian Enzo Sperone, Turin (cat)

Lucio Amelio, Naples

1980 Sperone Westwater Fischer, New York

Paul Maenz, Cologne (cat)

Padiglione d'Arte Contemporanea di Milano, Milan (cat text by Germano Celant)

Art & Project, Amsterdam

Gian Enzo Sperone, Rome, and Mario Diacono, Rome

1981 Anthony d'Offay, London (cat)

Bruno Bischofberger Gallery, Zurich (cat: text by Rainer Crone)

University Art Museum, University of California, Berkeley: Francesco Clemente/Matrix 46. Exhibition travelled to The Art Museum and Galleries, California State University, Long Beach; Wadsworth Atheneum, Hartford, Connecticut (cat by Mark Rosenthal)

Museum van Hedendaagse Kunst, Ghent

Sperone Westwater Fischer, New York

1982 Galerie Daniel Templon, Paris

Galerie Paul Maenz, Cologne (cat: essay by Rainer Crone and Paul Maenz)

Bruno Bischofberger Gallery, Zurich

1983 The Whitechapel Art Gallery, London: Francesco Clemente: The Fourteen Stations. Exhibition travelled to Groninger Museum, Groningen; Badischer Kunstverein, Karlsruhe; Moderna Museet, Stockholm (cat: texts by Mark Francis and Henry Geldzahler)

Anthony d'Offay and Gian Enzo Sperone, London: Francesco Clemente: The Midnight Sun.

Akira Ikeda Gallery, Nagoya and Tokyo (cat)

A Space, Toronto

Sperone Westwater, New York

Mary Boone, New York

Kunsthalle Basel, Basel

Ascan Crone, Hamburg

James Corcoran Gallery, Los Angeles

Moderna Museet, Stockholm

The Fruitmarket Gallery, Edinburgh

1984 National Galerie, Berlin: Francesco Clemente: Pastels. Exhibition travelled to Museum Folkwang, Essen; Stedelijk Museum, Amsterdam; Kunsthalle Tubingen Kunsthalle Basel

Akira Ikeda Gallery, Tokyo

Mary Boone, Michael Werner Gallery, New York

Kestner-Gesellschaft, Hannover: Francesco Clemente: Painting and Sculpture. (cat: text by Carl Haenlein)

Arts Council Gallery, Belfast, Francesco Clemente in Belfast (cat with interview by Giancarlo Politi)

1985 The Metropolitian Museum of Modern Art, New York Francesco Clemente: Prints 1981-85 (cat: interview by Danny Berger)

Sperone Westwater, New York

Leo Castelli Gallery, New York

Mary Boone, New York

Galerie Bruno Bischofberger, Zurich

John and Mable Ringling Museum of Art, Sarasota, Florida, travelled. (cat: texts by Michael Auping and Francesco Pellizzi)

1986 14th Biennial, Adelaide Festival of Arts, Adelaide

Akira Ikeda Gallery, Tokyo (cat)

Anthony d'Offay, London

Sperone Westwater, New York

Museum of Modern Art, New York: Departure of the Argonaut.

1987 Ascan Crone, Hamburg

Parco Co. Ltd., Tokyo, Japan (travelled)

Bruno Bischofberger, Zurich: Zeichnungen

Bruno Bischofberger, Zurich

Fundacion Caja De Pensiones, Madrid: Francesco Clemente Affreschi Pinturas al Fresco. (cat: texts by Deigo Cortez, Rainer Crone and Henry Geldzahler)

The Art Institute of Chicago: The Argentario Paintings

Museum fur Gegenwartskunst Basel: Francesco Clemente: Zeichnungen and Aquarelle, 1971-1986. Travelled to Groninger Museum, Groningen; Ulmer Museum, Ulm; Musee de la Ville de Nice; Museum Ludwig, Koln; Frankfurter Kunstverein, Frankfurt; Musee Cantonal des Beaux-Arts, Palais de Rumine, Lausanne; Galerie im Taxispalias, Innsbruck. (cat)

1988 Milwaukee Art Museum: Francesco Clemente - The Graphic Work. Exhibition travelled to Saint Louis Art Museum, Museo Italo Americano, San Francisco

Cabinet des Estampes, Promenade du Pin, Geneva: Le Depart des Argonautes des autres estampes.

The Museum of Contemporary Art, Chicago: Francesco Clemente: Fourteen Stations of the Cross.

Mario Diacono Gallery, Boston

Fundacion Joan Miro, Parc de Montjuic, Barcelona: La Partenca de l'Argonauta.

Paul Maenz Gallery, Cologne

Dia Art Foundation, New York: Funerary Paintings. (cat)

Galerie Bruno Bischofberger, Zurich

1989 Anthony d'Offay Gallery, London: Francesco Clemente: Story of My Country.

Yvon Lambert, Paris: Francesco Clemente: Pastels

Dia Art Foundation, Bridgehampton, New York (cat: essay by Henry Geldzahler)

Centro Culturale Arte Contemporaneo, Guadalajara: Francesco Clemente: Cinco Tapices Realizados En El Taller Mexicano De Gobelinos (Guadlajara, Jalisco, Mexico) (cat: texts by Raymond Foye, Henry Geldzahler and Sylvia Navarette)

1990 Salvador Riera Galeria d'Art, Barcelona

Vrej Baghoomian Gallery, New York: Francesco Clemente: Ten Bad Mothers

Anthony d'Offay Gallery, London: Francesco Clemente: Pastels

Sperone Westwater Gallery, New York

Philadelphia Museum of Art: Francesco Clemente: Three Worlds. Exhibition travelled to Wadsworth Atheneum, Hartford; San Francisco Museum of Modern Art; Royal Academy, London (cat)

Dolan/Maxwell, Philadelphia: Francesco Clemente: A Retrospective of the Prints: 1980-90

1991 Kunsthalle Basel: Francesco Clemente: The Black Book (cat)

Perry Rubenstein, New York: Francesco Clemente: Early Self-Portraits

Galerie Beyeler, Basel

Royal Academy of Arts, London

Gagosian Gallery, New York. Exhibition travelled to Kunstmuseum Basel, Museum fur Gegenwartskunst, Switzerland. (cat)

Galerie Templon, Paris

1992 Leccese Spruth Galerie, Cologne

Galerie Brune Bischofberger, Zurich

Robert Stein Fine Art, St. Louis

Gagosian Gallery, New York (cat)

Galerie Michael Hass, Berlin (cat)

Lococo Mulder, New York

1993 Anthony d'Offay Gallery, London: Francesco Clemente: Paintings Sculpture and Works on paper from India (cat: text by Dieter Koepplin)

Gagosian Gallery, New York: Francesco Clemente: The Black Paintings (cat: poems by Robert Creeley)

1994 Bruno Bischofberger, Zurich

Musee National d'Arte Moderne, Centre Georges Pompidou, Paris

1995 Sezon Museum of Art, Tokyo: Two Horizons (cat)

Anthony d'Offay Gallery, London: Frescos and Pastels 1970-95

Jablonka Galerie, Köln (cat)

Chateaux de Chenonceau, Chenonceaux: Francesco Clemente (cat)

Helsinki Festival, Kunshalle Helsinki, Francesco Clemente (cat: text by Tatsumi Shinoda)

1996 Stadtische Galerie Altes Theater Ravensburg, Francesco Clemente: The Book of the Arrow Aquarelle (cat)

Galerie Fortlaan 17, Ghent, Francesco Clemente Pastels 1979-1990

1997 Andy Warhol Museum, Pittsburg, Francesco Clemente Portraits

Whitney Biennial

XLVIII Venice Bienale

Guggenheim Bilbao, La Stanza della Madre

Gagosian Gallery, New York, Francesco Clemente: Anamorphosis. (cat: poems by Robert Creeley)

Anthony d'Offay Gallery, London, 24 April - 31 May 1997

Galerie Jerome de Noirment, Paris, The Painting of the Gate

The Metropolitian Museum of Modern Art, New York, Francesco Clemente: Indian Watercolours

1998 Modern Art Museum of Fort Worth, Fort Worth, Texas

Indianapolis Museum of Art, Indianapolis

1999 Anthony d'Offay Gallery, London, Francesco Clemente: Painter's Wardrobe

Galeria d'Arte Moderna, Bologna (cat)

Jablonka Gallery, Cologne, Francesco Clemente: Broken Women

Kunstsammlung Nordhein-Westfalen, Dusseldorf

The Solomon R. Guggenheim Museum, New York
 
 

Selected Group Exhibitions


 
 
1973 Civic Centre Museum, Philadelphia: "Italy Two"

1974 Studenteski Centre, Belgrade

1975 Sao Paolo: XII Biennale

Galleria l'Attico, Rome: "24 Hours out of 24"

Galleria Diagramma, Milan: "Campo Dieci"

1976 Gian Enzo Sperone, Rome: "Merz, Pisani, Clemente"

1977 Studio Cannavielo, Rome: "Drawing/Transparency"

Gian Enzo Sperone, Rome: "Wednesday 16 Febraury 1977"

Musee d'Art Moderne, Paris: Tenth Biennale de Paris

Bari: "Progetto 80"

1978 Galleria la Salita, Rome: "Pas de deux"

1979 Basel Artfair: "Perspective 79"

Paul Maenz, Cologne: "Arte Cifra"

Annemarie Verna, Zurich: "Clemente, de Maria, Paladino"

Stuttgart: "Europa 79"

Yvon Lambert, Paris: "Parigi, O Cara..."

Palazzo di Citta, Acireale: "Opere Fatte ad Arte"

Colonna Castle, Genazzano: "Le Stanze"

1980 Kunstverein, Bonn; Stadische Galerie Wolfsburg; Groninger Museum: "The Cut-off Hand - 100 Drawings from Italy" (cat)

Kunstverein, Mannheim: "Egonavigatio"

Francesco Masnata, Genoa

Venice Biennale: "Aperto 80"

Kunsthalle Basel. Exhibition travelled to Museum Folkwang, Essen; Stedelijk Museum, Amsterdam (cat)

Sperone Westwater Fischer, New York

Galerie Rudolf Zwirner, Cologne: "Neuerwerbungen"

1981 Daniel Templon, Paris

Gian Enzo Sperone, Turin

Rheinhallen der Kolner Messe, Cologne: "Westkunst"

Crown Point Gallery, Oakland, California: "Italians and American Italians" (cat: essay by Kathan Brown)

Buffalo, New York (jointly sponsored by Albright - Knox Gallery, CEPA Gallery and Hallwalls): "Figures, Forms and Expressions" (cat)

Barbara Toll Fine Arts, New York: "Large Format Drawings"

Emilio Mazzoli, Modena: "Tesoro"

The Squibb Gallery, Princeton, New Jersey: "Aspects of Post-Modernism"

1982 Institute of Contemporary Art, Boston: "Issues: New Allegory I"

Kassel, West Germany: Documenta 7

The Aldrich Museum of Contemporary Art, Conneticut: "Homo Sapiens: the many images" (cat: introduction by Martin Sosnoff)

Marlborough Gallery, New York: "The Pressure to Paint" (cat: text by Diego Cortez)

Anthony d'Offay Gallery, London: "Five Painters: Chia, Clemente, Kiefer, Salle, Schnabel"

The Museum of Modern Art, New York: "New Works on Paper 2: Borofsky, Clemente, Merz, Penck, Penone" (cat: text by Bernice Rose)

Kunsthalle Wilhelmshaven, Wilhelmshaven, and Groninger Museum, Groningen: "Kunst nu/kunst unserer zeit"

Mura Aureliane, Rome: "Avanguardia Transavanguardia 68, 77"

Emilio Mazzoli, Modena

Internationale Kunstausstellung Berlin: "Zeitgeist" (cat: foreward by Christos Joachimides and Norman Rosenthal)

The Parrish Art Museum, Southampton, New York: "How to Draw/What to Draw: Works on Paper by Five Contemporary Artists"

Rosa Esman Gallery, New York

The Bonlow Gallery, New York: "Myth"

1983 The New Gallery of Contemporary Art, Cleveland: "New Italian Art"

The Aldrich Museum of Contemporary Art, Ridgefield, Conneticut: "Trustees' Choice"

Kunsthalle Bielefeld and Louisiana Museum, Denmark: "Chia, Clemente, Cucchi"

Emilio Mazzoli, Modena

SVC/Fine Arts Gallery, University of South Florida, Tampa: "Artists from Sperone Westwater Fischer Inc."

Kalamazoo Institute of Arts, Kalamazoo, MI: "New Image/Pattern and Decoration"

Bonner Kunstverein, Bonn: "Concetto-Imago: Generationswechsel in Italien"

Bruno Bischofberger, Zurich

Nigel Greenwood, London

Monique Knowlton, New York: "Intoxication"

Caja de Pensions, Madrid: "Italia: La Transvaguardia"

Robert Miller, New York: "Surreal"

Basel Art Fair, (Galerie Beyeler), Basel: "Expressionist Painting Beyond Picasso"

The Parrish Art Museum, Southampton: "The Painterly Figure"

The Solomon Guggenheim Museum, New York: "Recent European Painting"

Emilio Mazzoli, Modena

Linda Farris Gallery, Seattle; Los Angeles Municipal Art Gallery, Los Angeles: "Self-Portraits"

Moderna Museet, Stockholm

Sharpe Gallery, New York: "Self Image"

Ateneumin Taidemuseo, Helsinki: "Ars '83 Helsinki"

Tate Gallery, London: "New Art"

Museum of Contemporary Art, Los Angeles: "The First Show"

Galerie Beyeler, Basel: "Expressive Malerie nach Picasso"

Mary Boone Werner Gallery, New York

Brooklyn Academy of Music, Brooklyn: "Hemisphere." Visual element in conjunction with Melissa Fenley performance at the Next Wave Festival

1984 Akira Ikeda Gallery, Nagoya: "Painting Now"

The Museum of Modern Art, New York: "An International Survey of Recent Painting and Sculpture"

Walker Art Center, Minneapolis: "Images and Impressions: Painters who Paint"

Sakowitz, Houston, Texas: "Sakowitz Festival del Designo Italiano"

Anthony d'Offay Gallery, London

The Boibrono Gallery, Stockholm: "Det Italienska Avantgardet"

National Gallery of Art, Washington, D.C.: "The Folding Image"

Institute of Contemporary Art, Boston

Galerie Leger, Malmo

Galirie Amak, Berlin: "Made in NYC/LA"

Sidney Janis, Dublin: "New Expressionists"

The Guiness Hop Store, Dublin: "Rosc '84"

Bonnier Gallery, New York: "Totem"

Akira Ikeda Gallery, Nagoya: "Painting Now"

Stockholm Art Fair and Lunds Konsthall, Stockholm and Lund, Sweden: "Det Italienska Transvangardet"

Musee d'Art Contemporain, Montreal: "Via New York"

Antiope-France, Paris

Sperone Westwater, New York

Anthony d'Offay Gallery, London

Eaton Schoen Gallery, San Francisco

Mary Boone Michael Werner, New York: "Drawings"

Blum Helman, New York

Villa Campolieto, Naples: "Terrae Motus"

Sylvia Menzel, Berlin: "Portraits"

Chicago Public Library Cultural Center in conjunction with the Renaisssance Society of the University of Chicago, Chicago: "Contemporary Italian Masters"

San Francisco Museum of Modern Art, San Francisco: "The Human Condition, San Francisco Museum of Modern Art Biennial III"

Bruno Bischofberger, Zurich: "Collaborations, Basquiat, Clemente, Warhol"

The Museum of Modern Art, New York: "An International Survey of Recent Painting and Sculpture"

Kitakyushu Municipal Museum of Art, Kitakyushu, Japan: "Painting Now"

Hirshhorn Museum and Sculpture Garden, Washington, D.C.: "Content: A Contemporary Focus"

The Walker Art Center, Minneapolis (travelled): "Images and Impressions"

1985 XXII Biennale of Paris, Grande Halle du Parc de la Villette, Paris

Lawrence Oliver, Philadelphia: "Drawings"

Herbert Palmer, Los Angeles: "Graphics"

Akira Ikeda Gallery, Tokyo: "Collaborations, Basquiat, Clemente, Warhol"

Museum of Contemporary Art, Chicago: "Selections from the William J. Hokin Collection."

Kunsthalle Tubingen, Tubingen: "7000 Eichen"

The Gulbenkian Foundation, Lisbon: "DIALOG"

Seattle Art Museum, Seattle: "States of War"

Kunsthalle Basel, Basel

Anthony d'Offay, London: "Unique Books"

The Museum of Modern Art, New York: "India and the Contemporary Artist"

Genazzano: "Nuovo trame dell'arte"

Mary Boone Michael Werner Gallery, New York: "BAM Benefit"

Castelli di Rivoli, Turin: "Ouverture"

Joslyn Art Museum, Omaha (travelled): "New Art of Italy"

Museum of Art, Carnegie Institute, Pittsburgh: "The Carnegie International"

1986 Anthony d'Offay Gallery, London

ARCA, Marseilles

Cincinatti Art Museum, Cincinatti: "New Visions in Contemporary Art"

Blum Helman Gallery, London: "Portraits"

Eugene Binder Gallery, Dallas

Whitechapel Art Gallery, London: "In Tandem"

Gabrielle Bryers, New York: "Homage to Nicolas A. Moufarrege."

Stadtische Galerie im Lenbachaus, Munich: "Homage a Beuys"

Quadriennale di Roma, Rome

Wallraf-Richartz-Museum, Cologne

Philadelphia Museum of Art, Philadelphia: "Philadelphia Collects Art Since 1940"

Stadmuseum Graz, Graz: "Steirischer Herbst '86"

Phoenix Art Museum, Phoenix (travelled): "Focus on the Image"

1987 Los Angeles County Museum, Los Angeles: "Avante-garde in the Eighties"

Michael Kohn Gallery, Los Angeles

Printemps des Arts, Monte Carlo, France

Galerie Bernd Kluser, Munich: "Works on Paper"

Wallach Art Gallery, Schermerhorn Hall, Columbia University, New York (travelled): "Similia/Dissimilia - Modes of Abstraction in Painting, Sculpture and Photography Today"

Minnesota Museum of Art, Saint Paul, Minnesota (travelled): "The International Exhibition to End World Hunger"

1988

Galeria Eude, Barcelona: "Paladino-Cucchi-Clemente"

Tatyana Grosman Gallery, Museum of Modern Art, New York: "For 25 Years: Crown Point Press"

The New York City Ballet, New York: "Artists Series Projects"

Museum of Contemporary Art, Chicago, "The Marshall Franklyn Collection"

Philadelphia Museum of Art, Philadelphia, "New Art on Paper"

Milwaukee Art Museum, Milwaukee, "The Worls of Art Today"

Museo d'Arte Contemporanea, Prato, "Europa Oggi - Europe Now"

XLIII Esposizione Internationale d'Arte, La Biennale di Venezia, Venice

Winnipeg Art Gallery, Winnipeg, Manitoba, "The Impossible Self"

Dia Art Foundation, New York, "Francesco Clemente and Robert Ryman"

The Paenson Gallery, New York, "Altered Images (Portraits by the Artists based on images"

Dan Al Set Gallery, New York, "The International Eighties"

1989 Royal Academy of Art, London, "Italian Art in the Twentieth Century"

The Freedman Gallery, Albright College, Reading, PA, "The European Avant-Garde"

Pat Hearn Gallery, New York, "They See God" (curated by Dennis Cooper and Tim Guest)

Norha Haime Gallery, New York, "Master Prints"

Musee National d'Art Moderne, Centre Georges Pompidou, Paris, "Magicians of the Earth"

Charles Cartwright Gallery, Paris, "The Wanderes"

Sperone Westwater Gallery, New York

Hofstra Museum, Hofstra University, Hempstead, New York (travelled), "1979-1989 American, Italian, Mexican Art from the Collection of Francesco Pellizi"

Museum des 20, Jahrunderts, Wien: "Weiner Diwan - Sigmund Freud - heute"

Vivian Horan Fine Art, New York, "Head to Toe: Clemente, DeKooning, Dubuffet, Lichtenstein, Picasso, Rusha"

La Fundacion Caixa de Pensions, "International Art in the Fundacion Caixa de Pensions"

1990 ARCO '90 Art Fair, Madrid, "Sperone Westwater Group Exhibition"

Hirshhorn Museum and Sculpture Garden, Washington D.C., "Culture and Commentary, an '80s Perspective"

Massimo Audiello Gallery, New York "Disturb Me"

Galerie Bellier, Paris, "Renaissance du Polyptyche chez les artistes contemporains"

Kryier/Landau Contemporary Art, Santa Monica,"Prints and Multiples"

Galeria Dau al Set, Barcelona, "Numbers One 1990"

Kunsthalle, Nuremberg, Germany, "Group Exhibition"

Blum Helman Gallery and Germans van Eck Gallery, New York: "Artists for Amnesty"

Fiorella Urbinati Gallery, Los Angeles: "Annual '2RC' Contemporary Graphics Exhibition"

Massimo Audiello Gallery, New York: "Group Show"

Daniel Varenne, Switzerland: "Chicago International Art"

Nippon Convention Center, Tokyo: "Pharmakon '90"

Turner and Byrne Gallery, Dallas: "The Shock of the Old"

Franklin Furnace Archives, Inc., New York (travelled): "Contemporary Illustrated Books: Word and Image, 1967-1988"

Runkel-Hue Williams Ltd, London: "Modern Masters IV"

Moderna galeria Ljubljana and Galerie Thomas, Munich: "Art of the Eighties from the Thomas Collection"

Galerie 1900-2000, Paris: "Conceptual Art Conceptual Forms."

Jan Eric Lowenadler, New York: "FIAC, PARIS"

Gallery Hibell, Yokyo: "Paradise on Doomsday: Modern Art Market '90"

1991 Phillipe Daverio Gallery, New York: "Modern Italian Drawings"

Lorence Monk Gallery, New York: "Dead Heroes, Disfigured Love"

Brooke Alexander Editions, New York: "Poets/Painters Collaborations"

Texas Gallery, Houston, Texas: "Art Pro Choice 2"

Studio d'Arte Cannaviello, Milan: "Clemente, Paladino, Gli Anni '70"

Jablonka Gallery, Koln: "Francesco Clemente, Peter Halley."

Matthew Marks Gallery, New York: "Artists Sketchbooks"

Robert Miller Gallery, New York: "Portraits on Paper"

Galerie Kaj Forsblom, Helsinki: "Art 22'91"

Independent Curators Incorporated, New York: "Drawn in the Nineties"

Stuart Levy Gallery; Helander Gallery, New York: "Pools."

Susan Sheehan Gallery, New York: "Prints of the Eighties"

Pace Prints, New York: "Art Pro Choice II Print Portfolio"

1992 Institute of Contemporary Art, Philadelphia: "Devil on the Stairs"

The Museum of Modern Art, New York: "Allegories of Modernism, Contemporary Drawing"

The San Jose Museum of Modern Art, San Jose, California: "Drawing Redux" (curated by Phyllis Tuchman

Collecio d'art contemporani, Fundacio "la Caixa"

Barcelona: "Tropismes."

Musee d'Art Moderne et d'Art Contemporain, Nice: "Le Portrait dans l'art contemporain"

Ho-Am Art Gallery, Korea: "The Italian Transavantgarde"

1993 Galerie Isabella Kacprzak, Koln: "Drawings"

Akira Ikeda Gallery, New York: "Early Works: Francesco Clemente, Julian Schnabel"

New Jersey Centre for Visual Arts, Summit, New Jersey: "Self-Portrait: The Changing Self."

Sperone Westwater, New York: "The Spirit of Drawing"

Tony Shafrazi Gallery, New York: "1982-1983: Ten Years After."

Cleveland Centre for Contemporary Art, Cleveland, Ohio: "25 Years."

National Portrait Gallery, London, "The Portrait Now."

Galerie Thaddeus Ropac, Paris, "New York on Paper"

1994 The University of North Texas Art Gallery, Denton, Texas, "Contemporary Watercolours"

Luhring Augustine, New York, "The Ossuary"

1995 Bruce Museum, Greenwich, Conneticut, "A New York Time: Selected Drawings of the Eighties"

Museum fur Moderne Kunst, Frankfurt, Germany, "Szenenwechsel"

1996 Berardo Collection at the Sintra Museum of Modern Art

1998 Koldo Mitxelena, San Sebastian, Spain, "Orientalisms, a contemporary approach"

Natioanal Gallery of Victoria, Australia, "Beyond Belief: Modern Art and the Religious Imagination"

242 Inc., New York, 'An Exhibition for Children'
 
 



Selected Bibliography

 
 
1981 "A Chameleon in a State of Grace" Edit deAk, Art Forum, vol.19, no.6 (February 1981) pp.36-41

1982 Galerie Bruno Bischofberger, Francesco Clemente: Watercolours, Zurich. With an introduction by Rainer Crone

The Museum of Modern Art, New York, New Work on Paper 2: Jonatham Borofsky, Francesco Clemente, Mario Merz, A. R. Penck, Giuseppe Penone, catalogue by Bernice Rose

1983 Heiner Bastian, ed., Sandro Chia, Francesco Clemente, Enzo Cucchi, Bielefeld. With an introduction by Wolfgang Max Faust

Whitechapel Art Gallery, London, Francesco Clemente: The Fourteen Stations. With a foreward by Nick Serota and essays by Henry Geldzhaler and Mark Francis

Badischer Kunstverein, Karlsruhe

Moderna Museet, Stockholm

1984 Kestner-Gesellschaft Hannover, Francesco Clemente: Bilder und Skulpturen.

1985 Paul Gardner, "Gargoyles, Goddesses and Faces in the Crowd", ARTnews, vol.85, no.3, pp.52-59

The Metropolitan Museum of Art, The Mezzanine Gallery, New York, An Exhibition and Sale: Francesco Clemente, Prints 1981-85, with an introduction by Henry Geldzahler and an interview with Clemente by Danny Berger

1986 David Shapiro, Francesco Pelizzi and Rainer Crone, "Collaboration: Francesco Clemente", Parkett, no.9, pp.16-81

Anthony d'Offay Gallery, Francesco Clemente: Pastels 1980, London

Francesco Clemente: India, Twelve Trees Press, Pasadena

Sperone Westwater, Francesco Clemente: Two Garlands, New York

Fundacion Caja de Pensions, Madrid, Francesco Clemente affreschi: Pinturas al fresco. With essays by Henry Geldzahler, Rainer Crone and Diego Cortez

Dieter Koepplin, Francesco Clemente CVIII: Watercolours Adayar 1985, English text, Zurich

1987 Robert Storr "Realm of the Senses", Art In America, vol.75, no.11 (November)

Anthony d'Offay Gallery, Purification of the Twelve, London

John Weiners and Francesco Clemente, India: Francesco Clemente, Altadena, California: Twin Palms Publishers

1989 Francesco Clemente and Robert Creeley, IT, Zurich

Francesco Clemente and Rene Ricard, Sixteen Pastels, London

1990 Philadelphia Museum of Art, Francesco Clemente: Three Worlds, Anne Percy and Raymond Foye with essays by Stella Kramrisch and Ettore Sottsass

Salvadore Riera, Francesco Clemente, Barcelona

Exra Pound, Cathay, New York, The Limited Editions Club. Introduction by Francesco Pellizzi; illustrated by Francesco Clemente (edition of 375)

1991 Galerie Beyeler, Francesco Clemente, Basel

Gagosian Gallery, Francesco Clemente: Testa Coda, New York

Gagosian Gallery, Francesco Clemente: The Black Book, New York

1992 Gagosian Gallery, Francesco Clemente: Evening Raga and Paradiso, New York

Ho-Am Art Gallery, The Italian Transavantgarde: Sandro Chia, Mimmo Paladino, Francesco Clemente, Enzo Cucchi, Korea

Holland Cotter, Francesco Clemente, from Foreign Lands, The New York Times, October 23, p.C28

1993 Cleveland Centre for Contemporary Art, 25 Years, Cleveland

Gagosian Gallery, Life and Death, New York

Gagosian Gallery, Francesco Clemente: The Black Paintings, poems by Robert Creeley, New York

1994 Holland Cotter, Francesco Clemente, Parkett No. 40/41, pp.15-20

Gagosian Gallery, Francesco Clemente: There, poems by Robert Creeley, New York

1995 Sezon Museum of Art, Two Horizons, Tokyo

1997 Anthony d'Offay Gallery, Francesco Clemente - Fifty One Days on Mount Abu, London

Gagosian Gallery, Francesco Clemente: Anamorphosis, poems by Robert Creeley, New York

Galerie Jerome de Noirmont, The Paintings of the Gate: Francesco Clemente, Text by Demosthenes Davvetas

 
 

Work in Public Connections


 
 

Metropolitan Museum of Art, New York

Museum of Modern Art, New York

Albright-Knox Art Gallery, Buffalo, New York

Guggenheim Museum, New York

The Cleveland Museum of Art

Philadelphia Museum of Art

Art Institute of Chicago

Virginia Museum of fine Art, Richmond

Los Angeles County Museum of Art

San Francisco Museum of Modern Art

Fort Worth Museum of Art

Walker Art Center, Minneapolis

Tate Gallery, London

The British Museum, London

Saatchi Collection, London

Musee d'Art Moderne, Centre Pompidou, Paris

Museum fur Moderne Kunst, Frankfurt

Stedelijk Museum, Amsterdam

Oeffentliche Kunstsammlung Basel, Kupferstichkabinett

Museum fur Gegenwartskunst, Emmanuel Hoffmann Stiftung, Basel

Fundacion Caja de Pensiones, Madrid/Barcelona

Louisiana Museum, Denmark

FAE, Musee d'Art Contemporain, Pully, Switzerland

National Gallery of Australia, Camberra

Art Gallery of New South Wales, Sydney

National Gallery of Victoria, Melbourne

Queensland Art Gallery, Brisbane

Centro Cultural Arte Contemporanea, Mexico City

Setagaya Art Museum, Tokyo

Kawamura Memorial Museum of Art

Sezon Museum of Art

 
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General Enquires Richard Hamilton Gilbert & George Ellen Gallagher Rineke Dijkstra Francesco Clemente Vija Celmins Maurizio Cattelan Christian Boltanski Joseph Beuys Georg Baselitz Carl Andre Howard Hodgkin Mario Merz Martin Maloney Bruce McLean Richard Long Roy Lichtenstein Janice Kounelis Jeff Koons Willem de Kooning Yves Klein Anselm Kiefer Elsworth Kelly Jasper Johns Smith / Stewart Kiki Smith Ed Ruscha Gerhard Richter Liza May Post Sigmar Polke Richard Patterson Gabriel Orozco Bruce Nauman Ron Mueck Reinhard Mucha Tatsuo Miyajima Rachel Whiteread Lawrence Weiner Boyd Webb Andy Warhol Bill Viola Francesco Vezzoli Cy Twombly James Turrell