 |
 |
Francesco
Clemente
|
|
 |
|
1952
|
Born in Naples
|
| 1970 |
Studied
architecture at the University of Rome
|
| 1973 |
Travelled
to India
|
| 1977-9 |
Lived
in Madras
|
| 1981
|
Moved
to New York City
|
| |
Currently
lives and works in Rome, Madras and New York |
|
|
 |
One Man Exhibitions
|
|
| |
| 1971 |
Galleria
Valle Giulia, Rome
|
| 1974 |
Galleria
Area, Florence
|
| 1975 |
Gian
Enzo Sperone, Rome
Gian Enzo Sperone, Turin
Massimo Minini, Brescia
Franco Toselli, Milan
|
| 1976 |
Gian
Enzo Sperone, Rome
Lucrezia de Domizio, Pescara
|
| 1977 |
Paola
Betti, Milan
|
| 1978 |
Centre
d'art Contemporain, Geneva
Art & Project, Amsterdam (cat)
Galerie Paul Maenz, Cologne
|
| 1979 |
Art
& Project, Amsterdam
Lisson Gallery, London
Galleria d'Arte Contemporanea Emilio Mazzoli, Modena (cat:
text by Achille Bonito Oliva)
Giuliana de Crescenzo, Rome
Gian Enzo Sperone, Turin (cat)
Lucio Amelio, Naples
|
| 1980 |
Sperone
Westwater Fischer, New York
Paul Maenz, Cologne (cat)
Padiglione d'Arte Contemporanea di Milano, Milan (cat
text by Germano Celant)
Art & Project, Amsterdam
Gian Enzo Sperone, Rome, and Mario Diacono, Rome
|
| 1981 |
Anthony
d'Offay, London (cat)
Bruno Bischofberger Gallery, Zurich (cat: text by Rainer
Crone)
University Art Museum, University of California, Berkeley:
Francesco Clemente/Matrix 46. Exhibition travelled
to The Art Museum and Galleries, California State University,
Long Beach; Wadsworth Atheneum, Hartford, Connecticut
(cat by Mark Rosenthal)
Museum van Hedendaagse Kunst, Ghent
Sperone Westwater Fischer, New York
|
| 1982 |
Galerie
Daniel Templon, Paris
Galerie Paul Maenz, Cologne (cat: essay by Rainer Crone
and Paul Maenz)
Bruno Bischofberger Gallery, Zurich
|
| 1983 |
The
Whitechapel Art Gallery, London: Francesco Clemente:
The Fourteen Stations. Exhibition travelled to Groninger
Museum, Groningen; Badischer Kunstverein, Karlsruhe; Moderna
Museet, Stockholm (cat: texts by Mark Francis and Henry
Geldzahler)
Anthony d'Offay and Gian Enzo Sperone, London: Francesco
Clemente: The Midnight Sun.
Akira Ikeda Gallery, Nagoya and Tokyo (cat)
A Space, Toronto
Sperone Westwater, New York
Mary Boone, New York
Kunsthalle Basel, Basel
Ascan Crone, Hamburg
James Corcoran Gallery, Los Angeles
Moderna Museet, Stockholm
The Fruitmarket Gallery, Edinburgh
|
| 1984 |
National
Galerie, Berlin: Francesco Clemente: Pastels. Exhibition
travelled to Museum Folkwang, Essen; Stedelijk Museum,
Amsterdam; Kunsthalle Tubingen Kunsthalle Basel
Akira Ikeda Gallery, Tokyo
Mary Boone, Michael Werner Gallery, New York
Kestner-Gesellschaft, Hannover: Francesco Clemente:
Painting and Sculpture. (cat: text by Carl Haenlein)
Arts Council Gallery, Belfast, Francesco Clemente in Belfast
(cat with interview by Giancarlo Politi)
|
| 1985 |
The
Metropolitian Museum of Modern Art, New York Francesco
Clemente: Prints 1981-85 (cat: interview by Danny
Berger)
Sperone Westwater, New York
Leo Castelli Gallery, New York
Mary Boone, New York
Galerie Bruno Bischofberger, Zurich
John and Mable Ringling Museum of Art, Sarasota, Florida,
travelled. (cat: texts by Michael Auping and Francesco
Pellizzi)
|
| 1986 |
14th
Biennial, Adelaide Festival of Arts, Adelaide
Akira Ikeda Gallery, Tokyo (cat)
Anthony d'Offay, London
Sperone Westwater, New York
Museum of Modern Art, New York: Departure of the Argonaut.
|
| 1987 |
Ascan
Crone, Hamburg
Parco Co. Ltd., Tokyo, Japan (travelled)
Bruno Bischofberger, Zurich: Zeichnungen
Bruno Bischofberger, Zurich
Fundacion Caja De Pensiones, Madrid: Francesco Clemente
Affreschi Pinturas al Fresco. (cat: texts by Deigo
Cortez, Rainer Crone and Henry Geldzahler)
The Art Institute of Chicago: The Argentario Paintings
Museum fur Gegenwartskunst Basel: Francesco Clemente:
Zeichnungen and Aquarelle, 1971-1986. Travelled to
Groninger Museum, Groningen; Ulmer Museum, Ulm; Musee
de la Ville de Nice; Museum Ludwig, Koln; Frankfurter
Kunstverein, Frankfurt; Musee Cantonal des Beaux-Arts,
Palais de Rumine, Lausanne; Galerie im Taxispalias, Innsbruck.
(cat)
|
| 1988 |
Milwaukee
Art Museum: Francesco Clemente - The Graphic Work.
Exhibition travelled to Saint Louis Art Museum, Museo
Italo Americano, San Francisco
Cabinet des Estampes, Promenade du Pin, Geneva: Le
Depart des Argonautes des autres estampes.
The Museum of Contemporary Art, Chicago: Francesco
Clemente: Fourteen Stations of the Cross.
Mario Diacono Gallery, Boston
Fundacion Joan Miro, Parc de Montjuic, Barcelona: La
Partenca de l'Argonauta.
Paul Maenz Gallery, Cologne
Dia Art Foundation, New York: Funerary Paintings.
(cat)
Galerie Bruno Bischofberger, Zurich
|
| 1989 |
Anthony
d'Offay Gallery, London: Francesco Clemente: Story
of My Country.
Yvon Lambert, Paris: Francesco Clemente: Pastels
Dia Art Foundation, Bridgehampton, New York (cat: essay
by Henry Geldzahler)
Centro Culturale Arte Contemporaneo, Guadalajara: Francesco
Clemente: Cinco Tapices Realizados En El Taller Mexicano
De Gobelinos (Guadlajara, Jalisco, Mexico) (cat: texts
by Raymond Foye, Henry Geldzahler and Sylvia Navarette)
|
| 1990 |
Salvador
Riera Galeria d'Art, Barcelona
Vrej Baghoomian Gallery, New York: Francesco Clemente:
Ten Bad Mothers
Anthony d'Offay Gallery, London: Francesco Clemente:
Pastels
Sperone Westwater Gallery, New York
Philadelphia Museum of Art: Francesco Clemente: Three
Worlds. Exhibition travelled to Wadsworth Atheneum,
Hartford; San Francisco Museum of Modern Art; Royal Academy,
London (cat)
Dolan/Maxwell, Philadelphia: Francesco Clemente: A
Retrospective of the Prints: 1980-90
|
| 1991 |
Kunsthalle
Basel: Francesco Clemente: The Black Book (cat)
Perry Rubenstein, New York: Francesco Clemente: Early
Self-Portraits
Galerie Beyeler, Basel
Royal Academy of Arts, London
Gagosian Gallery, New York. Exhibition travelled to Kunstmuseum
Basel, Museum fur Gegenwartskunst, Switzerland. (cat)
Galerie Templon, Paris
|
| 1992 |
Leccese
Spruth Galerie, Cologne
Galerie Brune Bischofberger, Zurich
Robert Stein Fine Art, St. Louis
Gagosian Gallery, New York (cat)
Galerie Michael Hass, Berlin (cat)
Lococo Mulder, New York
|
| 1993 |
Anthony
d'Offay Gallery, London: Francesco Clemente: Paintings
Sculpture and Works on paper from India (cat: text
by Dieter Koepplin)
Gagosian Gallery, New York: Francesco Clemente: The
Black Paintings (cat: poems by Robert Creeley)
|
| 1994 |
Bruno
Bischofberger, Zurich
Musee National d'Arte Moderne, Centre Georges Pompidou,
Paris
|
| 1995 |
Sezon
Museum of Art, Tokyo: Two Horizons (cat)
Anthony d'Offay Gallery, London: Frescos and Pastels
1970-95
Jablonka Galerie, Köln (cat)
Chateaux de Chenonceau, Chenonceaux: Francesco Clemente
(cat)
Helsinki Festival, Kunshalle Helsinki, Francesco Clemente
(cat: text by Tatsumi Shinoda)
|
| 1996 |
Stadtische
Galerie Altes Theater Ravensburg, Francesco Clemente:
The Book of the Arrow Aquarelle (cat)
Galerie Fortlaan 17, Ghent, Francesco Clemente Pastels
1979-1990
|
| 1997 |
Andy
Warhol Museum, Pittsburg, Francesco Clemente Portraits
Whitney Biennial
XLVIII Venice Bienale
Guggenheim Bilbao, La Stanza della Madre
Gagosian Gallery, New York, Francesco Clemente: Anamorphosis.
(cat: poems by Robert Creeley)
Anthony d'Offay Gallery, London, 24 April - 31 May 1997
Galerie Jerome de Noirment, Paris, The Painting of
the Gate
The Metropolitian Museum of Modern Art, New York, Francesco
Clemente: Indian Watercolours
|
| 1998 |
Modern
Art Museum of Fort Worth, Fort Worth, Texas
Indianapolis Museum of Art, Indianapolis
|
| 1999 |
Anthony
d'Offay Gallery, London, Francesco Clemente: Painter's
Wardrobe
Galeria d'Arte Moderna, Bologna (cat)
Jablonka Gallery, Cologne, Francesco Clemente: Broken
Women
Kunstsammlung Nordhein-Westfalen, Dusseldorf
The Solomon R. Guggenheim Museum, New York |
|
|
| |
Selected Group Exhibitions
|
|
| |
| 1973 |
Civic
Centre Museum, Philadelphia: "Italy Two"
|
| 1974 |
Studenteski
Centre, Belgrade
|
| 1975 |
Sao
Paolo: XII Biennale
Galleria l'Attico, Rome: "24 Hours out of 24"
Galleria Diagramma, Milan: "Campo Dieci"
|
| 1976 |
Gian
Enzo Sperone, Rome: "Merz, Pisani, Clemente"
|
| 1977 |
Studio
Cannavielo, Rome: "Drawing/Transparency"
Gian Enzo Sperone, Rome: "Wednesday 16 Febraury
1977"
Musee d'Art Moderne, Paris: Tenth Biennale de Paris
Bari: "Progetto 80"
|
| 1978 |
Galleria
la Salita, Rome: "Pas de deux"
|
| 1979 |
Basel
Artfair: "Perspective 79"
Paul Maenz, Cologne: "Arte Cifra"
Annemarie Verna, Zurich: "Clemente, de Maria,
Paladino"
Stuttgart: "Europa 79"
Yvon Lambert, Paris: "Parigi, O Cara..."
Palazzo di Citta, Acireale: "Opere Fatte ad Arte"
Colonna Castle, Genazzano: "Le Stanze"
|
| 1980 |
Kunstverein,
Bonn; Stadische Galerie Wolfsburg; Groninger Museum: "The
Cut-off Hand - 100 Drawings from Italy" (cat)
Kunstverein, Mannheim: "Egonavigatio"
Francesco Masnata, Genoa
Venice Biennale: "Aperto 80"
Kunsthalle Basel. Exhibition travelled to Museum Folkwang,
Essen; Stedelijk Museum, Amsterdam (cat)
Sperone Westwater Fischer, New York
Galerie Rudolf Zwirner, Cologne: "Neuerwerbungen"
|
| 1981 |
Daniel
Templon, Paris
Gian Enzo Sperone, Turin
Rheinhallen der Kolner Messe, Cologne: "Westkunst"
Crown Point Gallery, Oakland, California: "Italians
and American Italians" (cat: essay by Kathan
Brown)
Buffalo, New York (jointly sponsored by Albright - Knox
Gallery, CEPA Gallery and Hallwalls): "Figures,
Forms and Expressions" (cat)
Barbara Toll Fine Arts, New York: "Large Format
Drawings"
Emilio Mazzoli, Modena: "Tesoro"
The Squibb Gallery, Princeton, New Jersey: "Aspects
of Post-Modernism"
|
| 1982 |
Institute
of Contemporary Art, Boston: "Issues: New Allegory
I"
Kassel, West Germany: Documenta 7
The Aldrich Museum of Contemporary Art, Conneticut: "Homo
Sapiens: the many images" (cat: introduction
by Martin Sosnoff)
Marlborough Gallery, New York: "The Pressure to
Paint" (cat: text by Diego Cortez)
Anthony d'Offay Gallery, London: "Five Painters:
Chia, Clemente, Kiefer, Salle, Schnabel"
The Museum of Modern Art, New York: "New Works
on Paper 2: Borofsky, Clemente, Merz, Penck, Penone"
(cat: text by Bernice Rose)
Kunsthalle Wilhelmshaven, Wilhelmshaven, and Groninger
Museum, Groningen: "Kunst nu/kunst unserer zeit"
Mura Aureliane, Rome: "Avanguardia Transavanguardia
68, 77"
Emilio Mazzoli, Modena
Internationale Kunstausstellung Berlin: "Zeitgeist"
(cat: foreward by Christos Joachimides and Norman Rosenthal)
The Parrish Art Museum, Southampton, New York: "How
to Draw/What to Draw: Works on Paper by Five Contemporary
Artists"
Rosa Esman Gallery, New York
The Bonlow Gallery, New York: "Myth"
|
| 1983 |
The
New Gallery of Contemporary Art, Cleveland: "New
Italian Art"
The Aldrich Museum of Contemporary Art, Ridgefield, Conneticut:
"Trustees' Choice"
Kunsthalle Bielefeld and Louisiana Museum, Denmark: "Chia,
Clemente, Cucchi"
Emilio Mazzoli, Modena
SVC/Fine Arts Gallery, University of South Florida, Tampa:
"Artists from Sperone Westwater Fischer Inc."
Kalamazoo Institute of Arts, Kalamazoo, MI: "New
Image/Pattern and Decoration"
Bonner Kunstverein, Bonn: "Concetto-Imago: Generationswechsel
in Italien"
Bruno Bischofberger, Zurich
Nigel Greenwood, London
Monique Knowlton, New York: "Intoxication"
Caja de Pensions, Madrid: "Italia: La Transvaguardia"
Robert Miller, New York: "Surreal"
Basel Art Fair, (Galerie Beyeler), Basel: "Expressionist
Painting Beyond Picasso"
The Parrish Art Museum, Southampton: "The Painterly
Figure"
The Solomon Guggenheim Museum, New York: "Recent
European Painting"
Emilio Mazzoli, Modena
Linda Farris Gallery, Seattle; Los Angeles Municipal Art
Gallery, Los Angeles: "Self-Portraits"
Moderna Museet, Stockholm
Sharpe Gallery, New York: "Self Image"
Ateneumin Taidemuseo, Helsinki: "Ars '83 Helsinki"
Tate Gallery, London: "New Art"
Museum of Contemporary Art, Los Angeles: "The
First Show"
Galerie Beyeler, Basel: "Expressive Malerie nach
Picasso"
Mary Boone Werner Gallery, New York
Brooklyn Academy of Music, Brooklyn: "Hemisphere."
Visual element in conjunction with Melissa Fenley performance
at the Next Wave Festival
|
| 1984 |
Akira
Ikeda Gallery, Nagoya: "Painting Now"
The Museum of Modern Art, New York: "An International
Survey of Recent Painting and Sculpture"
Walker Art Center, Minneapolis: "Images and Impressions:
Painters who Paint"
Sakowitz, Houston, Texas: "Sakowitz Festival del
Designo Italiano"
Anthony d'Offay Gallery, London
The Boibrono Gallery, Stockholm: "Det Italienska
Avantgardet"
National Gallery of Art, Washington, D.C.: "The
Folding Image"
Institute of Contemporary Art, Boston
Galerie Leger, Malmo
Galirie Amak, Berlin: "Made in NYC/LA"
Sidney Janis, Dublin: "New Expressionists"
The Guiness Hop Store, Dublin: "Rosc '84"
Bonnier Gallery, New York: "Totem"
Akira Ikeda Gallery, Nagoya: "Painting Now"
Stockholm Art Fair and Lunds Konsthall, Stockholm and
Lund, Sweden: "Det Italienska Transvangardet"
Musee d'Art Contemporain, Montreal: "Via New York"
Antiope-France, Paris
Sperone Westwater, New York
Anthony d'Offay Gallery, London
Eaton Schoen Gallery, San Francisco
Mary Boone Michael Werner, New York: "Drawings"
Blum Helman, New York
Villa Campolieto, Naples: "Terrae Motus"
Sylvia Menzel, Berlin: "Portraits"
Chicago Public Library Cultural Center in conjunction
with the Renaisssance Society of the University of Chicago,
Chicago: "Contemporary Italian Masters"
San Francisco Museum of Modern Art, San Francisco:
"The Human Condition, San Francisco Museum of Modern
Art Biennial III"
Bruno Bischofberger, Zurich: "Collaborations,
Basquiat, Clemente, Warhol"
The Museum of Modern Art, New York: "An International
Survey of Recent Painting and Sculpture"
Kitakyushu Municipal Museum of Art, Kitakyushu, Japan:
"Painting Now"
Hirshhorn Museum and Sculpture Garden, Washington, D.C.:
"Content: A Contemporary Focus"
The Walker Art Center, Minneapolis (travelled): "Images
and Impressions"
|
| 1985 |
XXII
Biennale of Paris, Grande Halle du Parc de la Villette,
Paris
Lawrence Oliver, Philadelphia: "Drawings"
Herbert Palmer, Los Angeles: "Graphics"
Akira Ikeda Gallery, Tokyo: "Collaborations, Basquiat,
Clemente, Warhol"
Museum of Contemporary Art, Chicago: "Selections
from the William J. Hokin Collection."
Kunsthalle Tubingen, Tubingen: "7000 Eichen"
The Gulbenkian Foundation, Lisbon: "DIALOG"
Seattle Art Museum, Seattle: "States of War"
Kunsthalle Basel, Basel
Anthony d'Offay, London: "Unique Books"
The Museum of Modern Art, New York: "India and
the Contemporary Artist"
Genazzano: "Nuovo trame dell'arte"
Mary Boone Michael Werner Gallery, New York: "BAM
Benefit"
Castelli di Rivoli, Turin: "Ouverture"
Joslyn Art Museum, Omaha (travelled): "New Art
of Italy"
Museum of Art, Carnegie Institute, Pittsburgh: "The
Carnegie International"
|
| 1986 |
Anthony
d'Offay Gallery, London
ARCA, Marseilles
Cincinatti Art Museum, Cincinatti: "New Visions
in Contemporary Art"
Blum Helman Gallery, London: "Portraits"
Eugene Binder Gallery, Dallas
Whitechapel Art Gallery, London: "In Tandem"
Gabrielle Bryers, New York: "Homage to Nicolas
A. Moufarrege."
Stadtische Galerie im Lenbachaus, Munich: "Homage
a Beuys"
Quadriennale di Roma, Rome
Wallraf-Richartz-Museum, Cologne
Philadelphia Museum of Art, Philadelphia: "Philadelphia
Collects Art Since 1940"
Stadmuseum Graz, Graz: "Steirischer Herbst '86"
Phoenix Art Museum, Phoenix (travelled): "Focus
on the Image"
|
| 1987 |
Los
Angeles County Museum, Los Angeles: "Avante-garde
in the Eighties"
Michael Kohn Gallery, Los Angeles
Printemps des Arts, Monte Carlo, France
Galerie Bernd Kluser, Munich: "Works on Paper"
Wallach Art Gallery, Schermerhorn Hall, Columbia University,
New York (travelled): "Similia/Dissimilia - Modes
of Abstraction in Painting, Sculpture and Photography
Today"
Minnesota Museum of Art, Saint Paul, Minnesota (travelled):
"The International Exhibition to End World Hunger"
|
| 1988 |
Galeria
Eude, Barcelona: "Paladino-Cucchi-Clemente"
Tatyana Grosman Gallery, Museum of Modern Art, New York:
"For 25 Years: Crown Point Press"
The New York City Ballet, New York: "Artists
Series Projects"
Museum of Contemporary Art, Chicago, "The Marshall
Franklyn Collection"
Philadelphia Museum of Art, Philadelphia, "New
Art on Paper"
Milwaukee Art Museum, Milwaukee, "The Worls
of Art Today"
Museo d'Arte Contemporanea, Prato, "Europa Oggi
- Europe Now"
XLIII Esposizione Internationale d'Arte, La Biennale
di Venezia, Venice
Winnipeg Art Gallery, Winnipeg, Manitoba, "The
Impossible Self"
Dia Art Foundation, New York, "Francesco Clemente
and Robert Ryman"
The Paenson Gallery, New York, "Altered Images
(Portraits by the Artists based on images"
Dan Al Set Gallery, New York, "The International
Eighties"
|
| 1989 |
Royal
Academy of Art, London, "Italian Art in the Twentieth
Century"
The Freedman Gallery, Albright College, Reading, PA, "The
European Avant-Garde"
Pat Hearn Gallery, New York, "They See God"
(curated by Dennis Cooper and Tim Guest)
Norha Haime Gallery, New York, "Master Prints"
Musee National d'Art Moderne, Centre Georges Pompidou,
Paris, "Magicians of the Earth"
Charles Cartwright Gallery, Paris, "The Wanderes"
Sperone Westwater Gallery, New York
Hofstra Museum, Hofstra University, Hempstead, New York
(travelled), "1979-1989 American, Italian, Mexican
Art from the Collection of Francesco Pellizi"
Museum des 20, Jahrunderts, Wien: "Weiner Diwan
- Sigmund Freud - heute"
Vivian Horan Fine Art, New York, "Head to Toe:
Clemente, DeKooning, Dubuffet, Lichtenstein, Picasso,
Rusha"
La Fundacion Caixa de Pensions, "International
Art in the Fundacion Caixa de Pensions"
|
| 1990 |
ARCO
'90 Art Fair, Madrid, "Sperone Westwater Group
Exhibition"
Hirshhorn Museum and Sculpture Garden, Washington D.C.,
"Culture and Commentary, an '80s Perspective"
Massimo Audiello Gallery, New York "Disturb Me"
Galerie Bellier, Paris, "Renaissance du Polyptyche
chez les artistes contemporains"
Kryier/Landau Contemporary Art, Santa Monica,"Prints
and Multiples"
Galeria Dau al Set, Barcelona, "Numbers One 1990"
Kunsthalle, Nuremberg, Germany, "Group Exhibition"
Blum Helman Gallery and Germans van Eck Gallery, New York:
"Artists for Amnesty"
Fiorella Urbinati Gallery, Los Angeles: "Annual
'2RC' Contemporary Graphics Exhibition"
Massimo Audiello Gallery, New York: "Group Show"
Daniel Varenne, Switzerland: "Chicago International
Art"
Nippon Convention Center, Tokyo: "Pharmakon '90"
Turner and Byrne Gallery, Dallas: "The Shock of
the Old"
Franklin Furnace Archives, Inc., New York (travelled):
"Contemporary Illustrated Books: Word and Image,
1967-1988"
Runkel-Hue Williams Ltd, London: "Modern Masters
IV"
Moderna galeria Ljubljana and Galerie Thomas, Munich:
"Art of the Eighties from the Thomas Collection"
Galerie 1900-2000, Paris: "Conceptual Art Conceptual
Forms."
Jan Eric Lowenadler, New York: "FIAC, PARIS"
Gallery Hibell, Yokyo: "Paradise on Doomsday:
Modern Art Market '90"
|
| 1991 |
Phillipe
Daverio Gallery, New York: "Modern Italian Drawings"
Lorence Monk Gallery, New York: "Dead Heroes,
Disfigured Love"
Brooke Alexander Editions, New York: "Poets/Painters
Collaborations"
Texas Gallery, Houston, Texas: "Art Pro Choice
2"
Studio d'Arte Cannaviello, Milan: "Clemente, Paladino,
Gli Anni '70"
Jablonka Gallery, Koln: "Francesco Clemente, Peter
Halley."
Matthew Marks Gallery, New York: "Artists Sketchbooks"
Robert Miller Gallery, New York: "Portraits on
Paper"
Galerie Kaj Forsblom, Helsinki: "Art 22'91"
Independent Curators Incorporated, New York: "Drawn
in the Nineties"
Stuart Levy Gallery; Helander Gallery, New York: "Pools."
Susan Sheehan Gallery, New York: "Prints of the
Eighties"
Pace Prints, New York: "Art Pro Choice II Print
Portfolio"
|
| 1992 |
Institute
of Contemporary Art, Philadelphia: "Devil on the
Stairs"
The Museum of Modern Art, New York: "Allegories
of Modernism, Contemporary Drawing"
The San Jose Museum of Modern Art, San Jose, California:
"Drawing Redux" (curated by Phyllis Tuchman
Collecio d'art contemporani, Fundacio "la Caixa"
Barcelona: "Tropismes."
Musee d'Art Moderne et d'Art Contemporain, Nice: "Le
Portrait dans l'art contemporain"
Ho-Am Art Gallery, Korea: "The Italian Transavantgarde"
|
| 1993 |
Galerie
Isabella Kacprzak, Koln: "Drawings"
Akira Ikeda Gallery, New York: "Early Works: Francesco
Clemente, Julian Schnabel"
New Jersey Centre for Visual Arts, Summit, New Jersey:
"Self-Portrait: The Changing Self."
Sperone Westwater, New York: "The Spirit of Drawing"
Tony Shafrazi Gallery, New York: "1982-1983: Ten
Years After."
Cleveland Centre for Contemporary Art, Cleveland, Ohio:
"25 Years."
National Portrait Gallery, London, "The Portrait
Now."
Galerie Thaddeus Ropac, Paris, "New York on Paper"
|
|
1994 |
The
University of North Texas Art Gallery, Denton, Texas,
"Contemporary Watercolours"
Luhring Augustine, New York, "The Ossuary"
|
| 1995 |
Bruce
Museum, Greenwich, Conneticut, "A New York Time:
Selected Drawings of the Eighties"
Museum fur Moderne Kunst, Frankfurt, Germany, "Szenenwechsel"
|
| 1996 |
Berardo
Collection at the Sintra Museum of Modern Art
|
| 1998 |
Koldo
Mitxelena, San Sebastian, Spain, "Orientalisms,
a contemporary approach"
Natioanal Gallery of Victoria, Australia, "Beyond
Belief: Modern Art and the Religious Imagination"
242 Inc., New York, 'An Exhibition for Children' |
|
|
| |
Selected Bibliography
|
|
| |
| 1981 |
"A
Chameleon in a State of Grace" Edit deAk, Art
Forum, vol.19, no.6 (February 1981) pp.36-41
|
| 1982 |
Galerie
Bruno Bischofberger, Francesco Clemente: Watercolours,
Zurich. With an introduction by Rainer Crone
The Museum of Modern Art, New York, New Work on Paper
2: Jonatham Borofsky, Francesco Clemente, Mario Merz,
A. R. Penck, Giuseppe Penone, catalogue by Bernice
Rose
|
| 1983 |
Heiner
Bastian, ed., Sandro Chia, Francesco Clemente, Enzo
Cucchi, Bielefeld. With an introduction by Wolfgang
Max Faust
Whitechapel Art Gallery, London, Francesco Clemente:
The Fourteen Stations. With a foreward by Nick Serota
and essays by Henry Geldzhaler and Mark Francis
Badischer Kunstverein, Karlsruhe
Moderna Museet, Stockholm
|
| 1984 |
Kestner-Gesellschaft
Hannover, Francesco Clemente: Bilder und Skulpturen.
|
| 1985 |
Paul
Gardner, "Gargoyles, Goddesses and Faces in the
Crowd", ARTnews, vol.85, no.3, pp.52-59
The Metropolitan Museum of Art, The Mezzanine Gallery,
New York, An Exhibition and Sale: Francesco Clemente,
Prints 1981-85, with an introduction by Henry Geldzahler
and an interview with Clemente by Danny Berger
|
| 1986 |
David
Shapiro, Francesco Pelizzi and Rainer Crone, "Collaboration:
Francesco Clemente", Parkett, no.9, pp.16-81
Anthony d'Offay Gallery, Francesco Clemente: Pastels
1980, London
Francesco Clemente: India, Twelve Trees Press,
Pasadena
Sperone Westwater, Francesco Clemente: Two Garlands,
New York
Fundacion Caja de Pensions, Madrid, Francesco Clemente
affreschi: Pinturas al fresco. With essays by Henry
Geldzahler, Rainer Crone and Diego Cortez
Dieter Koepplin, Francesco Clemente CVIII: Watercolours
Adayar 1985, English text, Zurich
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| 1987 |
Robert
Storr "Realm of the Senses", Art In America,
vol.75, no.11 (November)
Anthony d'Offay Gallery, Purification of the Twelve,
London
John Weiners and Francesco Clemente, India: Francesco
Clemente, Altadena, California: Twin Palms Publishers
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| 1989 |
Francesco
Clemente and Robert Creeley, IT, Zurich
Francesco Clemente and Rene Ricard, Sixteen Pastels,
London
|
| 1990 |
Philadelphia
Museum of Art, Francesco Clemente: Three Worlds,
Anne Percy and Raymond Foye with essays by Stella Kramrisch
and Ettore Sottsass
Salvadore Riera, Francesco Clemente, Barcelona
Exra Pound, Cathay, New York, The Limited Editions
Club. Introduction by Francesco Pellizzi; illustrated
by Francesco Clemente (edition of 375)
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| 1991 |
Galerie
Beyeler, Francesco Clemente, Basel
Gagosian Gallery, Francesco Clemente: Testa Coda,
New York
Gagosian Gallery, Francesco Clemente: The Black Book,
New York
|
| 1992 |
Gagosian
Gallery, Francesco Clemente: Evening Raga and Paradiso,
New York
Ho-Am Art Gallery, The Italian Transavantgarde: Sandro
Chia, Mimmo Paladino, Francesco Clemente, Enzo Cucchi,
Korea
Holland Cotter, Francesco Clemente, from Foreign Lands,
The New York Times, October 23, p.C28
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| 1993 |
Cleveland
Centre for Contemporary Art, 25 Years, Cleveland
Gagosian Gallery, Life and Death, New York
Gagosian Gallery, Francesco Clemente: The Black Paintings,
poems by Robert Creeley, New York
|
| 1994 |
Holland
Cotter, Francesco Clemente, Parkett No. 40/41,
pp.15-20
Gagosian Gallery, Francesco Clemente: There, poems
by Robert Creeley, New York
|
| 1995 |
Sezon
Museum of Art, Two Horizons, Tokyo
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| 1997
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Anthony
d'Offay Gallery, Francesco Clemente - Fifty One Days
on Mount Abu, London
Gagosian Gallery, Francesco Clemente: Anamorphosis,
poems by Robert Creeley, New York
Galerie Jerome de Noirmont, The Paintings of the Gate:
Francesco Clemente, Text by Demosthenes Davvetas
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Work in Public Connections
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Metropolitan
Museum of Art, New York
Museum of Modern Art, New York
Albright-Knox Art Gallery, Buffalo, New York
Guggenheim Museum, New York
The Cleveland Museum of Art
Philadelphia Museum of Art
Art Institute of Chicago
Virginia Museum of fine Art, Richmond
Los Angeles County Museum of Art
San Francisco Museum of Modern Art
Fort Worth Museum of Art
Walker Art Center, Minneapolis
Tate Gallery, London
The British Museum, London
Saatchi Collection, London
Musee d'Art Moderne, Centre Pompidou, Paris
Museum fur Moderne Kunst, Frankfurt
Stedelijk Museum, Amsterdam
Oeffentliche Kunstsammlung Basel, Kupferstichkabinett
Museum fur Gegenwartskunst, Emmanuel Hoffmann Stiftung,
Basel
Fundacion Caja de Pensiones, Madrid/Barcelona
Louisiana Museum, Denmark
FAE, Musee d'Art Contemporain, Pully, Switzerland
National Gallery of Australia, Camberra
Art Gallery of New South Wales, Sydney
National Gallery of Victoria, Melbourne
Queensland Art Gallery, Brisbane
Centro Cultural Arte Contemporanea, Mexico City
Setagaya Art Museum, Tokyo
Kawamura Memorial Museum of Art
Sezon Museum of Art
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