| |
|
| 1912 |
Born March 22 in Maklin, Saskatchewan, Canada. Spends youth in
Vancouver, British Columbia.
|
| 1931 |
Moves to the United States.
|
| 1934-37 |
Studies at Western Washington College of Education, Bellingham,
Washington.
|
| 1941-42 |
Attends
Teachers College, Columbia University, New York. Receives B.S.,
1942.
|
| 1946-48 |
Enrolls at the University of New Mexico, Albuquerque where she
also teaches art from 1947-48.
|
| 1950 |
Becomes a United States citizen.
|
| 1952 |
Receives M.A. from Teachers College, Columbia University, New
York.
|
| 1954-57 |
Lives in Taos, New Mexico.
|
| 1957 |
Moves to New York; lives on Coenties Slip in Lower Manhattan.
|
| 1958 |
First solo exhibition at Betty Parsons Gallery, New York.
|
| 1967-68 |
Moves to New Mexico; abandons painting for seven years.
|
| 1971 |
Publishes suite of prints, On a Clear Day, with Parasol
Press.
|
| 1974 |
Returns to painting after seven years hiatus.
|
| 1975 |
First exhibition at, and beginning of association with, The
Pace Gallery, New York.
|
| 1976 |
Produces film entitled Gabriel.
|
| 1989 |
Inducted as a member of the American Academy and Institute
of Arts and Letters, New York.
|
| 1991 |
Retrospective exhibition organized by the Stedelijk Museum,
Amsterdam; travels throughout Europe.
Receives the Alexej von Jawlensky Prize from the city of
Wiesbaden, Germany.
|
| 1992 |
Receives Oskar Kokoschka Prize from Austrian government.
|
| 1992-94 |
Major retrospective organized by the Whitney Museum of American
Art, New York; travels throughout the United States and to
Madrid.
|
| 1995 |
Participates in the "1995 Biennial Exhibition"
at the Whitney Museum of American Art, New York.
|
| 1997 |
Receives Golden Lion for Contribution to Contemporary Art
at the Venice Biennale.
|
| 1998 |
Receives
the Distinguished Artist Award for Lifetime Achievement from
the College Art Association.
National
Medal of Arts, an award presented by the President and the
National Endowment for the Arts.
Recipient
of the 25th Annual Governor's Award for Excellence and Achievement
in the Arts, given by Governor Gary Johnson, Santa Fe, New
Mexico.
|
|
|
Solo Exhibitions
|
| 1958 |
Agnes Martin, Betty Parsons Gallery, New York, December
2 - 20.
|
| 1959-60 |
Paintings: Agnes Martin, Betty Parsons Gallery, New York,
December 29, 1959 - January 16, 1960.
|
| 1961 |
Agnes Martin Paintings, Robert Elkon Gallery, New York,
September 25 - October 14.
|
| 1962 |
Agnes Martin, Robert Elkon Gallery, New York, November
27 - December 15.
|
| 1963 |
Agnes Martin, Robert Elkon Gallery, New York, November
12 - 30.
|
| 1965 |
Agnes Martin, Robert Elkon Gallery, New York, April 10
- 30.
|
| 1965-66 |
Agnes Martin, Nicholas Wilder Gallery, Los Angeles, December
4, 1965 - January 8, 1966.
|
| 1966 |
Agnes Martin Drawings 1961-1966, Robert Elkon Gallery,
New York, May 2 - 28.
Paintings: Agnes Martin, Robert Elkon Gallery, New York,
October 22 - November 12.
|
| 1967 |
October - Agnes Martin, Nicholas Wilder Gallery, Los Angeles,
October.
|
| 1970 |
Agnes Martin: Paintings 1963-1968, Nicholas Wilder Gallery,
Los Angeles, January.
Agnes Martin: Drawings 1961-1966, Robert Elkon Gallery,
New York, May 2 - 20.
|
| 1971 |
Agnes Martin, Visual Arts Gallery, School of Arts, New
York, April 20 - May 25.
|
| 1972 |
Agnes Martin: Eight Paintings 1961-1967, Robert Elkon Gallery,
New York, March 4 - 29.
|
| 1973 |
Agnes Martin, retrospective exhibition, Institute of Contemporary
Art, University of Pennsylvania, Philadelphia, Pennsylvania, January
22 - March 1.
Travels to the Pasadena Art Museum, Pasadena, California, April
3 - May 27. (catalogue)
Agnes Martin: On a Clear Day, Galerie Yvon Lambert, Paris,
April 28 - May.
On a Clear Day, The Museum of Modern Art, New York, May
14 - August 28.
|
| 1973-74 |
Agnes Martin, Kunstraum München, Munich, November
20 - December 22, 1973.
Travels to Kunsthalle Tübingen, January 12 - February 24,
1974; Kaiser Wilhelm Museum, Krefeld, March 17 - April 21, 1974.
(catalogue)
|
| 1974 |
On a Clear Day, Screenprints and Drawings by Agnes Martin,
Scottish National Gallery of Modern Art, Edinburgh, February 23
- March 17.
Agnes Martin: Drawings 1960 to 1967, Robert Elkon Gallery,
New York, March 9 - April 3.
On a Clear Day, Fine Arts Museum, Santa Fe, September 8
- December 8.
|
| 1975 |
Agnes Martin: New Paintings, The Pace Gallery, New York,
March 1 - April 1.
|
| 1976 |
Agnes Martin: Recent Paintings, The Pace Gallery, New York,
May 1 - 29.
Agnes Martin: Paintings 1961-67, Robert Elkon Gallery,
New York, May 1 - June 2.
|
| 1977 |
Agnes Martin: Paintings and Drawings 1957-1975, Arts Council
of Great Britain, London.
Travels to Hayward Gallery, London, March 2 - April 24; Stedelijk
Museum, Amsterdam, May 13 - June 19. (catalogue)
Agnes Martin: Recent Paintings, The Pace Gallery, New York,
March 25 - April 22.
Agnes Martin: Six New Paintings, The Mayor Gallery, London,
April 4 - May 13.
Galerie Rudolf Zwirner, Cologne.
Agnes Martin: Drawings of the Sixties, Robert Elkon Gallery,
New York, October 7 - November 8.
Agnes Martin: Recent Drawings, Harcus/Krakow Gallery, Boston,
November 4 - 29.
|
| 1979 |
Agnes Martin: Recent Watercolors, Margo Leavin Gallery,
Los Angeles, April 7 - May 5.
The Islands, Museum of Fine Arts, Santa Fe, July 1 - 29.
Agnes Martin, The Pace Gallery, New York, September 21
- October 13.
|
| 1980 |
Agnes Martin New Paintings, Watercolors, Richard Gray Gallery,
Chicago, September 27 - October 31.
Agnes Martin Paintings 1980, The Pace Gallery, New York,
November 14 - December 13.
|
| 1980-81 |
Agnes Martin, exhibition of a series of twelve paintings
completed in 1979, organized by the Pace Gallery, New York.
Travels to Wichita State University, Wichita, Kansas, March 18
- April 6, 1980; Denver Art Museum, Denver, Colorado, May 24 -
June 29, 1980; La Jolla Museum of Contemporary Art, La Jolla,
California, August 15 - September 28, 1980; Seattle Art Museum,
Seattle, Washington, November 13 - December 31; Portland Art Museum,
Portland, Oregon, January - February 1981; Akron Art Institute,
Akron, Ohio, March 14 - May 10, 1981; Glenbow Museum, Calgary,
Alberta, Canada, August - October 11, 1981; and Mendel Art Gallery,
Saskatoon, Saskatchewan, Canada, November 13 - December 20, 1981.
|
| 1981 |
Agnes Martin Paintings 1981, The Pace Gallery, New York,
September 25 - October 31.
|
| 1982 |
Agnes Martin, exhibition organized by Glenbow-Alberta Institute,
Calgary, Alberta, and the Mendel Art Gallery, Saskatoon, Saskatchewan.
Presented at Centre Saidye Bronfman, Montreal,
February 23 - March 14.
|
| 1982-83 |
Agnes Martin: New Paintings, The Pace Gallery, New York,
December 3, 1982 - January 8, 1983.
|
| 1984 |
Agnes Martin: Recent Paintings, The Pace Gallery, New York,
January 20 - February 11.
Agnes Martin: Recent Paintings, The Mayor Gallery, London,
February 1 - March 16.
|
| 1985 |
Agnes Martin: Paintings 1985, The Pace Gallery, New York,
January 18 - February 16.
Agnes Martin: Recent Paintings, Margo Leavin Gallery, Los
Angeles, October 18 - November 16.
|
| 1986 |
Agnes Martin: Recent Paintings, Waddington Galleries, London,
February 5 - March 1. (catalogue)
Agnes Martin: Neue Bilder-Zeichnungen, Annemarie Verna
Galerie, Zurich, April 23 - May 24.
Agnes Martin: Works on Paper, Garry Anderson Gallery, Sydney,
Australia, June 17 - July 12.
Agnes Martin, The Pace Gallery, New York, September 19
- October 25.
|
| 1987 |
Agnes Martin: Peintures 1975-1986, Galerie Yvon Lambert,
Paris, April 25 - May 20.
|
| 1988 |
Agnes Martin, Barbara Krakow Gallery, Boston, March 5 -
30.
|
| 1989 |
Agnes Martin: New Paintings, The Pace Gallery, New York,
January 20 - February 18.
Agnes Martin, Akira Ikeda Gallery, Tokyo, April 4 - 22.
(catalogue)
Agnes Martin: Recent Paintings, The Cleveland Museum of Art,
July 5 - September 10.
|
| 1990 |
Waddington Galleries Ltd., London.
|
| 1990-91 |
Agnes Martin: New Paintings, The Pace Gallery, 142 Greene
Street, New York, December 7, 1990 - January 12, 1991.
|
| 1991 |
Agnes Martin Paintings: 1959-1969, Mary Boone Gallery,
New York, February 2 - 23.
30 prints by Agnes Martin, Chianti Foundation, Marfa, Texas,
Winter 1991.
Agnes Martin: Gemälde und Zeichnugen 1974-1990, Westfälisches
Landesmuseum für Kunst und Kulturgeschichte, Münster,
Germany, April 8 - June 10.
|
| 1991-92 |
Agnes Martin: Paintings and Drawings 1974-1990, Stedelijk
Museum, Amsterdam, Netherlands, March 22 - May 12, 1991.
Traveled to Museum Wiesbaden, Germany, May 26 - July 21, 1991;
Westfälisches Landesmuseum, Münster, Germany, August
4 - October 6, 1991; Musée d'Art Moderne de la Ville de
Paris, France, October 24, 1991 - January 6, 1992. (catalogue)
Agnes Martin: New Paintings, The Pace Gallery, New York,
December 6, 1991 - January 4, 1992.
|
| 1992 |
Agnes Martin: Werke 1961-1989, Kunstmuseum Winterthur,
Winterthur, Switzerland, January 19 - March 15. (catalogue)
Agnes Martin, Hochschule für angewandte Kunst, Vienna,
February 6 - March 7.
Agnes Martin, Galerie Yvon Lambert, Paris, May 16 - June
20.
|
| 1992-94 |
Agnes Martin, retrospective exhibition, Whitney Museum
of American Art, New York, November 6, 1992 - January 31, 1993.
Travels to Milwaukee Art Center, Milwaukee, Wisconsin, February
12 - April 4, 1993; Center for the Fine Arts, Miami, Florida,
May 22 - August 1, 1993; Houston Contemporary Arts Museum, Houston,
Texas, September 10 - October 31, 1993; Museo Centro de Arte Reina
Sofía, Madrid, Spain, November 23, 1993 - February 21,
1994. (catalogue)
|
| 1993 |
Wildenstein Gallery, Tokyo, May 17 - June 30. (catalogue)
Agnes Martin: Paintings and Drawings 1977-1991, Serpentine
Gallery, London, September 8 - October 24. (catalogue)
|
| 1994 |
Agnes Martin: Paintings from 1991 & 1992, Galerie Michael
Werner, Cologne, January 22 - March 5.
Santa Fe Museum of Fine Arts, March 26 - May 15.
Agnes Martin: Recent Paintings, Stockholm Konsthall, Magasin
3, Stockholm, May 26 - September 8.
|
| 1995 |
Agnes Martin Recent Paintings, PaceWildenstein, New York,
February 17 - March 18.
Agnes Martin, Mackenzie Art Gallery, Regina, Saskatchewan,
Canada, April 15 - June 18; traveled to University Art Museum
and Pacific Film Archive, Berkeley, California, July 12 - September
24.
|
| 1996 |
Agnes Martin: New Paintings, PaceWildenstein, Los Angeles,
January 10 - February 3.
Agnes Martin Painting & Drawing, Galerie Daniel Blau,
Munich, Early Spring.
Agnes Martin: New Drawings and Watercolors, PaceWildenstein,
New York, March 28 - April 27.
Agnes Martin, Annemarie Verna Galerie, Zurich, May 21 -
July 20.
|
| 1997 |
Agnes Martin: Recent Paintings, PaceWildenstein, New York,
January 16 - February 15.
Agnes Martin Gallery, Harwood Museum, Taos, New Mexico,
opens October 31, 1997. (Permanent installation)
|
| 1998 |
Agnes Martin: New Paintings, PaceWildenstein, New York,
March 27 - April 25.
Agnes Martin: Works on Paper, Museum of Fine Arts, Museum
of New Mexico, Santa Fe, May 15 - August 17. (catalogue)
Agnes Martin, Galeria 56, Budapest, June 2 - July 4.
Agnes Martin: New Paintings, PaceWildenstein, Los Angeles,
October 8 - 31.
|
| 1999 |
Agnes Martin: New Paintings, 1999 Edinburgh International
Festival, Inverleith House, Royal Botanic Garden, Edinburgh, Scotland,
August 14 - October, 1999.
|
|
2000
|
Agnes Martin, PaceWildenstein, New York, April 27 - June
10, 2000.
Lovely Life: The Recent Work of Agnes Martin, Whitney Museum
of American Art, New York, October 1 - October 29, 2000. |
|
|
Two-Person Exhibitions
|
| 1989-90 |
Agnes Martin and Donald Judd, Museum of Fine Arts, Boston,
October 25, 1989 - February 25, 1990.
|
| 1992 |
Agnes Martin/Richard Tuttle, Galerie Yvon Lambert, Paris,
May 16 - June 17, 1992.
|
| 1998 |
Hiroshi Sugimoto Recent Seascapes & Agnes Martin Works
on Paper, Fraenkel Gallery, San Francisco, March 5 - April
25, 1998.
Agnes Martin/Richard Tuttle, Modern Art Museum of Fort
Worth, Texas, April 26 - August 2, 1998. Travels to SITE Santa
Fe, New Mexico, August 15 - October 20, 1998. |
|
|
Selected Public Collections
|
| |
The
Ackland Art Museum, University of North Carolina, Chapel Hill,
North Carolina
Albright-Knox Art Gallery, Buffalo, New York
The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
American Academy and Institute of Arts and Letters, New
York, New York
Art Gallery of Ontario, Toronto, Canada
Australian National Gallery, Canberra, Australia
The Chase Manhattan Collection, New York, New York
The Chinati Foundation/La Fundación Chinati, Marfa,
Texas
The Cleveland Museum of Art, Cleveland, Ohio
Davis Museum and Cultural Center, Wellesley College, Wellesley,
Massachusetts
Des Moines Art Center, Des Moines, Iowa
Dia Center for the Arts, New York, New York
Fogg Art Museum, Harvard University, Cambridge, Massachusetts
Fundació La Caixa, Barcelona, Spain
The Grey Art Gallery and Study Center, New York University
Art Collection, New York, New York
Harwood Foundation, Taos, New Mexico
High Museum of Art, Atlanta, Georgia
Hirishima City Museum of Contemporary Art, Hiroshima, Japan
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution,
Washington, D.C.
Ho-Am Art Museum, Seoul, Korea
Hugh Lane Municipal Gallery of Modern Art, Dublin, Ireland
Isreal Museum, Jerusalem, Israel
Los Angeles County Museum of Art, Los Angeles, California
Los Angeles Museum of Contemporary Art, Los Angeles, California
Magasin 3 Kunsthall, Stockholm, Sweden
The Menil Collection, Houston, Texas
The Metropolitan Museum of Art, New York, New York
Milwaukee Art Museum, Milwaukee, Wisconsin
Musée national d'art moderne, Centre Georges Pompidou,
Paris, France
Museum of Art, Rhode Island School of Design, Providence,
Rhode Island
Museum of Contemporary Art, Los Angeles, California
Museum of Contemporary Art, San Diego, La Jolla, California
Museum of Fine Arts, Santa Fe, New Mexico
The Museum of Modern Art, New York, New York
National Gallery of Art, Washington, DC
The Nelson-Atkins Museum of Art, Kansas City, Missouri
Neuberger Museum, State University of New York at Purchase,
Purchase, New York
Neue Galerie-Sammlung Ludwig, Aachen, Germany
Norton Simon Museum, Pasadena, California
Österreichische Ludwigstiftung, Vienna, Austria
The Refco Collection, Chicago, Illinois
Rivendell Collection, Richard and Marieluise Black Center
for Curatorial Studies, Bard College, Annandale-on-Hudson,
New York
San Francisco Museum of Modern Art, San Francisco, California
Solomon R. Guggenheim Museum, New York, New York
Stedelijk Museum, Amsterdam, Netherlands
Stiftung Ludwig, Palais Lichtenstein, Vienna, Austria
Tate Gallery, London, Great Britain
Wadsworth Atheneum, Hartford, Connecticut
Walker Art Center, Minneapolis, Minnesota
Whitney Museum of American Art, New York, New York
Worcester Art Museum, Worcester, Massachusetts
Yale University Art Gallery, New Haven, Connecticut |
|
|
Selected Group Exhibitions
|
| 1961-62 |
1961 Pittsburgh International Exhibition of Contemporary Painting
and Sculpture, Carnegie Institute, Pittsburgh, Pennsylvania,
October 27, 1961 - January 7, 1962. (catalogue)
|
| 1962 |
Geometric Abstraction in America, Whitney Museum of American
Art, New York, March 20 - May 13. (catalogue)
Six Americans, Tooth Gallery, London
|
| 1963 |
Formalists, Gallery of Modern Art, Washington D.C.
Black, Grey and White, Wadsworth Atheneum, Hartford, Connecticut
|
| 1965-67 |
American Drawings, Solomon R. Guggenheim Museum, New York
Art Across America, Mead Corporation
|
| 1966 |
Whitney Museum Collection, Whitney Museum of American Art,
New York
Systematic Painting, Solomon R. Guggenheim Museum, New
York
|
| 1967 |
The Responsive Eye, The Museum of Modern Art, New York
A Romantic Minimalism, Institute of Contemporary Art, Philadelphia,
Pennsylvania
Form, Color, Image, Detroit Institute of Art, Michigan
Annual,
Whitney Museum of American Art, New York
Thirtieth Biennial, Corcoran Gallery of Art, Washington,
D.C.
|
| 1968 |
Betty Parsons Collection, Finch Museum, New York
The Pure and Clear, Philadelphia Museum, Pennsylvania
|
| 1969 |
Art of the Real U.S.A., Kunsthaus Zürich
|
| 1970 |
A Decade of Accomplishment, Illinois Bell Telephone Co.,
Chicago
American Drawings, Galerie Yvon Lambert, Paris
|
| 1971 |
White on White, Museum of Contemporary Art, Chicago
|
| 1972 |
Grids, Institute of Contemporary Art, University of Pennsylvania,
Philadelphia
Paintings by American Women, Randolph-Macon College, North
Carolina
documenta
5, Kassel, Germany
|
| 1973-74 |
Quinze Americains, Galerie Denise René and Galerie
Daniel Templon, Paris, December 1973 - January 1974
|
| 1974 |
Nine Artists/Coenties Slip, Whitney Downtown, New York
|
| 1975 |
Fundamental Painting, Stedelijk Museum, Amsterdam
|
| 1976 |
Critical Perspectives in American Art, University of Massachusetts,
Amherst
Aspects of Post-War Painting in America, Solomon R. Guggenheim
Museum, New York
Venice Biennale, Venice, Italy
Drawing Now, The Museum of Modern Art, New York.
Travels to the College of Art, Edinburgh, Scotland; Kunsthaus
Zürich, Switzerland; Staatliche Kunsthalle Baden-Baden, West
Germany; Sonja Henie-Niels Onstad Museum, Oslo, Norway
|
| 1977 |
Biennial, Whitney Museum of American Art, New York
Group Show, The Pace Gallery, New York, June 13 - July
31
|
| 1978 |
Four Contemporary Painters, Cleveland Museum of Art, Ohio
American Painting of the 1970's, Albright-Knox Gallery,
Buffalo, New York
|
| 1979 |
The Reductive Object: A Survey of the Minimalist Aesthetic
in the 1960's, Institute of Contemporary Art, Boston
Seventy Third American Exhibition, Art Institute of Chicago
|
| 1980 |
Twenty Americans, San Francisco Museum of Modern Art, California
Venice Biennale, American Pavilion, Venice, Italy
ROSC International Art Exhibition, Dublin, Ireland
Ten American Artists From The Pace Gallery, Wildenstein,
London, June 18 - July 18
|
| 1981 |
The 37th Biennial Exhibition of Contemporary Painting,
The Corcoran Gallery of Art, Washington D.C.
|
| 1983 |
American Postwar Purism, Marilyn Pearl Gallery, New York
|
| 1984 |
The Tremaine Collection, Wadsworth, Atheneum, Hartford,
February 26 - April 29
|
| 1985 |
Visiting Artists, Kemper Gallery, Kansas City Art Institute
Contrasts of Form, The Museum of Modern Art, New York (catalogue)
37th Annual Purchase Exhibition, American Academy and Institute
of Arts and Letters, New York
|
| 1986 |
The Heroic Sublime, Charles Cowles Gallery, New York
Work from the Pace Gallery, The Moody Gallery of Art, University
of Alabama, Birmingham
50th Annual National Midyear Show, Butler Institute of
American Art
America: Art and the West, Art Gallery of Western Australia,
Perth, Australia. Travels to the Art Gallery of New South Wales,
Sydney, Australia
Individuals; A Selected History of Contemporary Art, The
Museum of Contemporary Art, Los Angeles
The Idea of North, 49th Parallel, New York
|
| 1986-87 |
Elders
of the Tribe, Bernice Steinbaum Gallery, New York (catalogue)
|
| 1988 |
Annemarie Verna Galerie, Zurich
|
| 1988-89 |
Carnegie
International, Museum of Art, Carnegie Institute, Pittsburgh,
Pennsylvania, November 5, 1988 - January 22, 1989 (catalogue)
|
| 1989 |
Making Their Mark; Women Artists Move into the Mainstream,
1970-85, Cincinnati Art Museum, February 24 - April 2.
Travels to New Orleans Museum of Art, May 6 - June 18; Denver
Art Museum, July 22 - September 10; Pennsylvania Academy of the
Fine Arts, October 21 - December 31 (catalogue)
American Academy and Institute of Arts and Letters, New York,
May 18, June 11
Bilderstreit; Widerspruch, Einheit und Fragment in der Kunst seit
1960, Museum Ludwig, Cologne, April 8 - June 28, 1989
|
| 1989-90 |
Abstraction-Geometry-Painting: Selected Geometric Abstract
Painting in America since 1945, Albright-Knox Art Gallery,
Buffalo, September 17 - November 5, 1989.
Travels to Center for the Fine Arts, Miami, December 15, 1989
- February 25, 1990; Milwaukee Art Museum, Milwaukee, April 1
- June 1, 1990; Yale University Art Gallery, New Haven, July 1
- August 30, 1990 (catalogue)
American Masters, Fabian Carlsson Gallery, London, December
15, 1989 - February 6, 1990
Constructing a History, The Museum of Contemporary Art,
Los Angeles, November 19, 1989 - March 4, 1990
|
| 1990 |
The Image of Abstract Painting in the 80s, Rose Art Museum,
Brandeis University, Waltham, Massachusetts, March 18 - April
29
Quotations: Annemarie Verna Gallery 1969-1989 (Part I),
Annemarie Verna Galerie, Zurich, March - April
GegenwartEwigkeit, Martin-Gropius-Bau, Berlin
The Future of the Object! A Selection of American Art; Minimalism
and After, Galerie Ronny Van de Welde, Antwerp, May 22 - July
28
Kulturen-Verwandtschaften in Geist und Form, Galerie Nachte
St. Stephan, Vienna, March 31 - May 26
Minimalist Prints, Susan Sheehan Gallery, New York, May
1 - June 29
American Masters of the 60's, Tony Shafrazi Gallery, New
York, May 9 - June 23
Portrait of an American Gallery, Galerie Isy Brachot, Brussels,
April 19 - June 23
Art in Europe and America: The 1960s and 1970s, Wexner
Center for the Visual Arts, Ohio State University, Columbus, May
19 - August 5
Sculpture and Painting, The Pace Gallery, New York, July
16 - August 24
Pharmakon '90, Nippon Convention Center, Makuhari Messe
International Exhibition Hall, July 28 - August 20
Kunstlerinnen des 20. Jahrhunderts, Museum Wiesbaden, September
1 - November 25 (catalogue)
Five Artists from Coenties Slip: 1956-1965, Richard Green
Gallery, Santa Monica, September 20 - October 27
Project Room, John Weber Gallery, New York, October 6 -
27
Minimal Art, The National Museum of Art, Osaka, October
6 - November 25 (catalogue)
|
| 1990-91 |
Four Centuries of Women's Art
Travels to The Bunkamura Museum of Art, Shibuya, August 15 - September
16, 1990; The Museum of Modern Art, Kamakura, September 29 - October
28, 1990; Sapporo Tokyu, Sapporo, November 1 - November 13, 1990;
Tenjin Iwataya, Fukuoka, January 15 - January 28, 1991; Daimaru
Museum Umeda, Osaka, February 20 - March 11, 1991; Nagano Tokyu,
Nagano, March 15 - March 27, 1991; Hiroshima Museum of Art, April
4 - May 6, 1991; Matsuzakaya Museum, Nagoya, May 23 - June 9,
1991 (catalogue)
Kunstlerinnen des 20. Jahrunderts, Museum Wiesbaden, Wiesbaden,
Germany, September 1 - November 25, 1990 (catalogue)
Language in Art, The Aldrich Museum of Contemporary Art,
Ridgefield, Connecticut, October 20, 1990 - January 6, 1991
Hesse, Lawler, Martin, Meyer, Pfaff, Smith, Winsor, Holly
Solomon Gallery, New York, December 20, 1990 - January 19, 1991
(catalogue)
|
| 1990-93 |
Contemporary American Artists, Residence of Ambassador
and Mrs. John D. Negroponte, Mexico City (catalogue)
|
| 1991 |
Masterpieces from the Permanent Collection, The Museum
of Contemporary Art, Los Angeles, January 19 - February 17
Geometries of Color: American Post-Painterly Abstraction,
Stux Modern, New York, January 30 - March 9 (catalogue)
Post-War Geometric Concepts, Marylin Pearl, New York, March
6 - April 6
Not On Canvas, Asher-Faure, Los Angeles, February 16 -
March 23
Compulsion, Jamison Thomas Gallery, New York, March 28
- April 27
Minimalism and Post-Minimalism: Drawing Distinctions and Selections
from the Elaine and Werner Dannheisser Collection: Painting and
Sculpture from the '80s and '90s, The Parrish Art Museum,
Southampton, New York, September 22 - November 17
|
| 1992 |
Arte Americana 1930-1970, Lingotto, Turin, Italy, January
8 - March 31 (catalogue)
Rubin Spangle Gallery, January 11 - February 8
Yvonne Lambert Collectionne, Musée des Beaux-Arts,
Paris, January 18 - April 20
William S. Paley Collection, The Museum of Modern Art,
New York, February 2 - May 7 (catalogue)
Behind Bars, Thread Waxing Space, New York, March 17 -
April 25
Passions & Cultures: Selected Works from the Rivendell
Collection, 1967-1991, Richard and Marieluise Black Center
for Curatorial Studies and Art in Contemporary Culture, Bard College,
Annandale-on- Hudson, New York, April 4 - December (catalogue)
Summer group exhibition, The Pace Gallery, New York, June 5 -
September 11
Repetición/Transformación, Museo Nacional
Centro de Arte Reina Sofía, Madrid, October 6 - December
6 (catalogue)
|
| 1992-93 |
The Geometric Tradition in American Art: 1930-1990, Whitney
Museum of American Art, New York, December 9, 1992 - February
14, 1993
|
| 1993 |
Coenties Slip, The Pace Gallery, 142 Greene Street, New
York, January 16 - February 13 (catalogue)
American Art in the Twentieth Century: Painting and Sculpture
1913-1993, Martin-Gropius-Bau, Berlin, May 8 - July 25, and
Royal Academy of Arts, London, September 16 - December 12 (catalogue)
Singular Dimensions in Painting, Guggenheim Museum SoHo,
New York, May 27 - August 22
Early Minimal Art Masterworks, John Weber Gallery, New
York, September 11 - October 9
On Paper: Vija Celmins, Judy Fishkin, Agnes Martin, Ellen Phelan,
AsherFaure, Los Angeles, November 6 - December 21
|
| 1993-94 |
Der zerbrochene Spiegel; Positionen zur Malerei (The Broken
Mirror; Approaches to Painting). Museumsquartier Messepalast
und Kunsthalle Vienna, May 26 - July 25, 1993; Deichtohallen,
Hamburg, October 14, 1993 - January 2, 1994 (catalogue)
|
| 1994 |
Retrospektiv I: Agnes Martin, Robert Mangold Werke 1962-1994,
Annemarie Verna Galerie, Zurich, February 16 - March 11
30 YEARS--Art in the Present Tense: The Aldrich's Curatorial
History 1964-1994, The Aldrich Museum of Contemporary Art,
Ridgefield, Connecticut, May 15 - September 17
The Tradition of the New: Postwar Masterpieces From the Guggenheim
Collection, Solomon R. Guggenheim Museum, New York, May 20
- September 11
Dream of the Absolute, Galerie Beyeler, Basel, June - September
On a Clear Day, Staatliche Kunsthalle Baden-Baden, Germany,
July 7 - September 11
White Works, PaceWildenstein, New York, July 8 - September
9
|
| 1995 |
From the Collection: Photography, Sculpture, and Painting,
Whitney Museum of American Art, New York, February - March 15
1995 Biennial Exhibition, Whitney Museum of American Art,
New York, March - June 25
Artist's Choice: Elizabeth Murray, The Museum of Modern
Art, New York, June 19 - August 22
Drawing the Line, Whitechapel Art Gallery, London, July
6 - September 10
|
| 1995-96 |
52nd Carnegie International, Carnegie Institute, Pittsburgh,
November 5, 1995 - February 18, 1996; curated by Richard Armstrong
Diary of a Human Hand, Galerie Du Centre Des Arts Saidye
Bronfman, Montréal, Québec, December 7, 1995 - January
19, 1996.
Traveled to the Center for Curatorial Studies at Bard College,
Annandale-on-Hudson, New York, March 16 - 31, 1996
|
| 1996 |
Inside the Visible: An Elliptical Traverse of 20th Century
Art, Institute of Contemporary Art, Boston, January 31 - May
12
Abstraction in the 20th Century: Total Risk, Freedom, Discipline,
Solomon R. Guggenheim Museum, New York, February 9 - May 12
The Innocence of Trees: Agnes Martin and Emily Carr, Morris
and Helen Belkin Art Gallery, The University of British Columbia,
Vancouver, Canada, March 14 - May 27
In Quest of the Absolute, Peter Blum, New York, April 6
- June 8
Agnes Martin, Alice Trumbell Mason and Ann Ryan: Paintings
and collages from the 50s, Joan Washburn Gallery, New York,
May 29 - July 12
Negotiating Rapture: The Power of Art to Transform Lives,
Museum of Contemporary Art, Chicago, June 21 - October 20
Coenties Slip Artists: Now and Then, Elise Goodheart Fine
Arts, Sag Harbor, New York, June 22 - July 14
|
| 1996-97 |
Art at the End of the 20th Century, Alexandros Soutzos
Museum, Athens, June 10 - August 18, 1996.
Travels to Museu d'Art Contemporani, Barcelona, December 8, 1996
- April 6, 1997 titled Multiple Identity: Selections from the
Whitney Museum of American Art; and Kunstmuseum, Bonn, June 1
- September 1, 1997
Some Recent Acquisitions, The Museum of Modern Art, New
York, November 15, 1996 - January 2, 1997
|
| 1997 |
Works on Paper, Peter Blum, New York, January 15 - March
31
Barbara Krakow Gallery, Boston, January 25 - March 5
Original Visions: Shifting the Paradigm, Women's Art 1970-1996,
Charles S. and Isabella V. McMullen Museum of Art, Boston College,
Boston, January 26 - May 18
Color on Paper, Galerie Nacht St. Stephan: Rosemarie Schwarzwalder,
Vienna, January
In Celebration: Works of Art from the Collections of Princeton
Alumni and Friends of the Art Museum, Princeton University,
The Art Museum, Princeton University, Princeton, New Jersey, February
22 - June 8
Going the Distnace: A Generational Survey of Women Artists,
Lawrence Gallery, Rosemont College, Rosemont, PA, April 24 - May
26
More Than One: Twentieth-Century Print Portfolios, The
Museum of Modern Art, New York, May 16 - September 2
The Hirshhorn Collects: Recent Acquisitions 1992-1996,
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution,
Washington, D.C., June 4 - September 7
La Biennale di Venezia: Future, Present, Past, XLVII International
Arts Exhibition, Venice, June 15 - November 9, curated by Germano
Celant
Affinities with the East, Robert Miller, New York, June
24 - August 1, curated by John Sacchi
Summer 1997, PaceWildenstein, New York, June 30 - August
22
Inaugural Exhibition Ace Gallery Mexico, Ace Gallery, Mexico,
September 9 - November 15
Project Painting, Basilico Fine Arts, New York, September
11 - October 11, 1997
Thresholds - Limits of Perception, Eigth Floor Gallery,
New York, October 14 - 25, 1997
Contemporary Art in Transition - From the Collection of the
Ho-Am Art Museum, Ho-Am Art Gallery, Seoul, Korea, October
17 - December 28, 1997
|
| 1997-98 |
Modern Art and the Religious Imagination, National Gallery
of Victoria, Melbourne, April 23 - , 1998
Crossing the Threshold, Steinbaum Krauss, New York, December
6, 1997 - January 3, 1998
|
| 1997-99 |
"Drawing Is Another Kind of Language": Recent American
Drawings from a New York Private Collection, Arthur M. Sackler
Museum, Harvard University, Cambridge, December 12, 1997 - February
22, 1998.
Travels to Graphische Sammlung Albertina, Vienna, March 18 - May
17, 1998; Kunstmuseum, Winterthur, September 4 - November 15,
1998; Kunstmuseum, Ahlen, November 28, 1998 - January 24, 1999;
Akademie der Kunste, Berlin, February 19 - May 2, 1999; and The
Parrish Art Museum, Southampton, September - November 1999
|
| 1998 |
Then and Now: Art Since 1945 at Yale, Yale University Art
Gallery, New Haven, February 10 - July 31, 1998
Material Perfection: Minimal Art & Its Aftermath Selected
from the Kerry Stokes Collection, Lawrence Wilson Art Gallery,
University of Western Australia, Perth, Australia, February 13
- April 12, 1998
Summer Group Show, PaceWildenstein, New York, July 6 -
August 21, 1998
Art in New Mexico, Part I: Agnes Martin, Bruce Nauman, Susan
Rothenberg, Richard Tuttle, James Kelly Contemporary, Santa
Fe, New Mexico, July 31 - October 2, 1998
|
| 1999 |
Art at Work: Forty Years of the Chase Manhattan Collection,
The Museum of Fine Arts, Houston and Contemporary Arts Museum,
March 3 - May 2, 1999
Drawn From the Artists' Collections, The Drawing Center,
New York, April 24 - June 12, 1999. Traveled to UCLA at the Hammer
Museum of Art, Los Angeles, July 13 - September 26, 1999
Drawings from the 1960s, Curt Marcus Gallery, New York,
April 30 - May 29, 1999
Searchlight: Consciousness at the Millenium, CCAC Institute,
Oakland/San Francisco, California, September 25 - December 11,
1999
|
| 1999-2000 |
The
American Century: Art & Culture 1950-2000, Whitney Museum
of American Art, New York, September 26, 1999 - February 13,
2000
Regarding Beauty: A View of the Late 20th Century, Hirshhorn
Museum and Sculpture Garden, Smithsonian Institution, Washington,
D.C., October 7, 1999 - January 17, 2000.
Travels to Haus der Kunst, Munich, February 11 - April 30, 2000
Masters of Contemporary Art from the Chase Manhattan Collection,
Queens Museum of Art, Flushing Meadows, New York, May 21 - September
15, 2000
Work on Paper Richmond Burton, Brice Marden and Agnes Martin,
Dartmouth College, Hanover, New Hampshire, September 26 - October
22, 2000
|
|
|
Bibliography :
Books
|
| 1968 |
Battcock,
Gregory. Minimal Art, New York: EP Dutton & Co., pp.
42, 45, 74.
|
| 1971 |
Calas,
Nicholas and Calas, Elena. Icons and Images, New York:
EP Dutton & Co., pp. 216-17.
Lippard, Lucy R. "Diversity in Unity: Recent Geometricizing
Styles in America" in Leymarie, Jean, ed. Art Since Mid-Century,
vol. 1, Greenwich, CT: New York Graphics Society, pp. 231-233.
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| 1972 |
Hunter,
Sam. American Art of the 20th Century, New York: Harry
N. Abrams, Inc., pp. 350-351.
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| 1990 |
Newman,
Marketa. Biographical dictionary of Saskatchewan Artists: Women
Artists, Saskatoon, Saskatchewan: Fifth House Publishers,
pp. 151-155.
Taylor,
Sue, ed. The Refco Collection. Chicago: Refco Group, Ltd.,
pp. 116-117.
Agnes Martin: Hiljaisuus Taloni Lattialla. Finland: Vapaa
Taidekoulu.
Art Gallery of Ontario: Selected Works. Toronto: Art Gallery
of Ontario.
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| 1991 |
Bloem,
Marja, ed. Agnes Martin: Paintings and Drawings 1974-1990.
Amsterdam: Stedelijk Museum. (exhibition catalogue)
|
| 1992 |
Schwarz,
Dieter, ed. Writings/Schriften. Winterthur: Kunstmuseum
Winterthur/Edition Cantz.
Haskell, Barbara. Agnes Martin. New York: Whitney Museum
of American Art. (exhibition catalogue)
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| 1995 |
Basha,
Regine. Diary of a Human Hand, Montréal: Gallery
of the Saidye Bronfman Centre for the Arts.
|
| 1997 |
Archer,
Michael. Art Since 1960. Thames and Hudson, London.
|
| 1998 |
Material
Perfection: Minimal Art & Its Aftermath Selected from the
Kerry Stokes Collection, Lawrence, Perth: Wilson Art Gallery,
University of Western Australia. (exhibition catalogue)
Auping, Michael. Agnes Martin/Richard Tuttle, Modern Art
Museum of Forth Worth, Texas. (exhibition catalogue)
Brandauer, Aline C., Harmony Hammond and Ann Wilson, Agnes
Martin: Works on Paper, Museum of Fine Arts, Museum of New
Mexico, Santa Fe. (exhibition catalogue)
|
| 1999 |
Philips,
Lisa. The American Century: Art & Culture 1950-2000,
New York: Whitney Museum of American Art. (exhibition catalogue)
Benezra, Neal, Olga M. Viso. Regarding Beauty: A view of the
Late Twentieth Century, essay by Arthur C. Danto. Washington,
D.C., Hirshhorn Museum and Sculpture Garden, Smithsonian Institution.
Torres, Ana Maria and Denis Pelli. Thresholds: Limits of Perception,
New York: New York Arts Magazine.
|
| 2000 |
Meyer,
James, ed. Minimalism. London: Phaidon Press Ltd., . |
|
|
Periodicals
|
| 1957 |
"Institute of Contemporary Art, Philadelphia; Exhibition,"
Art International, April 1957, p. 57.
|
| 1958 |
Burckhardt, Edith. "Exhibition at Section 11,"
ARTnews, December, 1958, p. 17.
Ashton, Dore. "Premiere Exhibition for Agnes Martin,"
The New York Times, December 6, 1958, p. 26.
|
| 1959 |
Ventura, Anita. "Exhibition at Section 11," Arts
Magazine, January 1959, p. 59.
Ashton, Dore. "Art Drawn from Nature," The
New York Times, December 29, 1959, p. 23.
|
| 1960 |
Campbell, Lawrence. "Exhibition at Section 11,"
ARTnews, January 1960, p. 16.
"Exhibition at Section 11," Arts Magazine,
January 1960, pp. 50-51.
|
| 1961 |
Edgar, Natalie. "Exhibition at Betty Parsons,"
ARTnews, October 1961, pp. 11-12.
Coates, Robert M. "Variations on Themes," The
New Yorker, October 14, 1961, pp. 202-02, 07.
|
| 1962 |
Jacobs, Rachel. "L'idéologie de la peinture americaine,"
Aujourd'hui, June 1962, p. 18.
|
| 1963 |
Beck, James H. "Exhibition at Robert Elkon,"
Arts Magazine, February 1963, p. 48.
Melville, Robert. "Three Sorts of Blot," Architectural
Review, March 1963, p. 215.
Lonngren, Lillian. "Exhibition at Robert Elkon,"
ARTnews, December 1963, p. 52.
|
| 1964 |
Judd, Donald. "Exhibition at Robert Elkon," Arts
Magazine, January 1964, pp. 33-4.
Rose, Barbara. "New York Letter," Art International,
January 1964, p. 53.
|
| 1965 |
Hess, Thomas B. "You Can Hang It in the Hall,"
ARTnews, April 1965, p. 52.
Johnston, Jill. "Exhibition at Robert Elkon,"
ARTnews, April 1965, p. 10.
Berkson, W. "Exhibition at Robert Elkon," Arts
Magazine, June 1965, p. 66.
Lippard, Lucy. "New York Letter," Art International,
September 1965, p. 60.
Frankenstein, Alfred. "Religious Mood in Abstract Art,"
San Francisco Chronicle, November 19, 1965, p. 52.
|
| 1966 |
"Agnes Martin," Quadrum 20, 1966, pp.
148-9.
Alloway, Lawrence. "Background to the Systemic,"
ARTnews, October 1966, p. 30-3.
Wilson, Ann. "Linear Webs," Art and Artists,
October 1966, pp. 46-9.
Ashton, Dore. "Systemic Painting at Guggenheim,"
Arts and Architecture, November 1966, p. 7.
Mellow, James R. "New York Letter," Art International,
November 1966, pp. 42-5.
Kozloff, Max. "Art," The Nation, November 14,
1966, pp. 524-5.
Benedikt, Michael. "New York Letter," Art
International, December 1966, p. 65.
Perreault, John. "Exhibition at Robert Elkon,"
ARTnews, December 1966, p. 14.
|
| 1967 |
Michelson, Annette. "Agnes Martin," Artforum,
January 1967, pp. 46-7.
Lippard, Lucy. "The Silent Art," Art in America,
January/February 1967, p. 61.
Dienst, R.G. "Austellungen im New York - Ten (Dwan Galerie),"
Kunstwerk, February 1967, pp. 27-8, 36.
Perreault, John. "Union Made: Report on a Phenomenon,"
Arts Magazine, March 1967, p. 28.
"Homage to the Square," Art in America,
July/August 1967, p. 55. Livingston, Jane.
"Exhibition at Nicholas Wilder Gallery," Artforum,
December 1967, p. 62.
|
| 1968 |
Burton, Scott. "A Different Stripe," ARTnews,
February 1968, pp. 55, 36ff.
Mendelbaum, Elaine. "Insoluble Units, Unity and Difficulty,"
art journal, Spring 1968, pp. 259-60.
Seldis, Henry J. "A Broad but Rare Contemporay View,"
The Los Angeles Times, November 17, 1968, p. 56.
|
| 1969 |
Canaday, John. "Art; Drawings Touched with Mystery,"
The New York Times, May 10, 1969, p. 27.
Mellow, James R. "New York Letter," Art International,
Summer 1969, p. 51.
Ratcliff, Carter. "Exhibition at Robert Elkon,"
ARTnews, Summer 1969, p. 18.
|
| 1970 |
Muller, Gregoire. "After the Ultimate," Arts
Magazine, March 1970, p. 31.
Young, Joseph E. "Exhibition at Nicolas Wilder,"
Art International, March 1970, p. 54.
Plagens, Peter. "Exhibition at Nicolas Wilder,"
Artforum, April 1970.
Hobhouse, Janet. "Exhibition at Robert Elkon,"
Arts Magazine, May 1970, p. 63.
Henry, Gerrit. "Exhibition at Robert Elkon,"
ARTnews, Summer 1970, p. 64.
Terbell, M. "Exhibition at Nicolas Wilder," Arts
Magazine, September 1970, p. 85.
Chandler, John Noel. "Drawing Reconsidered,"
Artscanada, October 1970, p. 40.
|
| 1971 |
Nochlin, Linda. "Why Have There Been No Great Women Artists,",
ARTnews, January 1971, p. 37.
Linville, Kasha. "Agnes Martin; An Appreciation,"
Artforum, June 1971, pp. 72-3.
Ratcliff, Carter. "Exhibition at the School of Visual
Arts," ARTnews, September 1971, p. 16.
|
| 1972 |
Borden , Lizzie. "Group Drawing Show at Bykert,"
Artforum, February 1972, p. 88.
Canaday, John. "Art; Ryman's White on White Oeuvre,"
The New York Times, March 4, 1972, p. 23.
Bishop, James. "Exhibition at Robert Elkon,"
ARTnews, April 1972, p. 55.
Elderfield. John. "Grids", Artforum, May
1972, pp. 52-9.
Kramer, Hilton. "Documenta V; The Bayreuth of the Neo-Dadaists,",
The New York Times, July 9, 1972, Section 2, p. 15.
Twaites, John Anthony. "Kassel - In the Air?"
Art and Artists, September 1972, p. 29.
Ratcliff, Carter. "Adversary Spaces," Artforum,
October 1972, pp. 40-4.
"Cosmologies," Artforum, October 1972,
pp. 47-50.
van der Marck, Jan. "Venice and Kassel: The Old and the
New Solicitors," Art in America, November/December
1972, p. 133.
|
| 1973 |
Alloway, Lawrence. "Formlessness Breaking Down Form: The
Paintings of Agnes Martin," Studio, February 1973,
pp. 61-63.
Wilson, Ann. "Untroubled Mind (Oral and Wriiten Statements
by Agnes Martin given to and recounted by Ann Wilson)"
Studio, February 1973, vol. 186, pp. 103-4.
Borden, Lizzie. "Early Work," Artforum,
April 1973, pp. 39-44.
"Agnes Martin," Artforum, April 1973,
pp. 32-37.
"Reflection", Artforum, April 1973, p.
38.
Ratcliff, Carter. "Agnes Martin and the Artificial Infinite,"
ARTnews, May 1973, pp. 26-27.
Schjeldahl, Peter. "Institute of Contemporary Art, Philadelphia;
Exhibition," Art in America, May 1973, p. 110.
Celant, Germano. "Agnes Martin," Flash Art,
June 1973, pp. 3-5.
Rose, Barbara. "Pioneer Spirit," Vogue,
June 1973, pp. 114-5, 157.
"Untroubled Mind..." Flash Art, June 1973,
pp. 6-8.
Hillerman, Anne. "A Visit with Agnes Martin,"
The New Mexican, July 26, 1973.
Rosenbloom, P.A. "Group Show at 16 Place Vendome, Paris,"
Studio, September 1973, pp. 64-67.
"Museum of Modern Art, New York; Exhibition,"
ARTnews, October 1973, p. 92.
"Nicolas Wilder Gallery, Los Angeles; Exhibition,"
ARTnews, October 1973, p. 72.
Crimp, Douglas. "Agnes Martin: Numero, misura, rapporto,"
Data, Winter 1973, Vol. III, no. 10, p. 83.
"Nicolas Wilder Gallery, Los Angeles; Exhibition,"
Studio, December 1973, p. 224.
"Quatorze artistes americains," Nouvel Observateur,
December 10, 1973.
Michel, Jacques. "Les 'abstracteurs' americains,"
Le Monde, December 14, 1973.
Galy-Carles, Henry. "Regard Sur Une Certaine Peinture
Americaine," Nouvelles Litteraires, December 31,
1973.
|
| 1974 |
Gibson, Michael. "Paris," Herald Tribune,
January 5, 1974.
"Expositions: Quinze Americains," L'express,
January 7, 1974.
"La nouvelles tendance de la peinture americaine,"
L'Humanite, January 15, 1974.
Morris, L. "Strata Paintings, Drawings and Prints at the
Royal College of Art Galleries, London," Studio,
February 1974, vol. 187, p. 92.
Barron, S. "Giving Art History the Slip," Art
in America, March 1974, pp. 80-4.
"Kunstraum, München; Kunsthalle, Tubingen Austellungen,"
Pantheon, April 1974, vol. 32, p. 180.
Coke, Van Deren. "Moderns in the Mountains (Modern Painting
in Taos: the 40's and 50's)," ARTnews, May 1974,
p. 51.
"Robert Elkon Gallery, New York; Exhibition,"
Arts, May 1974, p. 60.
"Fine Arts Museum, Santa Fe; Exhibition - Perfections
of Line," ARTnews, November 1974, p. 42.
Wilson, Ann. "Agnes Martin; The Essential Form: The Committed
Life," Art International, December 1974, pp. 50-2.
|
| 1975 |
Russell, John. "Review," The New York Times,
March 8, 1975.
"Review," Aufbau, March 14, 1975.
Gula, K. "Pace Gallery, New York; Exhibition,"
Art in America, May 1975, pp. 85-6.
Zimmer, William. "Pace Gallery, New York; Exhibition,"
Arts, May 1975, vol. 49, p. 18.
"Pace Gallery, New York; Exhibition," Art
International, May 1975, vol. 19, p. 57.
Smith, Roberta. "Pace Gallery, New York; Exhibition,"
Artforum, Summer 1975, pp. 72-3.
|
| 1976 |
Kramer, Hilton. "An Art That's Almost Prayer,"
The New York Times, May 1976.
"Review," The Village Voice, May 17, 1976.
Hess, Thomas B. "Fresh Air Fiends," New York
Magazine, May 31, 1976.
Gruen, John. "Everything, everything is about feeling...feeling
and recognition," ARTnews, September 1976, pp.
91-94.
Wiessmann, Julian. "Pace Gallery and Robert Elkon Gallery;
Exhibitions," ARTnews, September 1976, p. 119.
Brach, Paul. "Pace Gallery and Robert Elkon Gallery; Exhibitions,"
Artforum, October 1976, p. 61.
|
| 1977 |
Feaver, William. "Review," Observer, March
6, 1977.
Shepherd, Michael. "Review," Telegraph,
March 6, 1977.
Packer, William. "Review," The Financial Times,
March 8, 1977. McEwen, John. "Review," Spectator, March
12, 1977.
Kingsley, April. "Review," The Village Voice,
September 28, 1977.
Cavaliere, Barbara. "Group Exhibition," Arts
Magazine, October 1977.
Raynor, Vivien. "Review," The New York Times,
October 7, 1977.
Glueck, Grace. "The 20th Century Artists Most Admired
By Other Artists," ARTnews, November 1977, p.
78-103.
|
| 1978 |
Asberry, John. "Review; Agnes Martin," New
York Magazine, April 17, 1978.
Bannon, Anthony. "A Slice of American Paintings From the
1970s," Baltimore Evening News, November 20, 1978.
Kramer, Hilton. "A Brave Attempt to Encapsulate a Decade,"
The New York Times, December 17, 1978, p. D39 & 55.
|
| 1979 |
Rosenthal, Adrienne. "Whispers from Nature,"
Artweek, April 28, 1979, vol. 10, no. 17, p. 5.
Peterson, William. "Agnes Martin: The Island,"
Artspace, Summer 1979, pp. 36-41.
Perreault, John. "Martin-ized; the Zen of Drawing Blanks,"
The Soho Weekly News, October 11, 1979, p. 42.
|
| 1980 |
Burckhard, Marischa. "Begegnung mit Agnes Martin,"
DU, January 1980.
Spalding, Frances. "Ten American Artists," Arts
Review, July 4, 1980.
Artner, Alan G. "Legendary Agnes Martin Strikes a First
for Chicago," Chicago Tribute, October 5, 1980,
pp. 26-8.
Levin, Kim. "Agnes Martin's Gridlock," The
Village Voice, December 10, 1980.
|
| 1981 |
Herr, Marcianne. "Agnes Martin: Paintings," Dialogue,
The Ohio Arts Journal, March/April, 1981.
|
| 1982 |
Kuspit, Donald B. "Agnes Martin at Pace," Art
in America, January 1982, p. 139.
"Agnes Martin: Peinture et Perfection," La
Presse, Montreal, March 6, 1982.
Lawrence, Sabbath. "Martin," The Gazette,
Montreal, March 13, 1982, p. D11.
Viau, Rene. "Agnes Martin: Leffet Avalance,"
Le Devoir, March 13, 1982.
|
| 1983 |
Henry, Gerrit. "Agnes Martin," ARTnews,
March 1983, p. 159.
"Who's Who," Art in America, October 1983,
p. 132.
|
| 1984 |
"Review," The New York Times, January
27, 1984.
"Review," Art in America, Summer 1984.
|
| 1985 |
"Light," Artforum, January 1985, pp. 42-7.
Birmelin, Blair T. "Agnes Martin at Pace," Art
in America, May 1985, p. 177.
|
| 1986 |
Brenson, Michael. "Is Neo-Expressionism an Idea Whose
Time Has Passed?" The New York Times, January
5, 1986, Section 2, p. 1 & 12.
McDonald, John. "The Star of Stripes," The
National Times, Sydney, June 13, 1986.
Maloon, Terence. "Presence and Absence of Self,"
Sydney Morning Herald, June 21, 1986.
Kirk, Mildred. "Different Means to Similar Ends--Rosalie
Gascoigne and Agnes Martin," Arts and Australia,
Winter 1986.
|
| 1987 |
Grimes, Nancy. "Agnes Martin: Pace," ARTnews,
January 1987, p. 140.
McEvilley, Thomas. "Grey Geese Descending: The Art of
Agnes Martin," Artforum, Summer 1987.
Zimmer, William. "Review of Agnes Martin/Louise Nevelson:
Pace," The New York Times, September 26, 1987.
|
| 1988 |
Smith, Roberta. "39 Artists in Carnegie International
in Pittsburgh." The New York Times, November 7,
1988.
Miller, Donald. "The Carnegie International: best in years,"
Pittsburgh Post-Gazette, November 8, 1988.
|
| 1989 |
Plagens, Peter. "Under Western Eyes," Art
in America, January 1989.
Brenson, Michael. "Beuys and Warhol still set the tone--even
after death," The New York Times, January 15,
1989.
Taylor, Paul. "Carnegie International," Flash
Art, January/February 1989.
Schjeldahl, Peter. "Agnes Martin," 7 Days
Magazine, February 8, 1989.
Kimmelman, Michael. "Agnes Martin," The New
York Times, February 10, 1989.
Stevens, Mark. "Thin Gray Line," Vanity Fair,
March 1989.
Cotter, Holland. "Agnes Martin at Pace," Art
in America, April 1989.
Kuspit, Donald. "Agnes Martin," Artforum,
April 1989.
Decker, Andrew. "Saatchi Sells," Art and Auction,
May 1989.
Sischy, Ingrid. "A Biennial of Our Own; What you won't
see at the Whitney," 7 Days Magazine, May 3, 1989.
Westfall, Stephen. "Agnes Martin", Flash Art,
May/June 1989.
Stecker, Raimund. "Bilderstreit; Art since 1960,"
The Journal of Art, June/July 1989.
"Abstracts at CMA," Jewish News, July
21, 1989.
Cullinan, Helen. "Reticent artist expresses herself clearly
on canvas," The Plain Dealer, July 30, 1989, p.
8H.
"Abstract artist's works on display," Hudson
Hub-Times, August 2,
1989.
Martin, Agnes. "Beauty is the Mystery of Life,"
El Palacio, Fall/Winter 1989, pp. 6-23.
Neisser, Judith. "Chicago Clout," Art &
Auction, November 1989.
Stapen, Nancy. "MFA curators exhibit their differences,
similarities," The Boston Herald, November 10,
1989.
Giuliano, Charles. "Contemporary art revisits MFA,"
The Patriot Ledger, November 8, 1989.
Taylor, Robert. "Judd and Martin yield more than meets
the eye," The Boston Sunday Globe, November 26,
1989.
"Agnes Martin: The Current of the River of Life Moves
Us," Artspace, November/December 1989.
"Samaras, Martin, Judd at MFA," Flash Art
News, November/ December 1989.
Smith, Roberta. "Learning to See by Minimalism's Slow
Fire," The New York Times, December 10, 1989.
|
| 1990 |
Ennis, Michael. "Artistic Revival in Deep Ellum,"
Architectural Digest, May 1990.
Zwez, Annelise. "One-Man-Shows sind selten,"
Schaffhauser Nachrichten, June 16, 1990.
Witt, David L. "The Toas Moderns: Agnes Martin,"
Toas Magazine, July 1990.
Smith, Roberta. "The Annotated Calendar," The
New York Times, September 9, 1990, p. H51.
Richter, Horst. "Art Cologne '90," Weltkunst,
November 21, 1990, pp. 3545-3555.
Gleadall, Colin. "First on the Casualty List: Contemporary
Art," The Journal of Art, December 1990, p. 66.
Tully, Judd. "Passed!" The Journal of Art,
December 1990, pp. 1-2.
|
| 1991 |
"Goings On About Town: Art," The New Yorker,
January 21, 1991.
"Agnes Martin, Schilder- De schilder had ook schrijver
kunnen zijn, of filosoof." Vitrine (Amsterdam),
No. 2, 1991, pp. 23-28.
"Museum News," Kunst & Museumjournaal,
Vol. 2, No. 5, 1991, pp. 59-60.
Jones, Barbara. "The Uncluttered Eye," New
York Woman, February 1991.
Bloem, Marja. "Agnes Martin: schilderijen en tekeningen
1974-1990," Stedelijk Museum Bulletin, March 1991,
pp. 14-19.
Faust, Gretchen. "Reviews: Agnes Martin," Arts
Magazine, March 1991, p. 101.
Rubenstein, Meyer Raphael. "Reviews: Agnes Martin-Pace,"
ARTnews, March 1991, pp. 134 & 136.
Pieters, Din. "Haar schoenpunten wijzen naar binnen,"
NRL Handelsblad (Amsterdam), March 29, 1991.
"Agnes Martin in het Stedelijk Museum," Uitkrant
(Amsterdam), April 1991.
Welling, Dolf. "Schoonheid brengt een boodschap,"
Trouw (Amsterdam), April 2, 1991.
Lamoree, Jhim. "Grootse stilte," HP/DE Tidj
(Amsterdam), April 5, 1991.
van Eekelen, Yvonne. "Stilte en Storm," Elsevier
(Amsterdam), April 6, 1991, pp. 90-91.
Tegenbosch, Pietje. "Het rastor als venster op een andere
wereld," de Volleskrant (Amsterdam), April 12,
1991.
"Agnes Martin," Art Position, April 18,
1991.
Klaster, Jan Bart. "Abstracte variaties op menselijke
maat," Kunst, April 22, 1991, p. 6.
Westfall, Stephen. "Agnes Martin at Pace Downtown,"
Art in America, May 1991, pp. 169-170.
Crüwell, Konstanze. "Im Dialog mit dem Namensgeber,"
Frankfurter Allgemeine Zeitung, May 23, 1991.
"Kunst des Innehaltens, des Sichversenkens,"
Wiesbadener Kurier, May 23, 1991.
"Ausstellungen im Museum," Wiesbadener Wochenblatt,
May 23, 1991.
"Die Preisträgerin - vom Namensgeber umrahmt,"
Wiesbadener Kurier, May 25-26, 1991.
"Freude über das geglückte "Doppel","
Wiesbadener Tagblatt, May 25- 26, 1991.
Hierholzer, Michael. "Serien von Linien, Landschaften,
Köpfen," Frankfurter Allgemeine Zeitung Sonntagszeitung,
May 26, 1991.
"Traditionelle Häuser an veränderte Aufgaben
anpassen," Wiesbadener Kurier, May 27, 1991.
Renner, Claudia. "Schönheit gesucht," Rhein-Zeitung,
May 29-30, 1991.
Melten, Birgitta. "Meditative Versenkung als Gemeinsamkeit,"
Wiesbadener Tagblatt, May 31, 1991.
"Flash Art News: The Netherlands/Amsterdam - Agnes
Martin at the Stedelijk," Flash Art, May/June
1991, p. 158.
"Agnes Martin", Kunstmarkt, June 1991.
Stephan-Chlustin, Anne. "Die Weite und die Stille subtiler
Nuancen in WeiB, " Wiesbadener Kurier, June 1-2,
1991.
Kaneda, Shirley. "Painting and Its Others: In the Realm
of the Feminine," Arts Magazine, Summer 1991,
pp. 58-64.
Taylor, Paul. "Love Story," Connoisseur,
August 1991, pp. 46-51, 94-97.
Princenthal, Nancy. "Agnes Martin L'Oeil Intérieur,"
Art Press, October 1991, pp. 28-33.
|
| 1992 |
Cotter, Holland. "Art in Review: Agnes Martin,"
The New York Times, January 3, 1992.
"Aktuell," Kleine Zeitung, January 9,
1992, p. 59.
W. Th. "Bedeutende Ehrung im Namen des Malers Oskar Kokoschka,"
Salzburger Nachrichten, January 9, 1992.
"'Walden' und die Linie Agnes Martin erhält den Kokoschka-Preis,"
Der Standard, January 9, 1992.
DeLap, Tony. "An Artists' Forum on Ad Reinhardt,"
Artspace, January- April 1992, pp. 52-55.
"Museen," Die Presse Schaufenster, January
30, 1992.
"Die Lehren der Leere," Kleine Zeitung,
February 7, 1992, p. 14.
Moser, Ulli. "Der Weg zum Glück," Kurier,
February 9, 1992, p. 12.
Sotriffer, Kristian. "Die Suche nach Schönheit,"
Die Press, February 16, 1992.
Rose, Barbara. "French Dealers as Donors," Art
& Auction, March 1992, pp. 50-52.
Rose, Barbara. "The Abstract Art Renaissance,"
Art & Auction, April 1992, pp. 36-40.
Peterson, William. "New Mexico: Growing Internationalism,"
ARTnews, April 1992, p. 124.
Kimmelman, Michael. "The Whitney Continues Its Search
For Itself," The New York Times, April 19, 1992,
Section 2, pp. 1, 33.
"Ze News," Galeries Magazine, April/May
1992, p. 15.
Sacharow, Anya, "Spectrum," Art News,
May 1992, p. 27.
The Art Newspaper, no. 18, May 1992, p. 7.
Gutterman, Scott. "Hans Namuth," Atelier,
July 1992, pp. 52-58.
"Museum Preview 1992-93," Art in America,
Annual 1992 (August), p. 24.
Mays, John Bentley. " Martin Demystified," Canadian
Art, Fall 1992, pp. 44-49.
Liebmann, Lisa. "Pure Abstraction," Harper's
Bazaar, October 1992, pp. 166-168, 218.
Bernier, Rosamond. "Drawing the Line," Vogue,
November 1992, pp. 304-307, 360.
Eauclaire, Sally. "Who Cares," Art & Antiques,
November 1992, p. 95.
Schjeldahl, Peter. "Agnes Martin Attention!"
Interview, November 1992, p. 58.
Kimmelman, Michael. "Nature's Mystical Poetry, Written
in Paint," The New York Times, November 15, 1992,
p. 35.
"Goings On About Town: Art," The New Yorker,
November 23, 1992.
Larson, Kay. "Solitary Refinement," New York,
November 23, 1992.
Schjeldahl, Peter. "Martin Eyes," The Village
Voice, November 24, 1992, p. 100.
Esterly, Freda. "Agnes Martin Retrospective at the Whitney
Museum," Staten Island Advance, December 24, 1992.
Levin, Kim. "Voice Choices: Art," The Village
Voice, December 29, 1992, p. 74.
|
| 1992-93 |
Kertess. Klaus. "A Sense of Wonder," Elle
Decor, December 1992/ January 1993, pp. 20-24.
|
| 1993 |
Bernard, Jonathan. "The Minimalist Aesthetic in the Plastic
Arts and in Music," Perspectives of New Music,
vol. 31, no. 1, Winter 1993, pp. 86-133.
Cotter, Holland. "Where City History Was Made, A 50's
Group Made Art History," The New York Times, January
5, 1993, pp. C11, C16.
Cotter, Holland. "Geometry and the Painterly Tradition,"
The New York Times, January 8, 1993, p. C22.
Eisler, Benita. "Like Lines," The New Yorker,
January 25, 1993, pp. 70-83.
Heartney, Eleanor. "Geometry of the Spirit,"
ARTnews, February 1993, p. 105.
Smith, Roberta. "Art in Review: Coenties Slip,"
The New York Times, February 12, 1993, p. C30.
"Ze News," Galeries Magazine, February/March
1993, p. 13.
Kuspit, Donald. "Reviews: Agnes Martin," Artforum,
March 1993.
McFarlin, Patrick. "THE Interview: Laura Carpenter,"
THE Magazine, March 1993, pp. 9-11.
Cotter, Holland. "Agnes Martin: All the Way to Heaven,"
Art in America, April 1993, pp. 88-97, 149.
Slatz, Jerry. "Let Us Now Praise Artist's Artists,"
Art & Auction, April 1993, pp. 74-79, 115.
Kohen, Helen L. "Exhibition is Martin's Masterpiece,"
The Miami Herald, May 23, 1993, p. 11.
"Goings On About Town," The New Yorker,
June 28, 1993, p. 17.
Czöppan, Gabi. "Aufsteiger des Jahres,"
Focus, no. 27, July 5, 1993, pp. 63-67.
Bogardi, Georges. "Permanent Installations of Contemporary
Art: Art Gallery of Ontario," Canadian Art, Summer 1993,
pp. 68-71.
"1992 In Review: The Museums," Art in America,
Annual Guide 93/94, August 1993, p. 31.
Sandler, Irving. "Agnes Martin Interview," Art
Monthly, September 1993, pp. 3-11.
Tennant, Donna. "In Search of Perfection: The Art and
Life of Agnes Martin," Museum and Arts Magazine,
September 1993, pp. 28-31.
Smith, Roberta. "More to It Than Meets the Eye: A Show
of Minimalist Paintings," The New York Times,
September 3, 1993, p. C14.
Drolet, Owen. "NY Reviews: Singular Dimensions in Painting,"
Flash Art, October 1993, pp. 78-79.
Heartney, Eleanor. "Report from Germany: Berlin Summer,"
Art in America, October 1993, pp. 43-49.
Hughes, Robert. "The View from Piccadilly," Time,
October 4, 1993, pp. 78-79.
Muller, Robert-Jan. "Collections: Marlies & Jo Eyck,"
Galeries Magazine, October/November 1993.
Wilson, MaLin. "Agnes Martin," THE Magazine,
December 1993, p. 47.
|
| 1994 |
"Mass MoCa Lives Anew," Art in America,
February 1994, p. 120.
"Les Grandes Dames," RheinArt, no. 85,
February 2, 1994.
Cotter, Holland. "Masterpieces of the Postwar Era,"
The New York Times, August 12, 1994, p. C3.
Vogel, Carol. "Inside Art," The New York Times,
September 23, 1994.
|
| 1995 |
"Front Page: Whitney Biennial Preview," Art
in America, January 1995.
"Whitney Museum of Art." New Yorker Magazine,
February 20th-27th, 1995, p. 37.
McFadden, Sarah. "Report from Cologne: Changing of the
Guard," Art in America, February 1995, pp. 58-60.
Cameron, Dan. "Critical Edge: Kertess's List,"
Art and Auction, February 1995, pp. 58-60.
Newhall, Edith. "Talent Purely Martin," New
York Magazine, February 20, 1995, p. 90.
Cotter, Holland. "Art in Review: Agnes Martin,"
The New York Times, March 3, 1995.
Kimmelman, Michael. "A Quirky Whitney Biennial,"
The New York Times, March 24, 1995, p. C1, C32.
Slonim, Jeffrey. "In With the Out Crowd," Artforum,
March 1995, pp. 12-14.
Gardner, Paul. "Agnes Martin's New Work: Small and Light,"
The Art Newspaper, March 1995, p. 35.
Stevens, Mark. "A Polite Biennial," New York
Magazine, April 3, 1995, pp. 56-57.
Rosenquist, James. "Return to Sender, Remembering Ray
Johnson, R.S.V.P.," Artforum, April 1995, p. 75,
113.
Napack, Jonathan. "Talk of the trade: SoHo's New Presence,"
Art & Auction, ,ay 1995, pp. 60-64.
Johnson, Ken. "Report from New York, Big Top Whitney,"
Art in America, June 1995, pp. 39-55.
Larson, Kay. "1995 Whitney Biennial," Atelier,
July 1995, pp. 8-17.
Witt, David l. "The Taos Moderns: Agnes Martin,"
Taos Magazine, July 1990, pp. 8-9.
Knight, Christopher. "A Blue-Chip Gallery Sees Blue Skies
in L.A.," Los Angeles Times, August 13, 1995,
pp. 53, 56.
Gimelson, Deborah. "A Carnegie Blast," The
New York Observer, August 28-September 4, 1995, p. 23.
Landi, Ann. "Lannan Hangs It Up," ARTnews,
September 1995, p. 44.
Auer, James. "Art museum exhibit embraces pluralism,"
Milwaukee Journal Sentinel, September 10, 1995, pp. 1,
12.
Kaufman, Jason Edward. "'Furniture' and architecture invade
the art," The Art Newspaper, November 1995, p.
12.
Schwartzman, Allan. "All-Star Casts," Artforum,
November 1995, pp. 23-24.
Kramer, Hilton. "Abolish the Carnegie, That Warhol Hellhole,"
The New York Observer, November 20, 1995, pp. 1, 25.
Polsky, Richard. "Ahead of the curve: Buy? Sell? Hold?,"
Art & Auction, December 1995, pp. 60-64.
|
| 1996 |
Stapen, Nancy. "ICA exhibit raises profile of women artists,"
The Boston Globe, February 6, 1996, pp. 51, 56.
Stevens, Mark. "Energy Made Visible," New
York, February 19, 1996, pp. 62-63.
Giuliano, Charles. "View Finder," The Improper
Bostonian, February 28 - March 12, 1996, p. 28.
Hill, Shawn. "Moved Aside by Men," Bay Windows,
February 29, 1996, pp. 26, 30.
Hughes, Robert. "Golden Oldies," Time,
March 4, 1996, pp. 60-62.
Hill, Shawn. "Art by Women 'Visible' at ICA,"
The Weekly Tab, March 19-25, 1996.
Tomkins, Calvin. "Total Abstraction," The
New Yorker, March 25, 1996, pp. 92-95.
Perrott, Jeffrey. "Writing on the Wall," Stuff
Magazine, April 1996, pp. 293, 295.
Cotter, Holland. "Agnes Martin, 'New Drawings and Watercolors,'"
New York Times, April 19, 1996, p. C21.
Cohen, Joyce. "Inside the Visible," The New
Art Examiner, May 1996, pp. 50-51.
Miller, Francine Koslow. "Inside the Visible,"
Artforum, May 1996.
Simon, Joan. "Perfection is in the Mind: An Interview
with Agnes Martin," Art in America, May 1996,
pp. 82-89, 124.
|
| 1997 |
Szabo, Julia. "Of Zen and Now," New York Newsday,
Jnauary 12, 1997, pp. C21, C30.
Cotter, Holland. "Like Her Paintings, Quiet, Unchanging,
Revered," The New York Times, January 19, 1997,
Arts & Leisure Section, cover, p. 45.
Cotter, Holland, "Legendary Painter's Painter," International
Herald Tribune, January 25-26, 1997, p. 7.
Bell, J. Bowyer, "Agnes Martin at PaceWildenstein,"
Review Art, February 1, 1997.
Bickers, Patricia. "Last Exit to Venice," Art
Monthly, July-August 1997, pp. 1-5.
Horton, Sarah. "A Taos Triumph: Taoseños Ready
the Harwood for Agnes Martin," Local Flavor, August/September
1997, pp. 44-45.
"New Agnes Martin Gallery to Highlight Reopening of Harwood
Museum," Tempo, September 11, 1997.
"New Agnes Martin Gallery," ARTnews, October
1997, p. 55.
MacNeil, William. "Museum Reborn," The Sunday
Journal, October 26, 1997, pp. 1,6.
Alden, Bill. "85-Year-Old Artist's Suit Over Works Is
Reinstated," New York Law Journal, October 30,
1997, pp. 1, 7.
"Appellate Division, First Department, Property Law, Artist's
Suit Over Works Is Reinstated," New York Law Journal,
October 31, 1997, pp. 25, 29.
Romancito, Rick. "'Fabulous' The Harwood Museum Opens
to Thunderous Applause," The Taos News/Tempo,
November 6, 1997, C14-16.
Hayes, David. "Lines in the Desert," Saturday
Night, December 1997, pp. 79-80, 82-84.
|
| 1998 |
Knight, Christopher. "Worth a Pilgrimage," Los
Angeles Times, April 12, 1998, pp. 61-62.
Murdoch, Robert M. "Agnes Martin: New Paintings,"
Review, April 15, 1998, pp. 27-28.
Naves, Mario. "An Ongoing Viability," The
New Criterion, May 1998, pp. 40-42.
Cotter, Holland. "Profiles: Agnes Martin," art
journal, Fall 1998, pp. 77-80.
Mitchell, Charles Dee. "A Metaphysics of Simplicity,"
Art in America, November 1998, pp. 122-123.
Goff, Robert. "Agnes Martin's Chapel," Out,
December 1998, p. 42.
|
| 1999 |
Collins, Tom. "Agnes Martin Reflects on Art & Life,"
Geronimo (Taos), January 1999, pp. 11, 13-15.
"High Five: Agnes Martin and John McLaughlin,"
The List (Edinburgh), July 22, 1999, p. 24.
"Observer Critics choose the Best Shows of Edinburgh 1999:
Art, Classical, Books," The Observer Review/Arts Edinburgh,
August 1, 1999, p. 7.
Beaumont, Susanna. "Agnes Martin and John McLaughlin,"
The List (Edinburgh), August 2, 1999, p. 64.
"Arts Edinburgh: Best of the Fest," The Guardian
(London), August 4, 1999, p. 14.
Jeffrey, Moira. "Agnes Martin: New Paintings,"
Sunday Herald/ Festival Reviews (Edinburgh), August 15,
1999, p. 13.
Clark, Robert. "Getting Horizontal," The Guardian/The
Guide, (London), August 21, 1999, p. 34.
"Fine Line Between Them," Scotland On Sunday
(Edinburgh), August 22, 1999, p. 30.
Cumming, Laura. "No Ideas, No Details. He Must Be A Genius,"
The Observer Review (Edinburgh), August 22, 1999, p. 7.
Henry, Clare. "United in the Quest for Perfection,"
The Herald (Edinburgh), August 27, 1999, p. 22.
Darwent, Charles. "Abstract Paintings that Talk To Themselves,"
Independent on Sunday, August 1999.
Sutherland, Giles. "Around The Galleries: Agnes Martin
and John McLaughlin," Times (Edinburgh), September
8, 1999, p. 37.
Prose, Francine. "The Sound of Silence," ARTnews,
December 1999, p. 142.
|
| 2000 |
Mason, Brook. "Fair Report: the ADAA Art Show, New York,"
The Art Newspaper (London), no. 102, April 2000.
Johnson. Ken. "Agnes Martin/Pace Wildenstein,"
The New York Times, May 19, 2000, p. E34.
Vogel, Carol. "Phillips Tries Again and Now Succeeds,"
The New York Times, May 19, 2000, p. B4. (Martin record
at auction).
Naves, Mario. "Agnes Martin's 10 Striped Canvases: Nuanced
or Just Not Boring?" The New York Observer, May
22, 2000, p. 14.
Gardner, James. "'Love" Is All Around,"
New York Post, May 29, 2000, p. 25.
Scott, Andrea K. "At the Galleries: The Thin Pale Line."
[http://www.edificerex.com]
May 2000.
Shaw, Leslie Ava. "Agnes Martin: PaceWildenstein Gallery,"
The New York Art World, June/July/August, 2000, p.
17.
van Rhyn, Jacqueline. "A Decade of Collecting: Recent
Acquisitions by the Harvard University Art Museums,"
Harvard University Art Bulletin 7, no. 2 (2000): 93.
Breuvart, Valérie. "Voilà." Review
of group exhibition at Musée D'Art Moderne De La Ville,
Paris. Artforum, November 2000, p. 162. |
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